“Sarah, Your class was really great and I learned a lot. You are an engaging teacher with down to earth instructions and entertaining anecdotes. Thank you so much for traveling all the way to Greenville!" - Joanna
"I want to share that I've heard wonderful reviews of the technique along with praise for your teaching style from lots of the women. "Very informative", "Encouraging", "Addictive," "Practical," and "Approachable" are just a few of the accolades! I personally want to thank you for making the journey north and sharing with all of us." - Emily
"If your guild is looking for a teacher, I highly recommend Sarah Ann Smith! Her work is amazing, but beyond that she is a phenomanal teacher. Students will learn so much and not only that they can incorporate those skills into their own original pieces! She is great to work with and as a guild program chair it was such a pleasure. She willingly works to get the most value for the dollar and promptly communicates to make things go as smoothly as possible!" -Debby Harwell, NC
After many, many years on the road and in airports since 2004, I am significantly scaling back my teaching. That trip in March 2022 that lasted 20 hours did me in! I am still accepting just a very few jobs each year. I am accepting venues for 2024 in New England as I can drive in a day's time or less. I am also accepting online lectures and possibly, in 2024, online workshops. If your location is farther than New England (exceptions made for Australia, New Zealand, South Africa and the UK & Europe), please do ask. I will likely schedule no more than one or two air-travel-required bookings a year.
Please click this link for a pdf copy of my contract, which includes information about fees for both in person and live events. I will continue to offer lectures online but all workshops are to be in person.
There are PDF supply lists in each description below. Classes are full-day unless otherwise noted. Some classes have links to blogposts to help you get a feel for what to bring. At some shows, class kits include some of the items on the supply list so no need to duplicate. Finally, if the show provides machines (check with organizers), no need to bring yours. Please contact me if you have questions.
March 23, 2024, Saturday: Calico Quilters of Yarmouth, Maine: Bindings and Piping and Facings, Oh My workshop. Please contact Calico Quilters for sign up information.
July 2024, Thursday to Saturday: Finding Home, a solo exhibit at Maine Quilts 2024 . Join me for a retrospective of my work that celebrates all I hold dear: my family, friends and Maine.
Sometimes the simplest thing is the hardest: the basic binding. It is the foundation of so many wonderful variations. In this half-day workshop, available for live online as well as in person workshops, learn to make perfect Bindings, both straight grain and bias. Then see a gallery of variations on the theme. See the supply list here.
Sometimes a clean edge is the best look of all. In this half-day class, you will learn my method for making the most beautiful (and easy) facings out there. I use this technique on almost all of my art quilts, and a nationally certified judge even asked permission to teach this method! Follow my steps and you'll reach near-perfection. As time allows, I will demonstrate how to make piping (to use as an edge finish on its own OR in conjunction with bindings) and other creative edge finishes such as couched and painted edges. This half-day workshop is the companion to Absolutely Postively Perfect Bindings. The two Absolutely Positively Perfect classes combined cover the same territory as Bindings and Facings and Piping, Oh My!, my all-day workshop. Here is the Class Supply List.
This is a project class using fusible web and decorative and utility stitches on your sewing machine to make this small wall hanging, table runner or pillow top inspired by the lush gardens of Bali. This pattern would be stunning in vibrant batiks, a cream-to-toffee elegant color-scheme, a gentle pastel selection, or brights. Balinese Garden Class Supply List here.
Learn to make a perfect mitered binding straight grain bindings, double-fold bias bindings, piping, facings and couched yarns. Time permitting Sarah will share share fabric accents, fused bindings, wacky raw-edge squares and more. By the end of this class you’ll have a “swatchbook” of samples and notes for future reference. Bindings and Piping and Facings Oh My! Class Supply List here.
Learn fusible applique, several techniques for "piecing" with fused fabrics, and how to make your own Birch Pond art quilt. I'll also cover facings as an edge finish and a range of fun ideas that will let you branch out on your own after class. Kit fee ($20) covers the cost of the pattern and one package of white MistyFuse (except when taught in stores; then, please purchase these items from the store). Class supply list here. Blogpost of previous class here. See pattern covers here; you do not need to purchase the pattern for this class.
