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Archive for the ‘Janome’ Category

Everyone’s a Kid Floor Cushions and Toss Pillows (part 2 of 2)

Thursday, March 12th, 2020
Today it’s time for part 2 of 2 in the “how to make cushions” tutorial! In this image, I’ve sewn the boxing strip–the bit on the edges/sides (black Galaxy fabric from Michael Miller Fabrics, Spring 2020) to one of the squares (top and bottom) to make sure I’ve got the fit right. Looks pretty good! The top on this one is the SuperFred fabric in gray (with this fun fox named Fred and a robot named Mike). Those glorious solids (SWOON) are part of the Cotton Couture collection. Colors are Acid (left), Yellow (top), Apricot (right), and Lilypad (bottom). Like I said, SWOON!

In my last post, we went through my deep-placket zipper construction that I use for home dec use. Sturdy and classy. You can find the free PDF pattern with gobs of photos here at Everyone’s a Kid Floor Cushions and Toss Pillows. And here’s a link to the first post. And close up views of all the pillows are at the end of this post.

I shared this photo before, but didn’t point out the very hard to see black strapping handle which is in the center of the side facing us. If you look at the pop-socket on the ruler, come down to the cloth. Then look and you’ll see two Space Aliens, fussy cut from that fabric, at the ends.
My dear DIL is a kindergarten teacher, and these cushions and pillows are headed to her classroom for wee people to flop upon and read. Or just flop upon! She’ll need to be able to move them about easily. As she is TINY, we need to make this easy (not a bear hug thing just to move a pillow). I cut some of the Space Pals fabric into rectangles, centering one of the Pals so it would show. Sew the rectangle to the end of some webbing. I could only find 1 1/2″ wide locally in rural Maine. It works but I think 1″ wide would be better if you can find it. Sew the rectangle to the end of the webbing, then fold and press the side edges in, turn under the remaining raw edge, and sew. I use–get ready for this–washable glue stick instead of pins. When doing your folding and pressing, use a swipe of glue. Presto. Stays put. When you fold things together into a nice little package, a little dab of glue will do ya! (Who else remembers Dippity Do?) Center the handle exactly over the zipper and sew. I put some squares of old denim on the inside to reinforce the fabric. See next photo.
Next step: sew the boxing to one side. Start by finding the center of the zipper. Here, you can see those rectangles of denim (with overcast stitch to prevent raveling) I used to reinforce the handle which is on the right side of the fabric. Mark 12″ to the right and to the left of the zipper’s exact center. Then measure 24″ to mark the other corners on the boxing strip. I chose to put some reinforcing stitching (triple straight stitch–see below) at each corner–about an inch to either side of th marking pin. I sewed about 3/8″ from the edge. If your overall gusset/boxing length is a little off, you may need to remove the stitching for one of the zipper garages and adjust the overall circumference of the boxing strip/gusset so it is snug.

Put the boxing strip (now a loop) on the cushion inside out. It’s much easier to assemble and pin with the fabric held upright (and not floppy on the table)! Place the top fabric face down. If you use a print that is directional, as I did, I put the top of their heads on the zipper side of the cushion. Pin all the way around.

You’ll want to clip each corner about 3/8″–so to the reinforcing stitching / almost to the very seamline in each corner. I clip right before stitching.
I like to use the triple-straight stitch when I need a strong seam with some flex. This is on my Janome M7 Continental, but almost all machines other than straight-stitch only have something similar. This is what I used to reinforce the corners AND sew the seams. Since the corners are clipped, this provides a little insurance against tears, especially in the cushion stuffing/wrestling stage. Or when anticipating wee people thumping their little bodies all over the place.
With the top of the cushion on the bottom and the boxing/gusset on top, sew together with a 1/2″ seam. I sewed this with the triple straight stitch, again because I expect these cushions to see some enthusiastic use in a classroom. Sturdy is wise. Sew RIGHT UP to the CORNER and stop with the needle down. You can see some of the reinforcing stitching just to the left of the needle. You can also see that clipping has allowed the boxing strip to make a 90 degree turn at the corner, and that a bit of the boxing has folded over and is pushing into the next side to be stitched.
With the needle still DOWN, lift the presser foot. Ease the boxing to the left to remove that little pushed bit you see in the photo above. Notice the reinforcing stitching that goes down to the pin. I will sew on or just a thread’s width to the left of that when I sew the seam. Make sure the raw edges are aligned–you’ll see a perfect little square of the fabric on the bottom as the boxing strip pivots around the corner/needle. Sew the next side.
And here we are, corner turned, ready to roll. Or sew. Or have a something rewarding. Wine? Pina Colada? Nap? Chocolate?
Anyway, Repeat until you have reached where you began!

