When I arrived in Maine 16 years ago today, to move into our house in Camden (we moved from there to neighboring hope in 2011), I did not know that after 46 years of wandering the globe and living on four continents, I had finally found what I always wanted: HOME!

Maine has become my muse and my soul’s home. Within two years, I made this quilt which flowed out of me effortlessly. In such a short time, I had become Maine’s and Maine had become my heart’s true home.

When I grew up on the West Coast, everyone said that the West Coast was friendly, open, welcoming, made up of newcomers. Yet as a 6 year old arriving from Argentina, it wasn’t. The leader of the Brownie troupe wouldn’t let me join because we hadn’t lived in California long enough. Children told me I wasn’t a Californian and never would be because I wasn’t born there. Quests for better schooling let my mother to move me from school to school: Bayside, Central, Grenada, Del Mar and finally San Domenico all in the time from January of First grade to the start of 7th grade. I didn’t belong and never did. From College until age 46, I moved. And moved. And moved. All work, but still. No place to feel HOME.

Yet when I moved to Maine, where there was supposedly the vaunted “Yankee reserve,” I was welcomed with open arms even though I am indeed “from away.” Long time Mainers and others from away welcomed me equally. Quilters welcomed me and gave me a home. I began my quilt art and teaching career here. And this year, I was honored, humbled and thrilled to learn that one of my quilts will hang at the Bicentennial Exhibit to celebrate Maine’s 200th anniversary of Statehood at the Maine State Museum in August as one of Maine’s contemporary quilts. Everything has, of course, been delayed by COVID, but there will also be a book and I’m in it, with thanks to Laurie LaBar, head of Textiles (and other things) at the Museum. Did you know where I live was part of two states (sort of)? The District Of Maine was part of the Massachusetts Bay Colony when the colonies became the first 13 states in the Union in 1776. In 1820, as part of the Missouri Compromise, Maine became a separate state.

My goal is to make an exhibit’s worth of quilts celebrating the world around me. Guess I’d better stop blogging and get back to the studio. I am forever grateful to be here with my husband, two sons Joshua and Eli, my third-child-by-another-mother DIL Ashley, and all the various critters past and present and future that share our lives.

So in January I was diagnosed with bursitis in my right elbow. Seemingly overnight a big bubble popped up on the outside of the elbow–like half a golf ball big. ( I hear my father saying Keep your elbows off the table! Remember that?) It didn’t really hurt, but if I leaned on the table it was annoying. For a long while I used an empty squeeze bottle (one I use for dyeing). I had first brought it up to support my wrists at the computer instead of buying an expensive do-dad for such purpose. I realized I could use the bottle to elevate my forearm so I could sit at the table as I always do, lean on my arms, but not aggravate the bubble (by the way, two months later it is pretty much finally gone). But the cat kept stealing the bottle as a toy.

I remembered those wrist supports they sell and thought “I’ll bet I could make something.” So, I did. For a whopping $1.99 for a length of foam pipe insulation (I used the kind for 1/2″ diameter copper pipe, the one with the smallest hole in the center) and scraps of cloth, fusible and batting. Here’s what and how I did it, and what I’d do differently.

Hope this mini tutorial will help you or someone you know. Thanks for reading!

The first thing I made on the splendid new M7 Continental from Janome was something I haven’t made in decades: a button down tailored shirt! Anyone who knows Joshua knows that he is all about good food, perhaps starting with donuts. In fact, Joshua and Ashley’s wedding cake was a tower Joshua made of donut holes from Willow Bakery in Rockport! He also loves shirts with a sense of humor: sushi rolls, watermelon, lobsters. So I decided I wanted to make him a shirt for Christmas. And I succeeded beyond my wildest expectations in part due to the excellent sewing of the M7. There’s even a video below of making a buttonhole!

I used the Men’s All Day Shirt Pattern from Liesl + Co patterns. It was my first time using a downloadable pattern where you print and then tape together the pieces. If you download the free Adobe Acrobat software (not just your built in PDF reader) you can turn off the “all sizes” so it prints ONLY the size or sizes you want so you don’t have to navigate all those lines that end up nearly on top of each other. By measuring Joshua’s existing shirt, I was able to figure out which size would be best (Medium) but with the Large collar/neck stand. My only issue was when I combined the sizes. I should have printed the neck line of both patterns SEPARATELY (instead of on the same sheet), then traced the size large and lined it up properly. It took a while, with astounding and much appreciated personal replies from both Liesl and her husband Todd with troubleshooting suggestions, before I figured out what I was doing wrong. Kudos for the service as well as the pattern!

