The season is coming soon for the SAQA / Studio Art Quilt Associates annual fundraising auction:  bidding begins September 15th.  To learn more about the auction, go here. For my first collection, I chose Five Circles and a Line.

Lune Rouge by Gerrie Congdon. This quilt just about jumped off the screen at me. Although I have never been an abstracts person, I have always loved circles. The hand stitching and combination of red-orange and blue is wonderful!

Susan Else is a master at what she does and her stellar work always goes quickly. “Chorus” reminded me of what I called the “Sleepy Hollow dog bark” growing up. Each evening, around 9:30 to 10 pm, a dog would start barking in our little valley called Sleepy Hollow (in San Anselmo, California). The next dog would hear, then the next. Pretty soon, dogs all up and down Butterfield Road would be barking–I’d open the car windows and listen as I went home.

Lorraine Roy’s tree quilts have inspired me for years. Her series of tree rings with imagery is inspiring and it is all I can do NOT to copy they general idea!

Judith Content, best known for her shibori dyeing and kimono-shaped art quilts, is having fun here with these 3-D chocolate truffles.

Again, I’m not much of an abstract person, but I love the motion and spontaneity in Sherri Lipman McCauley’s piece Subtle Circles. The careful use of blue and black/gray in different weight lines and values (light/dark) is just right.

And I had to add Sarah Entsminger’s perfect line–her recent work has really spoken to me. I love the simplicity and perfection, the minimalism with lots of quilting, the careful use of dyed fabric with ideal placement of value and line…just SWOON!

Stay tuned for a few more collections in the coming weeks.  Which pieces would you bid on, budget permitting?   If I ever win a Mega-Millions (which would of course require me to buy a ticket or two first), I vow here and now to buy a couple SAQA Auction pieces each year!   As it is, I save my pennies and every couple of years hope one of the ones I want most lasts until I can afford it!

Ever so slightly ahead of schedule, I have begun quilting on the Lupines. Luckily (and one reason I chose this imagery) this will be easy quilting.  And yes, once again, I LOVE MY BERNINA Q20.  Crazy expensive and worth Every. Single. Penny.   Lots and LOTS of pennies.

This morning I finished basting the Lupines quilt.  I decided to try something I haven’t done before:  a double batt.   I definitely wanted to use wool, but I haven’t been able to find a source for my favorite Matilda’s Own Wool-poly blend batt in the US recently, and I’m hoarding my last batt.   So I used  Quilters’ Dream Wool which is much fluffier; I fused my top to that.

BUT I was concerned about distortion because of the fluffiness–it just didn’t feel like it would hang well and be stable.  Dreamy (pun intended) in a bed, lap or snuggle quilt, but by itself on a densely quilted wall quilt?  Not so much.  So I took the only cotton batting I had, Quilters Dream Select, and layered that underneath the wool.  If I had had Request, the thinnest, I would have used that instead.  Finally, spray basted the backing and safety pinned intermittently.  I am using up long lengths of print fabric in my stash when they suit the quilt–time to move them along.  Will have to dye something to match for facings and hanging sleeve.

I also selected thread yesterday afternoon and this morning.

When I choose thread for a quilt, I “test drive” it by drizzling on the surface. If it works, it goes in the shallow box. I probably won’t use all of these, but will use most of them–about half the solid greens and almost all of the rest. And I added a medium purple this morning and will likely not use the dark purple in the box at all.

Things I have learned so far:

• Painting a nonwoven is a good thing.  But if that nonwoven is Pellon 65 heavyweight interfacing, it is somewhat like using construction paper.  Will do the non woven thing again, but will look for something softer yet still dense (so no shadow through).
• Mistyfuse is by far my fusible of choice.  But it behaves differently on the interfacing than it does on cloth.  If I fuse this particular interfacing again, I will use TWO layers of Mistyfuse–it is plenty fine and easy to stitch, and it will help this painted interfacing stick better–see photo.