Then do it again with the other side. REMEMBER to leave the ZIPPER OPEN just enough to reach your arm inside. Makes turning the cushion right side out a whole lot easier. Ahem. Yeah, didn’t do that when I first began working for that interior designer. I was able to fiddle the zipper pull and get it open. Trust me, gap is better.
OMG–almost done!!!!! Most furniture cushions are foam wrapped with dacron (outdoor cushions are the exception). There are different grades of foam. Softer ones are generally used for seat backs, firmer foam for seat cushions. There is even this miraculous “outdoor” flow-through foam–instead of being sponge-like and holding water, it drains out. The foam is kinda very firm, but think about it…no mildew! Anyway…back to this program. Upholsterers then use a spray glue to adhere the Dacron wrap (like quilt batting but fluffier, scratchier, cheaper I think, I had leftover, only partly mouse-munched in the shed). I had a vintage can of the spray upholsterers use but I think an artist’s spray glue **might maybe** work–check the label to see if it says anything about eating/eroding foam. And test. You can also just hand baste the edges. When using spray glue, I just spray the surface, pat the one huge, long and wide-enough-to-cover-the-edges Dacron in place and then trim it to the edges.

Next: Stuffing the cushion cover you just lovingly made. In the above photo, notice that I have used a dry cleaner bag (a big leaf bag works too) that I wrapped around the bottom of the cushion to facilitate wrestling it into the cushion cover. Do NOT put the cushion inside the bag–wrap plastic-something around the bottom. You need to be able to remove the plastic bag easily, and trying to tear a bag off the innards while stuffed inside the cover is not workable.
By having zippers that come halfway around the sides of the cushion, you have made this part–stuffing–a whole LOT easier. Place the cushion inside like you are putting a pillow inside a pillowcase. Then place the cushion on the floor, using your legs to hold it upright. Smooth and pull the cushion up the sides. Pull the plastic out, then slide your arm inside and coax the seam allowances toward to boxing on all sides. Tuck the corners of the foam on the top edge under the zipper, and zip closed . See next photo.
Here I’ve got the cushion on its side…see the zipper garage on the left? Use one hand to squish the foam/dacron down, and pull the zipper up over your hand (prevents getting dacron in the zipper). Slide your hand back, repeat. When you get to the corner, nudge the innards into the corners and continue until done. Park the zipper pull in the zipper garage on the other end. You may wish to fine tune where the seams are–straighten them, etc. Wearing quilting gloves or rubbery kitchen gloves gives your fingers a bit of grip and allows you to ease the fabric into perfect position.

DRUM ROLL PLEASE!!!!!!!

Ta DAAAAA! DONE! Celebrate! Feel a bit chuffed (great Aussie word meaning proud or pleased).
The Space Pals in Gray side of the cushion. I put a different feature print on each side, so the kids can have Super Fred up on both cushions, or Space Aliens (next image), or one of each. Notice on the top of this one that black ripple? That’s the carry handle so the kids and DIL can tidy up! AND these cushions stand up on their edges, better for stashing in a crowded classroom. And yes, that’s my one and only (so far, I hope for another) magazine cover behind the love seat..my pink peony on Germany’s Patchwork magazine.
Are those Space Pals in Black not the cutest things ever? I think some pillows made in their image need to happen…
Close up of the Space Pals toss pillow. I got my pillow inserts from (Sigh…I go there sometimes…no one else within an hour’s drive has some of what they carry) WalMart for cheap.
And Super Fred in gray. Adorable. Although I think we need some gender equality…It’s gonna be Super Freddie, short for Frederica! for me.

Thanks for sticking with me this long. I know these have been long and detailed posts, but sometimes when you’re essentially teaching a day-long workshop in two blogposts, that happens! I hope you’ve learned something and enjoyed the visit. THANK YOU!

