To continue the story of my trip to Quilt Nebraska….

The next day, Friday,  I was in the new convention center located a short walk (less than from the far reaches of the Hilton in Houston to the convention center floor, and they are all attached!), which was lovely.  The rooms had not been completed when they toured the facility (it was still under construction, the place is SO new), so some of us ended up in rather cozy classrooms.  The students were incredibly gracious about the tight quarters…not one single person complained (at least to me) and they all just figured this was what we had, so work with it, and we did!  I moved my stuff to the floors to create more workspace, and the rooms had these really nice counters in back which we appropriated for work and cutting surfaces.  They also has an awesome front-of-room thing with a white board, pull down screen, and two “doors” that covered it that could hold either a large pad of paper or on which you could PIN stuff… PERFECT!

Friday, the second day, I taught one of my all time favorite classes to teach:  Fine Finishes.  I teach four basic techniques, but share a number of others.  Depending on how quickly students work, they can explore some of the other techniques… I just have them tell me which one, then I explain that one to them….there are enough hours in a class day to teach all the techiques, so I cover the essentials then let students learn what they came for.  My theory is that I am there for them to pick my brain and learn as much as they can and as I can teach, so I share as much as possible!

One of the best moments was toward the end of the day when a student asked something I’ve never been asked before:  how to bind an *inside* corner.  Fortunately, I remembered how.  We used one of her quilt mini-sandwiches to do up a sample.  I liked this so much I’m going to make up a sample to have on my own to add to the offerings!

Two students shared their bias strips to try piping with a binding…they look great!

This striped fabric looks a bit bold, but when used as a piping it was subtle and fabulous!

And on Saturday, another totally fun class, Hawaiian Applique by machine!  Stay tuned for the many photos in part 3!

A post or several ago, I shared my new class sampler for my Intro to Free-Motion Quilting and mentioned I had received some threads from Gilbreath Threads to try out.  I used the sampler as a way to test the threads:

From left to right:

• Gilbreath  Emerald green, cotton 30-wt, #253
• Gilbreath Yellow wool 12-wt
• Gilbreath hot pink silk (lying down) Seta Bozzolo 24-wt., #196
• Superior Threads 40-wt. poly, hot pink #820
• Superior Threads 40-wt poly, rainbows, green variegated #820
• Gilbreath orange/mango 40-wt Palio poly
• Gilbreath 40-wt ecru cotton, 2-ply, #025
• Gilbreath 50-wt white cotton, 2 ply, #000
• Superior 60-wt white poly (used in the bobbin), # 621
• Superior 60-wt  yellow poly (used to sew down the binding), #641
• in the back, two Gilbreath threads not used because the colors didn’t work for this piece: 60-wt purple cotton, 12-wt deep red cotton

I don’t think I’ve ever used that many different types and weights of thread in one piece, but I’m thinking this could be something to add to my arsenal of techniques! At the top you can see the completed, washed piece before the final line of stitching in the ditch on the binding.

I applied the binding to the back, wrapped it to the front (the front side is 1/8″ wider than the back, so the stitching to apply it is on the back of the quilt, not the binding), and stitched it down using a buttonhole stitch and Superior Threads’ Bottom Line thread, a very fine polyester that blends in and is unobtrusive:

The last step is to use the triple-stretch stitch (a bold straight stitch) in the ditch to outline and accent the binding with the hot pink poly from Superior.  See how it crisps up the edge in this photo which shows with and without the outline stitching?  It’s a design choice; both ways are good, just pick the version you like.

Here are close-ups of the quilting in this big-print class sample, which uses motifs from the Free-Motion Sampler (the magenta and lime quilted grid that is in the book) and my “More Machine Quilting” sampler which is featured on the cover of the book, the peach quilt:

It has been a LONG time since I’ve washed a quilt after quilting it, and was very happy to see how the fabric holes closed up around the stitches.  In this last photo, you can see where I added some stippling (ugh, but sometimes useful) around the ecru leaves after it had been washed.  The needle holes in the checkerboard have disappeared, but you can (faintly) see them around the leaves. The quilt is now dampened and back in the dryer to remove those needle-holes too.  Hmm…good learning piece:  Use thick threads in the bobbin!  Rinse and fluff in the dryer…. will have to try that with a very fused and densely quilted sampler and see what happens to the edges of the raw edge applique…. guess what my next class sample will be?

Hope you’ve enjoyed! Cheers, Sarah

Four sisters took my class!

I was SO busy going around the classroom on my first day of teaching, my Intro to Machine Quilting class, that I almost forgot to take pictures.  Fortunately these four sisters wanted a picture with me, so I grabbed my camera and asked the helpful student who took their photo to snap one for me, too.  I LOVE how they all took to the quilting–lots of great designs and work in their class samples.   And can you tell it was hot and humid in Columbus in mid-June…my hair was the frizziest, but I wasn’t the only one in the place whose hair went wild!

In that class, one student shared her BRILLIANT machine needle storage…yes, that’s a ginormous pill keeper!  I don’t think I’ve ever seen one that large, but it is just perfect for holding those 5-packs of needles, so I’m now on the lookout:

How to store those needle packages

Notice that Saturday is for used needles!  When done, wrap them up, tape the package shut, and the critters won’t get hurt when scavenging at the dump (and neither will the garbage guys).

Speaking of Saturday, that was my Fine Finishes class–with 24 students, which I discovered is simply too many for such a hands-on class.  Next time I’ll set a ceiling of 20 or even 18 so each student gets more of my time.  I really liked this student’s sample using a striped cording on the inside, then a stitched-down strip (the print), then a very skinny bias binding on the outside.  I really like the thin-thick-thin look!

Here’s the back, where she used a VERY wide binding which will cover all the previous lines of stitching…cool beans (to quote my teenager!):

Nicely mitered on the back, too!  The other side of her sample shows the couched yarn edge-finish!

I DID take more photos during my Decorative Stitch Applique class, so that’s up next!