Today’s blogpost is my Michael Miller Brand Ambassador project for April. I was fortunate to receive my fabrics and things just before everything shut down! I knew I wanted to make up the Running With Scissors pattern from byAnnie.com, so I wrote to ask permission. To my utter delight they not only said yes, but what do you need and we will send you supplies! So thank you also go byAnnie.com for the mesh, vinyl, stretchy elastic stuff, Soft & Stable foam “batting” and scissors. I actually placed a wholesale order with my regular wholesaler for about $95 more of byAnnie goodies — I have been buying her patterns for a couple years and this is the perfect year to make them in conjunction with Michael Miller Fabrics.
Here is part of the collection. I used the Postage Stamp fabric in charcoal/black background for the outside of the bag, and the Tropical Leaves on white on the inside.
When I selected this fun line of fabric for one of my second quarter projects as a Michael Miller Brand Ambassador, a global pandemic wasn’t even a blip on most of our radars. But who wouldn’t love to be on a beach with a balmy sea breeze, enjoying the turquoise waters and lush green foliage of a tropical splendor. Well, now that COVID-19 and hunkering down at home are the order of the day, a virtual escape is even MORE fun.
Fabrics are from top to bottom: Garden Pindots in Raspberry, Lavish Leaves in white, Garden Pindots in Marine, Hash Dot, Garden Pindots in Fern and , and Tropical Getaway in black, the feature fabric with “stamps.” The Garden Pindots and Hash Dot fabrics are Michael Miller Basics and always available, while the two prints are from the Lost in Paradise line that should be shipping to stores in April/May, though we now know that all previously planned schedules are now subject to change!
For some time now, I have been “collecting” patterns from byAnnie.com. I decided now was the perfect time to try at least one of them out.
These are the items I used for my project. I made a few changes (small) to the pattern and the supplies. Two of those are the magnets from byAnnie.com (little box to the left of the green elastic) and using the thermal barrier fabric we were given at the Janome Education Summit nearly two years ago.
I had only done one byAnnie.com pattern before, a freebie for the Petit Four box/basket. Annie is one smart and organized lady–and with a pattern with as many parts as this case, that’s a very good thing. If you are a linear thinker, you will ADORE her methodical step-by-step approach. If you are a global thinker, like me, and need to see the big picture I suggest that if you make this project skim the first 7 pages of the pattern. Then read Pages 8-9 CLOSELY so you can understand where the component parts go. Then go back to page 1 and go through it closely step by step. I don’t do well when I am being led to an end without knowing the overall picture (literally as well as figuratively) or where “pocket D” goes! Once I got the overall picture, having Annie’s very careful process and step by step approach was brilliant for me, too.
Annie’s attention to detail and fine craftsmanship also sets my heart aflutter–I am a stickler for fine workmanship and beautiful results. You can learn a lot from her patterns, so I encourage you to go ahead and dive in no matter how complex because the instructions will guide you at every step. The Add-On videos that now come with some of the patterns are also extremely helpful. You get a “just for you” code with a pattern that allows you to access extensive information on the byAnnie.com website.
By making a very small change to the overall dimensions–1″ each way when zipped closed–I was able to fit my cutting mat in an outside pocket as well as my long scissors. There is a companion pattern, the Take a Stand bag, that serves as an “easel” for this bag. Since I travel teach and my suitcase usually weighs 49.8 pounds (.2 under the limit), I knew I wouldn’t want to carry the extra case. BUT I wanted this bag to stand up for me. I have the mat on one side, some rigid plastic on the other, and added some straps (see below) so I can still use it upright on my teacher’s table! My changes meant I needed to remember to adjust the sizes of the pockets to make each item 1″ wider and, for the outside pockets a bit longer. Luckily, the 40″ zipper to close the entire case was still plenty long.