Ask for it at your local shop!

And one last time… here’s the link to the free PDF pattern!

Everyone’s a Kid Floor Cushions and Toss Pillows (part 1 of 2)

Monday, March 9th, 2020

Today’s projects are floor cushions and toss pillows from Michael Miller’s adorable new fabric line, SuperFred and Space Pals. As soon as I saw them I knew I’d love to make some floor cushions for my daughter-in-law’s Kindergarten classroom! You can find part 2 here as of March 12, 2020.

Pigwidgeon was asleep in front of the wood stove but allowed me to move him to another comfy spot to be my model. I am a Michael Miller 2020 Brand Ambassador for 2020, for which this is a monthly project. I’m also a Janome Artisan since 2003.

With the help of my trusty (just try to pry it out of my cold dead hands! I’m taking it with me) Janome M7 Continental, and some experience having done custom home dec work in a previous life, sewing these cushions was easy, and I’d like to share a free pattern for Everyone’s a Kid Floor Cushions and Toss Pillows with you and show you just how easy!

Super Fred! Ask for the collection at your local shop!

Fabric requirements are at the bottom of this post and on the free pattern (link in the previous paragraph). The pattern also has all the other “stuff” you’ll need (zipper, interfacing, and so on) and ridiculously detailed instructions. I will focus on bigger pictures for the “how-to” things in this and my next post even though there are plenty of photos in the pattern.

My Deep-Pocket Placket

So many home dec books and pieces of furniture are made with skimpy zipper plackets that gap open and show the zipper teeth–boo hiss! The designer for whom I worked eons ago had *very* high-end clients, so I developed what I think is a much nicer zipper method. Yes, it uses a couple more inches of fabric, but the zipper is fully concealed, doesn’t gap, and even has a little “garage” at the end to hide the zipper pull. I have leftover (miles of leftover) upholstery zipper tape and pulls from doing custom home dec work, but you can order #5 weight zippers or use heavy duty zippers available at big box stores.

If you’re going to make it at home, make it better than stuff you buy!

The pattern has exact cutting dimensions for the finished zipper gusset (the section of the boxing/sides of a cushion that has the zipper), but honestly I usually cut my strips about an inch wide than I think I’ll need. This gives me some fudging room to get the zipper centered. Once the zipper is sewn in, then I trim it to the desired finished measurements and complete making the gusset.

For this project, I knew the cushions would get a LOT of wear and tear, so I decided to reinforce all of the quilting-weight-cotton fabric with mid-weight fusible interfacing. Then I began assembling the components starting with the zipper. Of course, I was so excited to get started that the interfacing isn’t (yet) on the fabric shown below….I fixed that!

Attach the bottom part of the zipper gusset with the zipper foot. I set the foot so the left edge is next to the zipper teeth; this helps me sew a consistent distance. I set the needle to the center of the foot at first, but decided after checking that was too far away, so see the needle position in the next photo. Be careful not to move the needle to where it will hit the foot. Hand-walk the needle to test position!
Here’s I’ve adjusted the needle position to use the left opening, but moved to the right–again, hand-walk after changing needle position to make sure you aren’t going to hit the zipper foot itself. I use the fingers of my right hand to squish the fabric down so I can see and feel where the teeth are.
This photo shows the second pass along the zipper, this time with the overcast foot. This is similar to using a serger to clean-finish the edges and it reinforces the stitching. On the M7, it is stitch 15, but there are several choices for an overcast edge stitch. Use something similar on your machine.

The video below shows me using the Janome M7’s “M” foot. Most machines have something similar. The three little wires help hold the fabric flat, the blade keeps the stitch perfectly positioned on the edge of the seam so you get a good-looking, functional, and non-puckered stitch.

Once the lower fabric strip is sewn and edge-stitched (orange arrows point to edge stitching…hard to see black on black!), I press it away from the zipper teeth and edge stitch. This prevents the fabric from trying to roll up toward the zipper teeth and further reinforces the seam since there is a fair amount of pressure once the cushions is stuffed and being used. This photo also shows that I have attached the upper strip. See photos below for more on how to create a perfectly even and deep placket.

Next, sew the wider upper side of the zipper gusset to the zipper tape using the edge-stitch foot only–you don’t need to do the straight seam close to the teeth as you did with the lower side of the gusset.