IQF HOUSTON and other show STUDENTS: Don't bring sewing stuff (seam ripper etc) as we won't be sewing in class. The pattern, Mistyfuse, a half sheet of Transdoodle and a length of baking parchment (to use as a non-stick press sheet) are included in your kit, so you don't need to bring those from home. If you are flying in (not driving), instead of the portable ironing surface, bring a piece of cardboard or mat to transport your work from your table to the ironing station.
Learn Sarah's process of working from a photograph to create your own fused, collaged art quilt. This workshop can be 1 or 2 days (see below). Kit information is below. If the venue wishes, this workshop can be expanded to two or three days to allow students to bring in their own photographs and begin work on their own artwork with Sarah to help guide them. The workshop can also be booked in conjunction with Quilting the Garden: Thread-Coloring the Flower to create a three-to-five day workshop. Click on the titles for the Supply Lists: one-day class, two-day class. For an online workshop, please use the online supply list.
Kit information: To make your workshop experience easy, the kit for selected in person workshops includes both photos of the lotus (pink) and the lily (orange) on 8 1/2 x 11 color good paper stock (but not photo paper) to get a crisp image, a clear page protector and half-page of white transfer paper, a full package of MistyFuse White, baking parchment (for non-stick fusing), and a page protector. At major shows you may be in a classroom where machines are provided, so don't bring a machine after checking with the venue about machines. Kit fee in 2020 is $19.
Day 1 or One-Day Class: Use one of my photo images to create your art quilt top. Students learn how to create a working pattern/guide sheet, select a range of fabrics, apply fusible, then use a combination of traced shapes and "fabric brushstrokes" to create a floral image. By the end of the first day students will have a small fused quilt top which can be expanded to include other imagery, flowers, background, etc. Time permitting we will discuss options for quilting this image.
Day 2 (if venue selects a two-day workshop) builds on what is learned during the first day, students will share their own photographs, select one, and create their own top. (Note if you have trouble finding a suitable photograph of your own, Sarah has more on her blog or google copy-right free images.) Quilts may range from small to medium, perhaps 12 inches on each side to 36 inches or so. We will spend more time on selecting a more detailed range of fabrics, preparing the fabrics for collage, marking, and constructing the components of the top. How much is accomplished will depend on the pace at which the student works, the complexity of the image and overall size.
For booking venues, if you book this as a two-day workshop, the second day students build on what is learned during the first day. Students will share their own photographs, select one, and create their own top. (Note if you have trouble finding a suitable photograph of your own, google copy-right free images or get in touch with Sarah.) Quilts may range from small to medium, perhaps 12 inches on each side to 36 inches or so. We will spend more time on selecting a more detailed range of fabrics, preparing the fabrics for collage, marking, and constructing the components of the top. How much is accomplished will depend on the pace at which the student works, the complexity of the image and overall size.
Make a small wallhanging or several small blocks which take full advantage of the decorative stitches on your sewing machine. Using fusible applique and an assortment of as many threads as you care to bring, you'll see how versatile a single leaf can be! The embroidery/decorative stitches you use in this class can be adapted to your choice of other applique methods. We will use fusibles in class so that you can make a wide selection during the class. The project samples can be used for a quilt, garment or home dec item. Decorative Stitch Supply List here. Houston students, please read next paragraph.
IQF Houston Students: We will be in a classroom with machines provided that have decorative stitches. For thread, bring a selection of colors that work well together. You don't need a huge cone of anything...a range of colors is better than a few large cones. We play with satin stitch, decorative stitches, layering stitches both side by side and one on top of the other, so threads that contrast are good, too!
Make these quick easy bags from a zipper, two rectangles of fabric and a rectangle of batting. You can add custom pockets, sized to fit your needs, and embellish with buttons, ribbon, extra zipper tape, or beads. The basic pattern can be adapted to a sketchbook cover, an iPad / tablet case, business card or gift card case, even a paintbrush/pencil/pen holder. The orange bag and card holder were featured in the projects for the 2014 Quilting Arts Holiday issue. In a half-day class, students can probably complete one basic bag. In a full-day class, students can probably complete two bags or a bag and notebook/sketchbook cover. Here is the Easy-Peasy Inside-Out Bag Supply List. See a blogpost about these bags here.