One of the first things you want to do is take an inventory of what you want to put in the case. Here is what is in my “toss it all in” bag for teaching:
I managed to fit everything except the roll of tape, plus a few extras.As usual, I need to customize things. My pleated pockets hold my rotary cutter on one end and my breath mints (truth: you teach and don’t hydrate enough because you don’t want to need to leave the classroom to run down the hall, but that can lead to lunch-breath! Ick! So I always have Altoids!).Sewing with tissue or paper under the vinyl prevented sticking to the machine bed. I was impressed by the thickness and flexibility of the byAnnie vinyl–the best I’ve come across. I received one of Annie’s stilettos in the teacher goodie bag at Houston years ago but hadn’t really used it, preferring to use a bamboo skewer or something less hazardous if I hit it with the needle. I am a convert to using this tool for many (though not all) purposes. I took a 90 minute lecture/demo class with Annie Unrein at Houston during Market last year, and learned that the tip isn’t smooth but kinda grippy. What a difference that makes! And the flat back end “presses” seams open at the sewing machine. The fact that you can also “spear” the fabric or zipper tape with the tip makes wrangling the multiple layers easy.Those new BFF Wonder Clips also make it easy to control the bulk without bending pins! And now I want to go have a pina colada on a beach somewhere….Annie has a pretty nifty way to create beautifully finished edges. Using the ability to fine-tune where the needle drops combined with the accufeed (walking) foot meant I was able to do a nice job with the topstitching which keeps the zipper tape from misbehaving while in use.I’ve been impressed by the M7 ever since Janome America (THANK YOU AGAIN for 16+ years of sponsorship!) sent me a loaner. I continue to be astounded at how well it works. I mean–a quarter of an inch thick through dense zipper tapes (TWO of them), foam batting, multiple layers of fabric, and not a fuss! If I were just traveling by car, I would TOTALLY make Annie’s Take a Stand bag, the companion to the Running with Scissors pattern. You just drape this case over the top of the Stand bag, and presto. I improvised by creating straps cut from 1 1/2″ x 12″ strips of fabric. I appliquéd magnets to the inside of the outside pockets (testing to make sure they would grab, and indeed they are plenty strong). The photo below shows the testing stage.The other minor fiddle to the pattern… I did the tabs my way. I sew a square or rectangle to the end of the zipper. Then I use my beloved glue stick (which is dynamite for sewing bindings by machine for washable things like placemats) to hold things in place before sewing. And here is my finished bag on the inside… I LOVE IT! It’s SO PRETTY!!!!! On the right you can see how the magnet-strap tucks into the pocket (top, with green rotary cutter) and pulled out next to the Altoids tin. At first I wasn’t going to make the optional pressing mat. The idea of it is to protect your tools: set it in the center of the case and when closed the tools won’t rub on each other or scratch. I thought–don’t need the bulk. But then I thought why not…I can take it or leave it at home as needed. But I was worried about plastic tables at guilds if I were to use the Soft and Stable foam insulation. Instead, I used a layer of print fabric, a layer of pure cotton batting, a layer of the solarize insulating material, then two layers of wool felt. I didn’t quilt them…just sewed them together around the edges. It works!
PS: that quilt top in the background is going to be called “214,” for the 214 colors of Cotton Couture solids made by Michael Miller. Stay tuned for that quilted later in the year!
I only did one thing I wish I had done differently: I didn’t quite get the measurements correct when handling the zipper on the tab end because I had modified the sizes. I expect the zipper would be easier to open if I had heeded the precise measurements, but working from the center out instead of the edge to the center. I have learned: trust Annie’s patterns (and I’m not usually one to go by someone else’s rules).
I LOVE THIS BAG SO MUCH–the Michael Miller fabrics just make me happy–those are SO my colors! I actually have not put it away, and reorganized my work table so I can keep it opened / standing up right near where I work. Stay tuned for my own take on bags and baskets in May and at least one other byAnnie pattern later this year!
For a while now I’ve wanted to blog about irons, and why I love the ones I have. Yes, plural…..I have SIX! Three are “small” size, two are regular, and one is Sirius the Black Dragon. Yes, my Janome M7 sewing machine is named Albus (the second, he had a predecessor named Albus). There’s even a video at the end of this post about all these irons!
From left to right: the CHI, my beloved Panasonic Titanium Nonstick, the little mushroom style, the (SOB no longer made SOB) Clover, and Sirius, a LauraStar steam generator. I have a sixth sorta small iron, but it is too heavy/awkward for my hands and was upstairs for use steaming in the closet–not that I’ve actually ever used it for that. Sigh.