This photo shows TWO zipper gussets. The one on top is as-sewn so you see zipper-interfaced lower edge, upper edge. The lower zipper gusset is the one I’m working on. Pin the lower edge of the zipper to your ironing board, making sure it is perfectly straight–long ruler helps.
Pin the top edge of your zipper gusset to be 5″ away from the lower edge. This will form a placket to cover the zipper teeth. I found the green Clover hem gauge to be the best tool because the dark green bit snugs up against the raw lower edge and the “wings” are wider making it easier to keep it aligned properly (tilted ever so slightly in this photo), but a small quilting ruler also works to measure width. I highlighted the edge of the placket with orange in Photoshop because you can’t really see the fold of the black fabric!
Press the placket. Then, pin the placket along the folded edge (out of the way of sewing in the next step). Turn the whole shebang over and stitch about 1/8″ from the edge of the zipper tape. This secures the upper side of the zipper. Notice the pinheads holding the placket in place–so glad I got that ginormous wool press thing-a-ma-doo-dad which makes this easy-peasy.

Your next step is to attach the rest of the boxing a.k.a. sides a.k.a. gusset–the fabric that goes around the edge of the cushion. First, use the overcast foot to sew the ends together. BE CAREFUL to NOT stitch through the ZIPPER TEETH! Just lift your presser foot and move over the clunky zipper teeth before finishing that seam. Repeat on the other side.

This image shows the seam, edge-stitching, and forming and pinning the “zipper garage”–the little pocket that hides the zipper pull.

Make the first of the little zipper garage / pockets at the zipper ends. You really only need one at the closed end, but I like the cushions to be symmetrical (about the only time I love symmetry in my work!) so I do both ends the same way. In the photo above, you can see that I have made a pocket about 1 1/2″ deep by making a Z-fold (or S- depending on which side you look at). Pin in place (lower part of photo above) and then stitch a straight line about 1/2″ from the raw edges.

At this point, before sewing the second zipper garage, I place the gusset on the dacron-wrapped foam cushion for a test fit. You want it QUITE snug–fabric is flexible and you don’t want it looking stretched out and worn! Center the zipper on the one side, pinning the boxing/gusset onto the cushion from the sewn garage all the way around to the other side. Your excess fabric will create the second zipper-pull garage.
I like to use the triple-straight stitch, a basic stitch that is found on almost all machines other than straight-stitch only.
The photo waaaaay back at the top and this one show the stitched zipper garage. You might notice that I have also basted the sides of the garage within the seam allowance–it makes sewing the boxing /gusset to the top and bottom easier.

PHEW…that’s Zipper Wisdom according to Sarah. We are now blessedly done with the zipper–I swear it takes longer to explain it in writing than actually do it…well except for the fussing to make sure it is absolutely perfectly straight and nice! In my next post I’ll show constructing and stuffing the floor cushions. And, there are TONS of photos in the pattern, too. One more time, here’s the PDF for the Everyone’s a Kid Floor Cushions and Toss Pillows. Check back in 3 days for Part 2!

And one last minute goodie–my fellow Brand Ambassador Charisma Horton has made this adorable quilt out of different color ways of Super Fred–what a great combination for a kiddo: my cushions and pillows and her quilt! Check it out here on her blog, or the Far, Far Away pattern in her Etsy shop, in both download or paper versions.

Both print and digital versions of Far, Far Away are available in Charisma’s Corner Etsy shop, here. Go to page 3 of the Etsy shop and scroll down to find the patterns.

Fabric requirements for two 24” square floor pillows and two 14×20” toss pillows:

Preshrink all fabrics!

NOTE:  Yardage is to make two floor and two toss pillows. Additional materials (zippers, foam and so on) as well as cutting and construction details in the free PDF show measurements and how to make each pillow. 

Available now–ask your local shop to order it

  • Focus Fabric 1:  Space Pals Black                 3/4 yard (will yield two 19” center squares)
  • Focus Fabric 2:  SuperFred Grey                 3/4 yard (will yield two 19” center squares)
  • Solids:  
    • Yellow                                         1/2 yard
    • Apricot                                        1/2 yard        
    • Acid                                            1/2 yard
    • Lilypad                                        1/2 yard
    • OPTION:  you can use the same fabric for all of the sides if you prefer
  • Boxing / sides fabric:  Galactic Black            2 yards

Rockin’ Retro Apron in Kitschy Cocktails, Part 2

Friday, February 21st, 2020

For Part 1, go here.