For IQF Houston students: We will be in a classroom with machines that have lots of fun decorative stitches. Bring a selection of thread colors that work well together and with your fabric and zipper colors (I'll have a FEW zippers for sale, too). Can't wait to see you..these are SO much fun to make. Like potato chips....bet you can't make just one!
Machine quilting is fun! Learn what you need to know for hassle-free machine quilting. We'll try some special walking foot quilting, then move on to free motion which is as easy as writing! We begin with a digital overview of essential information, then dive in to the fun with both walking-foot and free-motion quilting a sampler of patterns, including writing your name in thread. . For the Intro to Machine Quilting Class Supply List, click here.
Officially, this class is retired, but it's still here just in case. Learn three methods of machine appliqué to create a gingko leaf or oval leaf wallhanging in a fraction of the time it would take to do hand appliqué. You’ll learn fusible appliqué with satin stitch, freezer-paper-underneath appliqué, fusible interfacing underneath, and reverse. You should be able to complete three to five blocks during class. This class is suitable both for quilters and garment makers, who may wish to incorporate the blocks into garments, totebags, placemats and other projects. Machine Applique 3 1/2 Ways Supply List here.
Metallic and other "fussy" threads really aren't once you learn Sarah's special tips and tricks to succeed with threads that some think are challenging but really aren't! This is the not-painting version of Tame Fussy Fiddly Threads. Instead of learning to use textile paint in the morning to create your original design, you'll use Sarah's exclusive, custom printed snowflake fabric to make a tablerunner (12x35"). Spruce up your winter decor! The required kit includes the custom fabric, batting, backing, and threads. The fee for the kit varies as the full day version has more thread (since there is more time to quilt).
In early 2020 the half-day kit for in person classes is $40 and includes two spools of Superior Threads and one pre-wound bobbin. Sarah will have matching fabric for binding for sale, as well as additional optional threads to try. For a class supply list, click here.
For ONLINE workshops only, please refer to this ONLINE class supply list.
Stumped about how to quilt your quilt top? Have a stencil, but it’s the wrong size? Can’t find anything to go with that stencil? Then this is the class for you – whether you plan to quilt by hand or machine, learn how to choose a design that complements and enhances your quilt top. We will discuss how to choose a design, use a transparent overlay sheet to “test” options, considerations for the design depending on whether you plan to hand or machine quilt, and suitable threads. Can be a one-day, one and a half day or two day workshop. If students want more time to develop designs and practice the skills taught, the extended time helps! Quilting Design Class Supply List here.
Collage the Garden: From Photo to Flower and Thread-Coloring the Garden are complementary workshops that can be booked individually or together as a Quilting the Garden extended workshop. Guilds, shops and shows can select one-day workshops up to a five-day master class that begins with learning Sarah's fused collage method through quilting the project and finishing. Please check the individual class listings for more information. For quilt shows where machines are provided, please do not bring your own machine, just drop that from the supply requirements.
When you are comfortable with free-motion quilting, this class will help you take your skills to a new level! You don't need to think you are good at FMQ, just be willing to give it a go. Learn about different types of threads including cotton, polyester, rayon, metallic, flat metallic film, variegated, and how to use them to enhance your quilt. The morning will feature stencil-painting your solid dark background and I'll share tips and tricks for using fiddly threads. In the afternoon you'll continue to play with and learn to sew with these threads. For the Fussy Fiddly Class Supply List, click here.
For IQF Houston students: We will be in a classroom machines provided, so please don't bring your own machine! One less thing to haul to class!
Kit fee of about $44 covers four spools of specialty threads from Superior Threads, two pre-wound bobbins, plus paint supplies. Students have a choice of two colorways: blues or earthtones, and for the Glitter/metallics silver or gold. Additional thread is available for purchase if the class is not held in a store.
Create and use your own screen-printed fabrics to create this project (and a second piece of cloth) of a mixed-media nest. You'll receive a kit with your own take-home thermofax screen of Queen Anne's Lace and Sarah's hand-dyed cheesecloth and perle cotton, and use class paint supplies. In most surface design classes, the goal is the cloth. Here you'll learn to use the cloth as a supporting player for your own art. It's like getting custom-made (by you!) batiks, but with paint. Here is The Nest Supply List. Note that this can be offered as both a half-day and full day class. Bring fabric according to class length.