The Panasonic is my go-to iron for fusing. At 1200 watts, it gets hot and has acceptable steam, although I almost always use it as a dry iron. I love this iron so much I wore the finish off my last one! I always have one that is my working iron, and a brand new spare in the closet in case the cats or I knock it off the ironing board one time too many (studio is in the basement, cement floor…not good for falling objects). I can LITERALLY place this on Mistyfuse or other fusible web, melt it all over the bottom of the iron and WIPE IT CLEAN. No more hot iron cleaner fumes (which cannot be good to inhale–they set off smoke detectors)! For the price of four tubes of iron cleaner, you’re golden. This link takes you to the one I am currently using–I like that it has auto off because I am easily distracted. As of April 2020, it is a whopping US $27. Even if you only use it for fusing, it’s worth it!
I fuse on top of my ironing surface, but also on the design wall. Holding the iron (which is relatively light) had gotten uncomfortable because I have arthritis in my thumbs and wrists. So I tried the little mushroom iron, the ones you see in classrooms and at retreats–many folks can plug them in and not blow the fuses. It is quite comfortable to hold when used on a flat surface, but on the design wall it requires you to bend your wrist, and that hurts for me.
Here I am holding the iron on the design wall, and I have to bend at the wrist which causes discomfort. That’s why I really prefer the…SOB….not longer available Clover iron. Yeah, I’m sorry, I know that doesn’t help you very much. I haven’t included a link for the little mushroom style irons…there are a bazillion available on Amazon, at quilt shops and so on. From what I can tell they are fairly similar.The Clover iron is ideal for the design wall. The “mug” handle rests on my fingers, and I can see my hand and forearm in a single line–as if I were wearing a brace. That means I can tap it onto the design wall as I work with no pain at all. I don’t know if there are any models similar to this style out there….If ANYONE KNOWS OF SOMETHING SIMILAR, please TELL ME! I’d love to test one out and see if I can recommend it to my students. And if anyone knows someone at Clover that we can all write and beg them to make this again, tell me that, too!The 1200 watt Panasonic Titanium non-stick iron is on the left, the CHI 1700 watt is on the right, and that glorious fabric is Meadow color of HashDot by Michael Miller Fabrics.
For years I have recommended the Panasonic Titanium nonstick iron to students–Panasonic should give me free irons for life I’ve sold so many for them LOL! But I had (note the past tense) suggested that the gold-ish colored titanium appears to be the key. Not so much. First, my “in the closet” iron-in-waiting is a Panasonic Titanium ordered earlier this year, but is now a silvery color instead of gold-ish, but still works the same. Second, not all Titanium non stick is the same. I decided to give the CHI Titanium Ceramic, below, a try. It costs more, about $59, and has 1700 watts so lots of heat and power and good steam. It’s great for steam ironing, but not so great at the non-stick–it really doesn’t wipe clean the way the Panasonic does. Here’s what happened:
I needed to (yuk) get out the hot iron cleaner. This surface just doesn’t wipe clean well. I use Faultless Iron Off hot iron cleaner on a soft white terry towel. And look what happened: I rubbed off the finish on the gunky edge!!!!!! It’s still a good iron, and I use it, but not for fusing. It has quite a large capacity water reservoir which is good in principle, but again that pesky arthritis poses a problem: it’s heavy. That’s where Sirius the Dragon comes in. Keep reading. ANYway, if you don’t use fusibles (or even if you do) this is a good, hot iron with good steam. The LauraStar steam generator is a grand indulgence! Please be sure you are sitting down when you see the price on this black beauty…they are expensive. But OH MY! I had been lusting after a steam generator for a long time, but (to repeat myself in a short space) they are expensive. And this is on the expensive end of expensive. But I’m sure glad I indulged–nothing beats a great tool.
The model I purchased is the same as this one (minus the soleplate cleaner, which I wish I had). The steam is IMPRESSIVE…literally, it sends out a jet about six feet….watch the video below! It comes with a cord stand (which I don’t point out in the video. There is the power cord and, wrapped in cloth, the line that powers the iron and brings the steam to it. Unlike a regular steam iron that produces steam constantly (if you set it to do so), you need to push the button, but that is easy to do given the location on the handle.
The steam cord is a bit stiff, which is why having the clamp-on cord guide is so helpful. You also get a silicone mat so you don’t have to tip the iron on end, just set it on top of the mat. That is comfortable for my arthritis. So is the light weight of the actual iron. AND you can steam things that hang, like curtains and garments!