Today we’ll continue constructing your fun and funky Rockin’ Retro Apron. Fabric requirements, layout/cutting instructions and making the apron skirt are all in Part 1, here. You can download a formatted and numbered pattern–free in 2020!–with ALL the instructions and requirements at Rockin’ Retro Apron in Kitschy Couture. The fabric was provided as part of the Michael Miller Brand Ambassador 2020 program, and my brilliant Janome M7 Continental is provided to me as a Janome Artisan. Thank you!

Make the Apron Ties and Neck Strap

  • Spray starch the bias-cut plaid for the ties and neck strap.  Stiffening this fabric slightly will make the following steps less fiddly.
  • Sew an inch-wide strip of black to the short pointy end of each of the waist ties. Press as stitched, then press seam allowances toward the black.
  • Sew the plaid to the black apron ties and neck strap only.  Do not sew the waist portion, which is handled differently.  
  • Press as stitched.  Press seam allowances toward the black. Turn straps/ties right side out.  You can use a narrow pole/stick/curtain rod to make this easier:  turn the first couple inches by hand, then slide onto the top of the curtain rod and gently coax the entire strap until it is all right side out. 
  • Press, centering the plaid and coaxing the seam allowances toward the black.  Because the black is cut wider than the plaid, it wraps to the front to create an accent edge.  The seam allowances should be underneath this accent edge.  Leave the square end open.  On the pointy end, trim to 5/8” from where the short black piece is stitched to the plaid.  Turn under about 3/8” and press.  You can machine or hand stitch this opening. 
  • Stitch on the edge of the black or in the ditch so the seam allowances stay where they are supposed to.  This will help a lot once you start wearing and washing it—worth the extra effort.!

Make the Apron Bib

FITTING NOTE:  Because of different body types, you will want to adjust the width of the bib and the  length of the bib and strap to flatter your body.  Cutting measurements are for my medium-sized build.  I actually wish I had made the bib an inch shorter, so those with an average or larger bust size should be fine.  Measure before you cut and before you sew.

Use something like a mug lid to round the upper corners of the bib.
Trim slivers off the bottom edge of the bib (optional). This photo is of the pocket, where you do the same thing.
  • Use something round to curve the top edges of the apron bib, see first photo above.  I used the lid of my travel mug.  Just draw a line around the curved edge, then trim off on both sides of the bib, second photo.
  • Optional:  taper the lower edge of the bib by trimming two skinny triangles off the lower edges. Mine were about 3/8” wide by just under 6” tall, center and right photos.
  • Gather bib ruffle.  Fold fabric in half, wrong sides together.  Sew basting lines at ¼” and ½” and gather as before.  This will be a very tight gather, which helps the ruffle stand upright.  If yours is too long when gathered to your preference, trim as needed—see next steps. 
  • Pin ruffle to the bib lining (inside piece). See photos below.                                                                  
  • Curve the ends of the strip up, see second and third photos, below. Be careful (if this sort of thing bugs you) to make sure the curved ends are symmetrical.  Ahem—guess which one I am.
  • Tuck one end of the neck strap between the ruffle and the bib lining, photo on right below.  Be sure the plaid side of the strap is as pictured so that it will face the correct direction when the bib is completed.
  • BASTE by machine.  
  • Turn up to make sure it looks good.  Adjust if needed, especially on the ends.  
Curve the end of the gathered bib ruffle up–see the overall photo at the start of the post to guide you.
The top of the bib lining will look like this once you have basted the ruffle in place. Don’t be like me…remember to tuck in the neck strap so you don’t have to pick out some stitches. Ahem. See next photo.
Insert the neck strap as pictured and baste along with the ruffle.
  • Prepare front of bib.  
    • Cut black bias the length of the outside edge of the front bib plus 1” just in case.
    • Press ¼” under along one long edge.  
    • Pin to the right side of the bib front with the fold edge turning under towards the center of the bib.  
    • Baste on outside edge.
    • Press towards the center, easing excess in the rounded corners.
    • Applique/stitch the black trim to the bib.  I used glue stick to “pin” the black in place and sewed used the edge-stitch foot/quarter inch foot with the flange and a straight stitch.  
  • Pin bib front and bib lining right sides together.  Sew 3/8” seam.  You may wish to sew a basting stitch seam first to make sure everything at the top is correctly placed and the corners and ruffle turn nicely.  If you do, adjust as necessary, then sew the final seam.