Using the included edge stitch foot, I was able to get absopositively perfect stitching. The first of the four photos above shows the underneath side of the shirt opening, using the edge stitch foot to sew down the turn-under. The second image shows the Janome M7 Continental screen (other Janome machines work similarly) with the needle set to the left. Because of the tiny increments in needle placement, I could get the stitches to form the exact distance I wanted from the edge. Third photo (top right) is a detail of that stitching. And the large image is the button band, stitched. I can’t believe it looks so good! There’s a video just below these still photos.

(Alert: even geekier pattern and garment sewing paragraph!) From the pattern, I also learned a new process for sequence of sewing and attaching the collar and collar stand. Instead of sewing the stand to the neckline, inserting the collar, and closing it up where the collar meets the neck band, the pattern has you sew collar and stand together, then sew the inside of the stand to the inside of the shirt and topstitch the collar to the shirt body. Ended up with absolute precision and perfection!!!!!!

So, with 50 years of sewing experience (albeit minimal garment making in the past three decades), an excellent pattern that taught this greying sew-ist a couple new things, and the incredible precision of the Janome M7 Continental machine, I am a seriously happy camper. Even better, Joshua loves his shirt!

Sometimes it is possible to whip up a quick something just before Christmas…I’ll have to back-to-back posts (I hope) about sewing for the holidays that include this tutorial on zipping up a quick gift bag and, next, the wonderful York Pinafore pattern from Helen’s Closet patterns.

I needed the Queen Sized sheet so it would be long enough for the red Luxe that is so silky soft. That meant I had quite a bit leftover…so I thought I’d make a garment (next post). Once that was made, I still had leftovers so I whipped up two gift bags and thought I’d share it as a tutorial.

Tutorial:

1. Cut two rectangles of fabric or one very wide rectangle. Place right sides together.
2. Clean finish edges. You can use an overcast stitch as I did (photo below) or use a french seam (google it, or I’ll do a tutorial eventually of some basic things every sewist should know). Using the Janome’s “M” overcast foot gave results as good as a serger.

3. Sew a simple straight seam just inside the overcast edges. Sometimes the contents of gift bags can be heavy, and especially with soft and stretchy flannel, I felt a little extra stitching was a Good Thing.

4. Turn your bag right side out.

5. At the ironing board, use a point turner to coax the corners out to perfect.

6. Hem the open end. The interior designer I worked for taught me about using poster board (or tag board or an old manila folder) to make templates for turning hems. When making curtains, the extra weight of a doubled hem helped them hang well. I called it the turn-turn hem, since you turn up two full hem-depths.

7. Press your seams to one side. Using a seam roll –in this case a piece of cheap stair handle from the big box DIY store. Dressmaking suppliers sell beautiful hardwood (maple usually) seam rolls for Lotsa Bucks. This pine stair rail handle was a few dollars for 24 inches. Sits flat on the ironing surface and does the trick.

8. Give your bag a final press, tuck the goodies inside, and tie shut. I think, having found that strip of green, that instead of buying ribbon I might “make” some from leftover bias bindings (unfinished on the edges) or making some straps (turn seam allowances under, sew folded edges together) to use as ties for future years. Here’s that original photo again:

Today is the LAST DAY you can see my episode on The Quilt Show for free…and you can also do what may be the most challenging of the puzzles, Pink Oyster Mushrooms. I’d really like to thank Alex Anderson, Ricky Tims, Shelly Heesacker​, Lilo Bowman, Adele Merrell​, Mary Kay Davis​ and all the gang at TQS for a phenomenal experience. I hope to do it again some day! If you’d like to see my interview with Alex scroll to the bottom of this post and click play! Here is the link for the last day of free viewing of my episode: http://thequiltshow.com/watch/show-list/video/latest/show-2508-sarah-ann-smith?artist_coupon=25081013

Again, HUGE thanks to everyone at The Quilt Show for the opportunity to be on the show. One last little bit of fun…a Skype interview with Alex! https://www.youtube.com/watch?v=d_4zjksQZ5w