When I have a lot of ironing (like yards of dyed fabric, or just washed fabric), the steam generator is a DREAM. Also excellent when doing a final fusing of the finished art quilt top and when blocking a quilt. Many steam generators if the tank runs dry, you have to turn it off, wait for it to cool, then add water. Not so this one–just open the lid to the easily accessed tank and add water (shown in video). BINGO! WINNER! Just be sure not to send a blast of steam in the direction of your other hand. Guess you don’t need to ask why I advise you of that. Ahem. Only did it once! If you are also a garment maker, you’ll love this. I will grant you, it is *expensive.* But in my case, worth it.
Bottom line: I use the Panasonic for all fusing. For smaller ironing jobs, I use the CHI. For working on the design wall, I use the Clover. And when I need STEAM or have a lot of ironing to do, the LauraStar. So there you have it…why I ned at least FOUR irons! What are your favorites, and why?
Mastering Metallics is a half day workshop which will teach students to use metallic in both the needle and the bobbin. The workshop will debut at International Quilt Festival in Fall 2020, and is the half-day version of my Tame Fussy Fiddly Threads class. The class is Wednesday afternoon. Fly in Tuesday, join me in the Machine Quilting Forum (there are TWO this year!) Wednesday morning, then come take this workshop with me on Wednesday afternoon. We will finish up just in time to get to Preview Night at 5!
Ta DAAAA! A month or so ago, I asked for input from folks on Facebook about which color to make my project for my new Mastering Metallics workshop. Folks liked pretty much all THREE versions. I ordered up samples from Spoonflower:
Here’s the rather spendy order testing all three color ways and three fabrics: Petal Cotton (the basic), Cotton Poplin and Organic Cotton Sateen. Left to right colors are blue, sky blue and aqua, with the later two being VERY close…the aqua has just a bit more yellow in it.
I am hoping to sell the fabric on Spoonflower later this year–if anyone is interested, let me know and I’ll email you when it is ready. I am planning to offer the blue and aqua (but if someone REALLY wants the sky blue, in the middle above, just ask and I’ll add that also). I need to re-do the master graphic file to be 44″ across rather than 36″ vertically–I will need to add some larger snowflakes so they fit a 12 x 44″ space nicely without getting cut off at a 12″ line. This way, one yard would yield a table runner and four to six placemat tops. The Blue works perfectly with Michael Miller Cotton Couture Sailor, which I will use in class kits for the back and binding.
I ordered a full yard of the Sateen, which is what I used for my Thread-Coloring the Garden workshop which features a photo printed on fabric. I was delighted that the new Cotton Poplin showcased the snowflake design as well as the more expensive sateen, so I’ll use that in the workshop. That also means the table runners will be width-of-fabric, not the shorter 36 inches (I learned the hard way you need to print designs so the lengthwise grain of the fabric is vertical on the photo image with the sateen!).
First I used two of the less expensive 8″ samples to test various threads. The Petal cotton has a coarser weave–not as clunky as Kona Cotton, and the image is nice and crisp. The Cotton Poplin is softer and has a lovely hand to it, so I will choose that for the class kits. The workshop kit will include Silver metallic (the snowflake being quilted here) and Halo used in the bobbin (upper snowflake). I’m also showing how to use the very heavy Razzle Dazzle on the sample, but to keep kit costs down won’t include it since the class time is just 3 hours. I will have some for sale, and it is of course readily available from Superior Threads. The heavy sateen is gorgeous, but given the cost I’ll use the still very nice poplin for class kits. Detail of finished tablerunner. The crinkly looking snowflake is the Razzle Dazzle used in the bobbin. The others are done with Silver Metallic or Halo. The quilting on the back looks awesome if I say so myself. LOVE my Janome M7 Continental! I’ll be teaching in Janome classrooms, so I wanted to fine tune settings to share with class by quilting this on my Janome. I ended up dyeing this fabric to sorta match. Because of the COVID-19 shut downs, I was unable to order the Cotton Couture Sailor (blue) fabric and receive it in time, and I needed to get the sample done quickly for Quilts. Inc to put in the class catalog. Kits will include backing, and I will have some extra if folks want to buy enough to bind the quilt. You can also order — Michael Miller is AMAZING at getting perfect color matching so one can also order the Cotton Couture Sailor to use on the back and bindings without worrying about color matching. And one end of the table runner after I finished the binding and a little extra how-to tip that I’ll share in class.