Because of the difference (in porosity maybe?) between fabric and interfacing, my fusible isn’t sticking quite as well as usual. So I have re-fused various spots, and in a couple of cases tucked snippets of Mistyfuse under the stubborn lifting petals. I found, luckily, that if I am careful I can still quilt those lifting petals because the interfacing doesn’t wobble around like fabric.

And to my astonishment, I quilted almost five of the six purple lupines today.  I have a couple of the tops where I will use pale lilac or cream unstitched as of this evening, but I am definitely farther along than I thought I would be.

Quilting in progress…done on the right, not done on the left. Using just one purple thread to stitch down the petals/quilt down the petals is working out OK despite the value changes from petal to petal.

That means the “after Eli goes back to college” period may be less frantic than I had feared. YIPPEE!  Barring catastrophe, I will be one and able to take photos and submit then ON TIME.  Stay tuned!

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My Quilting Arts Article, August-September 2018, on using your camera–in the case of this article, the one on my PHONE…nothing fancy!

PANTONE Studio app as it displays on my phone — I use just the “Images” function. My app was free, but there are in-app purchases that I haven’t tried.

Found it in Google Play (Android). It’s called myPantone but is not published by Pantone itself. It does cost $7.99 and you have to download another app Color True (free) but I am having so much fun. Thanks.

Screen shot from my phone on 9/16/18 showing the app available.

Picking colors on the app: you get to move the dots around to generate a palette. It is fun to watch the colors change, and how the phone “averages” the pixels under the dot to create a color.  And yes, this was done months ago when I was writing the article.

Once you have selected the colors, you can generate a palette and then export it to your photos album/folder.

The bottom line:  I expect there are various “color picker” apps out there.  Try what you can find–you don’t necessarily need to have exact Pantone colors with color codes for the purpose here.

MOST IMPORTANT:  trust your eye!   You will learn and grasp color more quickly than you realize.  When in doubt, go with what your eye and instinct/gut tell you.  The artwork you produce is YOUR artwork, not that of the app designers.  And HAVE FUN!

UPDATE:  Thanks to an inquiry from Janice N., I’m adding this info:

Question:  Downloaded the app. Am I correct that there is no way to access photos from the phone and no way to save the photo with the color analysis.

Answer: Yes, you can access your own photos and then you can export it to your photo album.  Open the app.  Click on images.  Up at the very top, in the white bar, if you tap that it will give you a drop-down menu.  Mine says “Recently Added,” but I can click that and it allows me to choose from FB, Pinterest, Instagram, etc., All  Photos, Favorites, etc.  Just tap whatever one you want, and then choose a photo from that.

Once you have selected your colors/moved the dots around, there is an export icon at the top…looks like a box with an arrow pointing up.  Tap that.  A new menu appears.  You can save it as a Palette or Share.  A window then appears that says “Select Item to Share.”  Click the circle/dot (in my case in the lower right).  Then click Share on the bottom.  An iOS menu pops up that allows you to save it to iCloud Photo Sharing, Save the images, Save to Files, AirDrop to your computer or whatever.  Tap whichever one you want and presto!   I share my PicStitch collages to Instagram often (more on that app in a few days). 

HTH…if not clear, ask again.  I may add this to the blogpost…is your question and my reply ok to share with you?

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Interested in trying your hand at art quilts? Not sure where to start? This class has proved a perennial favorite at IQF Houston (and elsewhere)–sign up soon!  

Yes, registration is OPEN for classes for International Quilt Festival Houston 2018, including my four classes.  Over the next week, I’ll recap my four classes (well, three full day classes and the Machine Quilting Forum).  I hope to see some of you  in those classes!

On Tuesday, the day between Quilt Market (open to the trade only) and Quilt Festival (open to anyone who pays admission), I’ll be teaching Birch Pond Seasons.  The wonderful thing about this workshop is that you can bring a photo of your own favorite pond or hills and morph my pattern into your special place!   The class is always full or almost full–I’m hoping that with it scheduled on Tuesday I’ll be able to entice some Market-goers to stay over for a workshop.