Prepare the Pockets

You’ll need a wider black band, the plaid strip, and a narrower black band. These strips are sewn together, then sew the right side of the strip to the wrong side of the pocket top. Press, then fold the strip to the front and topstitch in place.
  • Create plaid-and-black band for the pockets.  
  • Sew a ¾” strip of black (straight of grain) to bottom edge of starched plaid strip.  Upper photo.
  • Sew a 1 1/8” strip of black to the top of the pocket.  Upper photo.
  • Sew wide black strip to the back of the pocket with a ¼” seam.  Press as stitched, then wrap the strip around the seam allowance.
Wrap the strip to the front, trim, and stitch in place.
  • Wrap the bias unit to the front and applique in place.  Stitch in the ditch or on the edge of the black.  Photo above.
Pockets are positioned 6″ to either side of the center, but the black edging has not yet been applied.
  • Press under ¼” on long side of 1 1/8” bias black edging that is long enough to go around the pocket. and extend about ¼” beyond the top edge.  If making two pockets, repeat. Turn under top edge of black trim even with top edge of plaid section.

And that’s it for today! In the final post we will manage the waistband–it took some mental gymnastics to figure out the easiest way to encase all raw edges, have long ties, and have it look good, but I figured it out. Stay tuned!

Remember, you can download the complete Rockin’ Retro Apron pattern here. It’s also listed under Tutorials (lotsa good free stuff on there) on my Resources page.

A donut shirt for Joshua, the M7 Continental dream

Tuesday, January 14th, 2020
As soon as it came out of the box it went on…fit perfectly (thanks to borrowing one of his existing shirts!)

The first thing I made on the splendid new M7 Continental from Janome was something I haven’t made in decades: a button down tailored shirt! Anyone who knows Joshua knows that he is all about good food, perhaps starting with donuts. In fact, Joshua and Ashley’s wedding cake was a tower Joshua made of donut holes from Willow Bakery in Rockport! He also loves shirts with a sense of humor: sushi rolls, watermelon, lobsters. So I decided I wanted to make him a shirt for Christmas. And I succeeded beyond my wildest expectations in part due to the excellent sewing of the M7. There’s even a video below of making a buttonhole!

In the box ready for going under the tree, and looking professionally made if I do say so myself! The label was purchased at Fancy Tiger Crafts in Denver–when I was taping for The Quilt Show I had a day to play and met friend Sandra Wheeler (hullo SandyAngel!) who took me out and about. The label reads “made with love {and swear words},” which I figured correctly would make Joshua laugh.

I used the Men’s All Day Shirt Pattern from Liesl + Co patterns. It was my first time using a downloadable pattern where you print and then tape together the pieces. If you download the free Adobe Acrobat software (not just your built in PDF reader) you can turn off the “all sizes” so it prints ONLY the size or sizes you want so you don’t have to navigate all those lines that end up nearly on top of each other. By measuring Joshua’s existing shirt, I was able to figure out which size would be best (Medium) but with the Large collar/neck stand. My only issue was when I combined the sizes. I should have printed the neck line of both patterns SEPARATELY (instead of on the same sheet), then traced the size large and lined it up properly. It took a while, with astounding and much appreciated personal replies from both Liesl and her husband Todd with troubleshooting suggestions, before I figured out what I was doing wrong. Kudos for the service as well as the pattern!

Sewing down the underneath side of the front, where the buttons will go
Needle moved to the far left.
the stitched fold-back, the buttons will go on the other side.
Look at how perfect that stitching is! It sure helps to have a machine that is so precise.

Using the included edge stitch foot, I was able to get absopositively perfect stitching. The first of the four photos above shows the underneath side of the shirt opening, using the edge stitch foot to sew down the turn-under. The second image shows the Janome M7 Continental screen (other Janome machines work similarly) with the needle set to the left. Because of the tiny increments in needle placement, I could get the stitches to form the exact distance I wanted from the edge. Third photo (top right) is a detail of that stitching. And the large image is the button band, stitched. I can’t believe it looks so good! There’s a video just below these still photos.