I hope some of you will want to join me in class at International Quilt Festival–this pandemic physical-distancing should be well over by then! Sign ups usually go live in July, and I will be sure to share with you my teaching schedule, times, class numbers and so on. In the meantime, if you are interested in purchasing fabric from Spoonflower, let me know! If there is a fair bit of interest I’ll move that to a front burner on the to-do list.
Today it’s time for part 2 of 2 in the “how to make cushions” tutorial! In this image, I’ve sewn the boxing strip–the bit on the edges/sides (black Galaxy fabric from Michael Miller Fabrics, Spring 2020) to one of the squares (top and bottom) to make sure I’ve got the fit right. Looks pretty good! The top on this one is the SuperFred fabric in gray (with this fun fox named Fred and a robot named Mike). Those glorious solids (SWOON) are part of the Cotton Couture collection. Colors are Acid (left), Yellow (top), Apricot (right), and Lilypad (bottom). Like I said, SWOON!
I shared this photo before, but didn’t point out the very hard to see black strapping handle which is in the center of the side facing us. If you look at the pop-socket on the ruler, come down to the cloth. Then look and you’ll see two Space Aliens, fussy cut from that fabric, at the ends.My dear DIL is a kindergarten teacher, and these cushions and pillows are headed to her classroom for wee people to flop upon and read. Or just flop upon! She’ll need to be able to move them about easily. As she is TINY, we need to make this easy (not a bear hug thing just to move a pillow). I cut some of the Space Pals fabric into rectangles, centering one of the Pals so it would show. Sew the rectangle to the end of some webbing. I could only find 1 1/2″ wide locally in rural Maine. It works but I think 1″ wide would be better if you can find it. Sew the rectangle to the end of the webbing, then fold and press the side edges in, turn under the remaining raw edge, and sew. I use–get ready for this–washable glue stick instead of pins. When doing your folding and pressing, use a swipe of glue. Presto. Stays put. When you fold things together into a nice little package, a little dab of glue will do ya! (Who else remembers Dippity Do?) Center the handle exactly over the zipper and sew. I put some squares of old denim on the inside to reinforce the fabric. See next photo.Next step: sew the boxing to one side. Start by finding the center of the zipper. Here, you can see those rectangles of denim (with overcast stitch to prevent raveling) I used to reinforce the handle which is on the right side of the fabric. Mark 12″ to the right and to the left of the zipper’s exact center. Then measure 24″ to mark the other corners on the boxing strip. I chose to put some reinforcing stitching (triple straight stitch–see below) at each corner–about an inch to either side of th marking pin. I sewed about 3/8″ from the edge. If your overall gusset/boxing length is a little off, you may need to remove the stitching for one of the zipper garages and adjust the overall circumference of the boxing strip/gusset so it is snug.
Put the boxing strip (now a loop) on the cushion inside out. It’s much easier to assemble and pin with the fabric held upright (and not floppy on the table)! Place the top fabric face down. If you use a print that is directional, as I did, I put the top of their heads on the zipper side of the cushion. Pin all the way around.
You’ll want to clip each corner about 3/8″–so to the reinforcing stitching / almost to the very seamline in each corner. I clip right before stitching. I like to use the triple-straight stitch when I need a strong seam with some flex. This is on my Janome M7 Continental, but almost all machines other than straight-stitch only have something similar. This is what I used to reinforce the corners AND sew the seams. Since the corners are clipped, this provides a little insurance against tears, especially in the cushion stuffing/wrestling stage. Or when anticipating wee people thumping their little bodies all over the place.With the top of the cushion on the bottom and the boxing/gusset on top, sew together with a 1/2″ seam. I sewed this with the triple straight stitch, again because I expect these cushions to see some enthusiastic use in a classroom. Sturdy is wise. Sew RIGHT UP to the CORNER and stop with the needle down. You can see some of the reinforcing stitching just to the left of the needle. You can also see that clipping has allowed the boxing strip to make a 90 degree turn at the corner, and that a bit of the boxing has folded over and is pushing into the next side to be stitched.With the needle still DOWN, lift the presser foot. Ease the boxing to the left to remove that little pushed bit you see in the photo above. Notice the reinforcing stitching that goes down to the pin. I will sew on or just a thread’s width to the left of that when I sew the seam. Make sure the raw edges are aligned–you’ll see a perfect little square of the fabric on the bottom as the boxing strip pivots around the corner/needle. Sew the next side. And here we are, corner turned, ready to roll. Or sew. Or have a something rewarding. Wine? Pina Colada? Nap? Chocolate? Anyway, Repeat until you have reached where you began!