Learn to thread-color your top at the top or quilting stage. You'll learn how to select threads, identify areas of light, medium and dark, and how to blend threads to provide smooth color transitions. Your class handout (provided upon enrollment for online workshops) will help you have the appropriate range of threads and allow you a choice of purchasing the photo printed on cloth, using a digital print or using my drawing to create an line-drawing image to use. For in-person students, please click here to see the Class Supply List. For Mancuso ONLINE Shows students, please click here for the Mancuso Supply List.
Please feel free to contact me with questions.
For in person classes, rather than spend time creating a top (and worrying that you will mess it up), Sarah will provide a kit with a photo printed onto fabric (by Spoonflower) and a kit of thread suitable for the photo selected. The kit, cost of about $44, includes printed fabric, stabilizer, five spools of Superior Thread, and two pre-wound bobbins. By having a kit, you'll be certain to have the correct colors for the flower, and can fill in the greens from your own thread stash.
For online classes, there may be an optional kit of just the printed fabric plus shipping, about $17. However, I have modified the class so you can use commercial digitally printed images or transfer a line drawing onto solid-ish cloth and still learn the process.
IQF Houston students: we will be in a classroom with machines and appropriate presser feet provided.
Mancuso ONLINE QuiltFest students: Please find the ONLINE Quiltfest supply list here.
Mancuso in person show students: Please see the special Mancuso Supply List. Your kit, $19, will iclude everything except the thread. If you would like the thread, please email me via the Contact Me page and pre-order the five spools and two bobbins of thread. You can pay me in class for the thread.
Quilting the Garden: Collage the Garden and Thread-Coloring the Garden are complementary workshops that can be booked individually or together. Guilds, shops and shows can select one-day workshops up to a five-day master class that begins with learning Sarah's fused collage method through quilting the project and finishing.
Pre-requisite: All students should feel comfortable free-motion quilting. You don't have to think you are good at it, just able to give it a go.
A digital trunk show supplemented with a few "live" quilts (more when in driving distance of Maine) and a conversation with me about how I made various quilts, including techniques, materials, moving from idea to cloth, and what I would definitely not do again! The quilts show how I work from initial concept to design, construction, quilting and final finishing. The quilts shown illustrate my collage technique using pre-fused fabrics to create realistic imagery, both portraits and landscapes, and then bring the quilt to life with intense free-motion stitching. The quilts in this digital trunk show include landscapes imaginary and realistic, a portrait of my older son, koi, a portrait of an African whom I photographed in 1982, a landscape from a photograph I took at Macchu Pichu in the late 80s, and much more. I love questions about what and how, so please ask during the lecture!
Follow Sarah through the year to see how Inspiration from her daily dog walkies become creative fodder for her art. Using just photos taken on her cell phone, you'll learn fow she uses quick and easy snaps as a way to refine her skills in composition, color and design. Some of these photos even turned into quilts which she will share in this digital presentation supplemented with selected quilts.
Journal quilts are for everyone, not just art quilters! So what IS a journal quilt? It is a small thing, often the size of a piece of copy paper, that gives you a chance to learn a new technique or try out a new idea without using a lot of time or materials. Sarah will share her journals, what she learned from them and how she developed as an artist using, then she'll share inspiring journal quilts by others. Finally, learn how to make your own journal quilts and use a sketch journal to record quilt ideas and practice new techniques—you don’t need to be an artist, just willing to see!
Beads are for more than making jewelry. Like bed quilts, art quilts are made of cloth, batting and thread, but they are displayed as works of art. Art quilters use beads and other treasures to enhance their quilts, to be a major design element, or even to cover the surface of a quilt. Sarah will share both her quilts and those of other leading art quilters whose styles range from minimalist to encrusted in a digital presentation.
There are many ways to learn how to use color: a favorite sweater, a swatch of fabric, a magazine photo, or the color wheel. Sarah explains them all while showing her progress from first quilt to recent work.
All images and text are © copyright Sarah Ann Smith. Reproduction of any kind is expressly prohibited without written consent.
Sarah Ann Smith
Hope, Maine 04847 USA
Artist • Author • Designer •
Quilter • Teacher