There are a couple screens of buttonhole options, but I used the basic one. Note the QR code in the bottom left corner (more info below).
The manual explains the different purposes of the many buttonholes.
First, you can select from a wide variety of buttonholes. I went for the standard (after all, I hadn’t sewn a buttonhole in over two decades!). Using the AcuSpark app (free on the App store, works with the M7 and a few other Janome’s), you open the app on your phone/device, scan the QR code in the bottom right of the machine’s screen (photo on left). This takes you to a tutorial within the app.
As you can see from the screen shots, the tutorial walks you through the process step by step. Easy peasy…my kind of sewing!
Here’s the app telling you how to make a buttonhole!
This is what that buttonhole foot looks like in real life. You slide the button into the back, attach the foot to the machine, and it makes the perfect sized hole every time. I kid you not, I make SEVEN buttonholes, perfectly, in seven minutes, and most of that was repositioning to the next spot!
More instructions on attaching and using the special buttonholer foot.
And how to finish the buttonhole.
This Nancy Zieman (oh how I miss her!) tool from Clover is an improvement over the old-school metal one. Although I have a fondness for the metal one, this version allows you to center the ruler exactly on the button band and mark your buttonholes. The darker green slider notches into the grooves so it doesn’t slide up and down the center as you work. I wondered when I bought it why I thought I needed a newer (plastic, yuck) version. Now I know. Once again, smarter sewing.

(Alert: even geekier pattern and garment sewing paragraph!) From the pattern, I also learned a new process for sequence of sewing and attaching the collar and collar stand. Instead of sewing the stand to the neckline, inserting the collar, and closing it up where the collar meets the neck band, the pattern has you sew collar and stand together, then sew the inside of the stand to the inside of the shirt and topstitch the collar to the shirt body. Ended up with absolute precision and perfection!!!!!!

LOOKIT how perfect that turned out! The only thing I would change on the next one (and yes there will be more for both sons) is to use a slightly less crisp interfacing so the collar stand holds up but isn’t quite so stiff.

So, with 50 years of sewing experience (albeit minimal garment making in the past three decades), an excellent pattern that taught this greying sew-ist a couple new things, and the incredible precision of the Janome M7 Continental machine, I am a seriously happy camper. Even better, Joshua loves his shirt!

The BRILLIANT new Janome M7Continental produces A York Pinafore for Christmas

Monday, December 23rd, 2019

Sewing machine companies are always coming out with new models, most of which are incrementally different from before. But every 10-15 years, Janome re-thinks the machine from all angles and comes up with something that is a major leap–and worth considering adding to your studio. The Janome 6600 was such a machine (circa 2004/5), and the new M7 Continental may well go down as one of The Best Sewing Machines Ever (in any brand!), and given the quality of Janome’s machines that is a high standard.

The Janome M7 Continental is a quantum leap in a sewing machine. Even if you aren’t in a market for a new machine, it is worth taking a look at this model. You might have something new on your wish list!

I have been dying to share with you the things I’ve been making, but most of them are Christmas gifts, so I can’t yet. But I made myself the York Pinafore from Helen’s Closet Patterns, so now I can finally tell you about this wonder with the dress as my example.

In my new “Pinafore” (which I would have called a jumper when I was a kid) in front of the Christmas tree. I’m particularly chuffed about how well the M7 and I worked as a team to get those pockets PERFECTLY placed to have the design flow.

When Janome comes out with a new machine, every single time I think “oh, I can’t give up the loaner I have” (I’m beyond fortunate to be a Janome Artisan so I get to try out their brilliant machines year after year), nothing can be better than this one. And then the new one is even better. Every single time they add new features that make me wonder “oh gosh why didn’t I realize that would be so wonderful.” The M7 is even MORE SO….read on!

The first thing I did, after cutting out the pattern, was to make a lining. I knew that using flannel that I intended to wear over leggings meant that the dress would stick like velcro. Fiddlehead Artisan Supply had a fabric I’ve not used before, Bemberg Rayon, for linings. The bolt end says dry clean, but we all know that can be ignored sometimes. I just bought an extra quarter yard to accommodate shrinkage and tossed it in a wash with hot water wash, cold water rinse, and hot dryer so it would do whatever shrinking it planned to do.