Then do it again with the other side. REMEMBER to leave the ZIPPER OPEN just enough to reach your arm inside. Makes turning the cushion right side out a whole lot easier. Ahem. Yeah, didn’t do that when I first began working for that interior designer. I was able to fiddle the zipper pull and get it open. Trust me, gap is better. OMG–almost done!!!!! Most furniture cushions are foam wrapped with dacron (outdoor cushions are the exception). There are different grades of foam. Softer ones are generally used for seat backs, firmer foam for seat cushions. There is even this miraculous “outdoor” flow-through foam–instead of being sponge-like and holding water, it drains out. The foam is kinda very firm, but think about it…no mildew! Anyway…back to this program. Upholsterers then use a spray glue to adhere the Dacron wrap (like quilt batting but fluffier, scratchier, cheaper I think, I had leftover, only partly mouse-munched in the shed). I had a vintage can of the spray upholsterers use but I think an artist’s spray glue **might maybe** work–check the label to see if it says anything about eating/eroding foam. And test. You can also just hand baste the edges. When using spray glue, I just spray the surface, pat the one huge, long and wide-enough-to-cover-the-edges Dacron in place and then trim it to the edges.
Next: Stuffing the cushion cover you just lovingly made. In the above photo, notice that I have used a dry cleaner bag (a big leaf bag works too) that I wrapped around the bottom of the cushion to facilitate wrestling it into the cushion cover. Do NOT put the cushion inside the bag–wrap plastic-something around the bottom. You need to be able to remove the plastic bag easily, and trying to tear a bag off the innards while stuffed inside the cover is not workable.By having zippers that come halfway around the sides of the cushion, you have made this part–stuffing–a whole LOT easier. Place the cushion inside like you are putting a pillow inside a pillowcase. Then place the cushion on the floor, using your legs to hold it upright. Smooth and pull the cushion up the sides. Pull the plastic out, then slide your arm inside and coax the seam allowances toward to boxing on all sides. Tuck the corners of the foam on the top edge under the zipper, and zip closed . See next photo. Here I’ve got the cushion on its side…see the zipper garage on the left? Use one hand to squish the foam/dacron down, and pull the zipper up over your hand (prevents getting dacron in the zipper). Slide your hand back, repeat. When you get to the corner, nudge the innards into the corners and continue until done. Park the zipper pull in the zipper garage on the other end. You may wish to fine tune where the seams are–straighten them, etc. Wearing quilting gloves or rubbery kitchen gloves gives your fingers a bit of grip and allows you to ease the fabric into perfect position.
DRUM ROLL PLEASE!!!!!!!
Ta DAAAAA! DONE! Celebrate! Feel a bit chuffed (great Aussie word meaning proud or pleased).The Space Pals in Gray side of the cushion. I put a different feature print on each side, so the kids can have Super Fred up on both cushions, or Space Aliens (next image), or one of each. Notice on the top of this one that black ripple? That’s the carry handle so the kids and DIL can tidy up! AND these cushions stand up on their edges, better for stashing in a crowded classroom. And yes, that’s my one and only (so far, I hope for another) magazine cover behind the love seat..my pink peony on Germany’s Patchwork magazine.Are those Space Pals in Black not the cutest things ever? I think some pillows made in their image need to happen…Close up of the Space Pals toss pillow. I got my pillow inserts from (Sigh…I go there sometimes…no one else within an hour’s drive has some of what they carry) WalMart for cheap. And Super Fred in gray. Adorable. Although I think we need some gender equality…It’s gonna be Super Freddie, short for Frederica! for me.