Here’s the summer version:

Summer version

And autumn:

Autumn at Birch Pond

You’ll learn basics of fusing, working from a pattern without having to cut a bazillion pattern pieces, working a bit more free-form and improvisationally, how to “strip fuse,” fusing easy-melt fabrics like synthetic sheers, fabric selection, and time-permitting in the afternoon we’ll talk about quilting.  The class includes a kit fee that covers handouts, pattern sheet, a full package of white Mistyfuse, and a few tidbits.  You bring a range of fabrics but not a ton of any one fabric (maybe a fat quarter for sky and half that for the pond)…a range of fabrics is more important than a lot of any one thing.

Here is a blogpost about students taking this class some years ago.  This post will give you a feel for the class.

If you click here to get to my classes page, scroll down to Birch Pond Seasons class and you can click on the link for the PDF Class supply list, too.

Sign up before it fills!  If you have questions, just leave a comment or contact me via the Contact page (link up top).  Here’s the link to IQF enrollment   again.  See you there!

OH MY….let’s just say every single person on the boat was snapping pics like mad!

Though this was the evening before the last session, it needs to go last as a spectacular wrap-up to a fun and informative week at the first ever Janome Educational Summit.  We had Artisans and Makers from the US and Canada, members of Janome America and Janome Canada staff, so many generous and inspiring sponsors, worked on the Janome 15000, 9400, Serger, Cover-stitch machines, did piecing, quilting, Acu-design work, worked on garments, fleece, double gauze, knits, learned about industry trends and upcoming machines and campaigns, and most of all had a blast getting to know each other.  It is amazing how quickly a community of like minded souls can meld into a group that sticks together even after you go home.

At the last minute, just the Friday before the summit (we arrived Monday afternoon), Shin Yamamoto the President of Janome America, decided they needed to lay on something special for our last evening.   OH MY did they ever!   A dinner cruise on the Hudson from NJ down to the Statue of Liberty and back.  The rain of the earlier week had vanished, the temperature was perfect, the humidity low.   Traffic en  from Park Ridge to up by the Hudson and back was something else again for this Maine Mom (more cars in the 90 minutes it took to get there, there were more cars on that route than I think in the entire state of Maine), but what a treat.

At the dock waiting to depart

Sailing under the bridges…arches that I recognized from photos of NYC and some of the Janome crowd, including my main contact Erin S.

After dinner up on deck, the Janome crowd enjoying the perfect weather…gosh what a FUN group.  The collective skill level in that room was beyond amazing!

Miriam and Karen….what a fantastic photo!

Me and Meredith–can you tell we were having fun?

Terry, Sam, Meredith and the sunset, Liz, Miriam and Karen behind the pole

MORE sunset, Statue of Liberty at far left

Lady Liberty, as the Star Spangled Banner and God Bless America / Land That I Love (cue Kate Smith!) played. Utter. Complete. Perfection!

After the Statue of Liberty we turned around to head back to the dock, as night fell and the lights came up. Magical!

I’m so not a city girl, but if you’re gonna do city, this is pretty spectacular.  Look at those reflections in the water!

The NJ side of the Hudson as we headed back…loved the light falling light water down the side of that skyscraper.

The end of the trip. WOW.  THANK YOU JANOME AMERICA, and you betcha I’m shouting!

Thank you Shin Yamamoto and David Manierka for being such good advocates for Janome, Janome users, and all the folks at Janome, and for such a phenomenal week. It was such a treat to be able to meet in person folks from shipping to marketing to headquarters whose names I have known these past fifteen years. THANK YOU Regena Carvelaro for putting together a Summit that has to rival the best of these events anywhere, any time.   Thank you Erin Schlosser, for being a great contact, for supporting the makers and artisans that work with Janome, for all you did to make this event such a success.  And thank you to the sponsors/presenters, Educators, Makers and Artisans who were the lively, inspiring heart and soul of this event.  Let’s do it again!

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