Then I cut, pinned, and started sewing. I probably should have used a thinner needle and the walking foot. I didn’t need to! The feed on this machine is so good that I had no issues going from thick flannel to silky thin rayon! Because rayon ravels, I used the quarter inch piecing foot to create a narrow seam that I turned into a French Seam.

A French seam is really a seam inside of another seam that completely encloses the raw edges. It is typically found in high end garments and used on fabrics that ravel.

Once you have sewn the first seam, you press it as stitched to set the seams. It helps the thread sink into the cloth. Then you press the seam *open* which facilitates turning.

Then you fold the seam right along the stitching to create a “knife edge.” The best way to get the line perfectly on the edge is by pressing open (photo above) and then pressing flat. You can see how crisp and clean the edge is.

I used the quarter-inch foot with the edge guide but moved the needle to the left to 3/8″ from the edge to achieve this perfect seam. In this photo you can see the quarter inch encased and perfect stitching. The rayon won’t ravel ever!

Here I’m matching the scraps and the front of the pinafore so I can cut the pocket pieces to exactly match!

Getting the design lined up perfectly to cut a matching piece for the pocket.

Here I’m stitching in the ditch for the opening of the pocket. I decided to outline the entire pocket with binding. I used the M foot and stitch 15 to overcast the edges as I did the gift bag in yesterday’s post. There are many ways to stitch in the ditch, including an edge-stitch foot that is included with most Janome machines, but personally I find I get my best results using the open-toe F-2 which offers the best visibility. I move the needle to the far right, set the right edge of the foot on the bias, and can get absolutely snug up next to the bias trim.

Now THAT is “stitching in the ditch.”

Throughout the process the M7 handled flawlessly–I mean FLAWLESSLY!

I can’t wait to show you more of what it can do.

Janome’s new slogan is Reliability by Design….I stopped to think about it: I have been sewing on Janome machines since 2003 and not once–let me repeat that, NOT ONCE– have I had an issue that was due to the machine. Once or twice due to operator error, but really, the machines have been utterly, totally and completely reliable. And each one gets better.

Lining done and waiting for the dress to be made.

For hemming, I use the same foot and process, just move the stitch to the far left and adjust the needle drop (the Janome’s have so many needle positions you can get it perfect!). Because I have the rayon lining tucked inside the hem of the flannel outside, and because flannel is loosely woven and really quite stretchy, I use a bamboo skewer to press down on the hem. This compresses the hem, keeps it from rolling up, and controls the stretch. I hold the skewer in place and let the fabric feed underneath it–the tip of the skewer never gets up near the needle. The outstanding feed mechanism on the M7 meant I didn’t need to put on the AcuFeed at all… I couldn’t believe how easy it was!
Here’s the inside: all seams contained between the lining and fashion (!) fabric/flannel. I tucked the lining dress inside the flannel dress and basted at the neckline and sleeves. The pattern calls for using bias a narrow facing, but I chose to go quilty and have the grey accent the edges. Then, very carefully because lining is so slippery, I measured the hem and tucked the lining inside (instead of having it hang loose as is more common) and hemmed the dress.
Dress from the back. If you are curious, put York Pinafore in the search box and Pinterest…SO many cute ideas, fabulous on a wide range of body types, and fast to make. I can see using a quilting cotton for a fun summer dress with tank or T underneath, and corduroy for winter.

This new M7 Continental Janome is really something else, and although I am a Janome Artisan and affiliated, I would say all this if I had bought this machine at full retail. I’ll take you through some of the other marvelous things it can do in January and February. In the meantime, another small but marvelous detail: the thread stand has a COLLAPSING antenna.

Here’s the machine again…it’s hard to see in the clutter of my room, but there is a thread antenna on the right rear of the machine.

The thread antenna is telescoping, meaning you can push it down and then cover up your machine with the very good quality included cover! WOOT! PS: It also comes with a great extension table with a drawer in it, but even with its vast size (more on that later), I wanted to set it into my table. I cut rigid foam core to fill in the gaps. The mother of invention!