Thanks for sticking with me this long. I know these have been long and detailed posts, but sometimes when you’re essentially teaching a day-long workshop in two blogposts, that happens! I hope you’ve learned something and enjoyed the visit. THANK YOU!
Today’s projects are floor cushions and toss pillows from Michael Miller’s adorable new fabric line, SuperFred and Space Pals. As soon as I saw them I knew I’d love to make some floor cushions for my daughter-in-law’s Kindergarten classroom! You can find part 2 here as of March 12, 2020.
Pigwidgeon was asleep in front of the wood stove but allowed me to move him to another comfy spot to be my model. I am a Michael Miller 2020 Brand Ambassador for 2020, for which this is a monthly project. I’m also a Janome Artisan since 2003.
With the help of my trusty (just try to pry it out of my cold dead hands! I’m taking it with me) Janome M7 Continental, and some experience having done custom home dec work in a previous life, sewing these cushions was easy, and I’d like to share a free pattern for Everyone’s a Kid Floor Cushions and Toss Pillows with you and show you just how easy!
Super Fred! Ask for the collection at your local shop!
Fabric requirements are at the bottom of this post and on the free pattern (link in the previous paragraph). The pattern also has all the other “stuff” you’ll need (zipper, interfacing, and so on) and ridiculously detailed instructions. I will focus on bigger pictures for the “how-to” things in this and my next post even though there are plenty of photos in the pattern.
My Deep-Pocket Placket
So many home dec books and pieces of furniture are made with skimpy zipper plackets that gap open and show the zipper teeth–boo hiss! The designer for whom I worked eons ago had *very* high-end clients, so I developed what I think is a much nicer zipper method. Yes, it uses a couple more inches of fabric, but the zipper is fully concealed, doesn’t gap, and even has a little “garage” at the end to hide the zipper pull. I have leftover (miles of leftover) upholstery zipper tape and pulls from doing custom home dec work, but you can order #5 weight zippers or use heavy duty zippers available at big box stores.
If you’re going to make it at home, make it better than stuff you buy!
The pattern has exact cutting dimensions for the finished zipper gusset (the section of the boxing/sides of a cushion that has the zipper), but honestly I usually cut my strips about an inch wide than I think I’ll need. This gives me some fudging room to get the zipper centered. Once the zipper is sewn in, then I trim it to the desired finished measurements and complete making the gusset.
For this project, I knew the cushions would get a LOT of wear and tear, so I decided to reinforce all of the quilting-weight-cotton fabric with mid-weight fusible interfacing. Then I began assembling the components starting with the zipper. Of course, I was so excited to get started that the interfacing isn’t (yet) on the fabric shown below….I fixed that!
Attach the bottom part of the zipper gusset with the zipper foot. I set the foot so the left edge is next to the zipper teeth; this helps me sew a consistent distance. I set the needle to the center of the foot at first, but decided after checking that was too far away, so see the needle position in the next photo. Be careful not to move the needle to where it will hit the foot. Hand-walk the needle to test position!Here’s I’ve adjusted the needle position to use the left opening, but moved to the right–again, hand-walk after changing needle position to make sure you aren’t going to hit the zipper foot itself. I use the fingers of my right hand to squish the fabric down so I can see and feel where the teeth are.This photo shows the second pass along the zipper, this time with the overcast foot. This is similar to using a serger to clean-finish the edges and it reinforces the stitching. On the M7, it is stitch 15, but there are several choices for an overcast edge stitch. Use something similar on your machine.
The video below shows me using the Janome M7’s “M” foot. Most machines have something similar. The three little wires help hold the fabric flat, the blade keeps the stitch perfectly positioned on the edge of the seam so you get a good-looking, functional, and non-puckered stitch.
Once the lower fabric strip is sewn and edge-stitched (orange arrows point to edge stitching…hard to see black on black!), I press it away from the zipper teeth and edge stitch. This prevents the fabric from trying to roll up toward the zipper teeth and further reinforces the seam since there is a fair amount of pressure once the cushions is stuffed and being used. This photo also shows that I have attached the upper strip. See photos below for more on how to create a perfectly even and deep placket.
Next, sew the wider upper side of the zipper gusset to the zipper tape using the edge-stitch foot only–you don’t need to do the straight seam close to the teeth as you did with the lower side of the gusset.
This photo shows TWO zipper gussets. The one on top is as-sewn so you see zipper-interfaced lower edge, upper edge. The lower zipper gusset is the one I’m working on. Pin the lower edge of the zipper to your ironing board, making sure it is perfectly straight–long ruler helps. Pin the top edge of your zipper gusset to be 5″ away from the lower edge. This will form a placket to cover the zipper teeth. I found the green Clover hem gauge to be the best tool because the dark green bit snugs up against the raw lower edge and the “wings” are wider making it easier to keep it aligned properly (tilted ever so slightly in this photo), but a small quilting ruler also works to measure width. I highlighted the edge of the placket with orange in Photoshop because you can’t really see the fold of the black fabric!Press the placket. Then, pin the placket along the folded edge (out of the way of sewing in the next step). Turn the whole shebang over and stitch about 1/8″ from the edge of the zipper tape. This secures the upper side of the zipper. Notice the pinheads holding the placket in place–so glad I got that ginormous wool press thing-a-ma-doo-dad which makes this easy-peasy.
Your next step is to attach the rest of the boxing a.k.a. sides a.k.a. gusset–the fabric that goes around the edge of the cushion. First, use the overcast foot to sew the ends together. BE CAREFUL to NOT stitch through the ZIPPER TEETH! Just lift your presser foot and move over the clunky zipper teeth before finishing that seam. Repeat on the other side.
This image shows the seam, edge-stitching, and forming and pinning the “zipper garage”–the little pocket that hides the zipper pull.
Make the first of the little zipper garage / pockets at the zipper ends. You really only need one at the closed end, but I like the cushions to be symmetrical (about the only time I love symmetry in my work!) so I do both ends the same way. In the photo above, you can see that I have made a pocket about 1 1/2″ deep by making a Z-fold (or S- depending on which side you look at). Pin in place (lower part of photo above) and then stitch a straight line about 1/2″ from the raw edges.
At this point, before sewing the second zipper garage, I place the gusset on the dacron-wrapped foam cushion for a test fit. You want it QUITE snug–fabric is flexible and you don’t want it looking stretched out and worn! Center the zipper on the one side, pinning the boxing/gusset onto the cushion from the sewn garage all the way around to the other side. Your excess fabric will create the second zipper-pull garage. I like to use the triple-straight stitch, a basic stitch that is found on almost all machines other than straight-stitch only. The photo waaaaay back at the top and this one show the stitched zipper garage. You might notice that I have also basted the sides of the garage within the seam allowance–it makes sewing the boxing /gusset to the top and bottom easier.
PHEW…that’s Zipper Wisdom according to Sarah. We are now blessedly done with the zipper–I swear it takes longer to explain it in writing than actually do it…well except for the fussing to make sure it is absolutely perfectly straight and nice! In my next post I’ll show constructing and stuffing the floor cushions. And, there are TONS of photos in the pattern, too. One more time, here’s the PDF for the Everyone’s a Kid Floor Cushions and Toss Pillows. Check back in 3 days for Part 2!
And one last minute goodie–my fellow Brand Ambassador Charisma Horton has made this adorable quilt out of different color ways of Super Fred–what a great combination for a kiddo: my cushions and pillows and her quilt! Check it out here on her blog, or the Far, Far Away pattern in her Etsy shop, in both download or paper versions.
Both print and digital versions of Far, Far Away are available in Charisma’s Corner Etsy shop, here. Go to page 3 of the Etsy shop and scroll down to find the patterns.
Fabric requirements for two 24” square floor pillows and two 14×20” toss pillows:
Preshrink all fabrics!
NOTE: Yardage is to make two floor and two toss pillows. Additional materials (zippers, foam and so on) as well as cutting and construction details in the free PDF show measurements and how to make each pillow.
Available now–ask your local shop to order it
Focus Fabric 1: Space Pals Black 3/4 yard (will yield two 19” center squares)
Focus Fabric 2: SuperFred Grey 3/4 yard (will yield two 19” center squares)
Solids:
Yellow 1/2 yard
Apricot 1/2 yard
Acid 1/2 yard
Lilypad 1/2 yard
OPTION: you can use the same fabric for all of the sides if you prefer
(1).png){kind=small}
.png){kind=small}
.png){kind=small}
