I’m delighted to share that my most recent art quilt, Milkweed No. 2, has been selected to be in Brenda Gael Smith’s current exhibit, A Matter of Time, and is en route to Australia!  Brenda is giving us all sneak peeks at the artworks in her blogpost series called “Just a Moment”  here.

Apparently I mostly forgot to take in progress photos (!!!) while I was making Milkweed No. 2, so I will share one or two in progress shots from the making off Milkweed No. 1 (which I have not yet shared in public…stay tuned for that in a few weeks) in this and in a second post about my process.

As usual, I began with an idea (more like an obsession with milkweed pods) and dyeing fabric.  I had plenty of batiks and some of my own hand-dyes but needed more for the sky.  I decided to dye some cotton duck for the backing, as well.

I use the cotton duck as a stabilizer.  It helps reduce shrinkage and the artwork hangs beautifully, although it isn’t as easy to handle under the needle as a lightweight fabric.  It is worth the trade-off!  I wrote an article about my process for Machine Quilting Unlimited and blogged about that here.

Next, using Mistyfuse (by far the softest hand, easiest to use, never “ages out”) adhesive / fusible web, I prepare my fabrics for collaging.  My video workshop (here on my site and available as a download here from Interweave) shows this part of the process, plus a lot more.  Anyway, I use my “stash” of fused pieces, but always end up adding more bits for a given piece.

Next, I start the fusing process.  In this shot, I’m working on the sky for Milkweed No. 1 (larger, landscape orientation), but I used exactly the same process on this piece.

I then did a bit of surface design including stenciling and screen-printing using thermofax screens (details in my next post).  Finally, I quilted my piece.  Aren’t the colors just glorious?  And yes, bright purple works in a seed pod!

I’ll be back in a few days with more on the processes using paint!   Remember, visit A Matter of Time here and the “Just a Moment” previews blogposts about the various artists and artworks here.

 

 

Hi all: the best news first:  you can now sign up for this class in its 2016 version at Ricky’s new website https://www.photoclassforyou.com/

Anyway, for about the past half the year, I’ve been sharing each week’s lesson results with you here on my blog. My photography education this year began this way:

In December of last year, I saw Ricky’s post on Facebook announcing a photography challenge for 2015.   I promptly signed up, knowing that I needed the push to learn more about my DSLR and really USE it, since it is heavier and more complicated than my Panasonic SuperZoom.   I’ve always loved photography, and the class also included learning to use Photoshop (PS).  I was a bit leery, since PS used to cost a fortune–like $300+.  But now Adobe sells it as a subscription of $10.54 per month with a free trial month (or is it two?).  So I figured over three years that cost equals each edition of PS but in manageable monthly payments.  Now that I have used it, I wouldn’t be without it.

Now you can sign up for NEXT year [2016 R. Tims photo challenge part 1 sign up and info] to take a similar version of this course (Ricky has re-formatted it from 52 weeks in one swoop into a 26 week and two 13 week segments).  He asked for blurbs, I was happy to provide, and I’m so pleased he included my testimonial on his new website for teaching photography.

Your photography skills—composition, knowing your camera, and processing—will grow exponentially over the course.  Best of all, each lesson’s scope is a do-able “bite-size.”  If you have more time, you can go deeper, learning from fellow students’ work.  Recently, I took my son’s Senior (HS) portrait and the comments were “looks professional!”  That’s thanks to how much I have learned this year.

Here are a couple more of my recent photos that I think represent what I’ve learned.

 

Hi all!  Just a quick post to share last week’s quick effort at our Ricky Tims’ 52-Week Challenge lesson on how to “stitch” together photographs in PhotoShop.   Honestly, the software does all the work.   The photo below was created from five photos taken of the view from our house, then I did a few edits to get the colors captured to equal what it really looked like.

Since this photo was taken we have had wind and rain and wind, so we are no in the bare, brown and gray phase of the year.

The great news is that Ricky has opened sign-ups for a repeat of the 52-Week Challenge for 2016.  I’ll blog about that in a couple days, but since this is my second post today, I want to take a bit of a breather!

To my utter astonishment, our younger son (who at best tolerates grimly my taking photos of him), ASKED me to take a photo–his Senior Yearbook Photo!  Knock me down with a feather!   I had thought he would use his school pictures photo:

So while I was at taking the senior/yearbook photo, I knew it would be a crazy-busy week so I took a series of photos to do an assignment called “High Dynamic Range” where you merge 3-5 (or more) photos to account for the fact that there is strong light and strong shadow in one place.

The above photo is “composed” of these four photos (which despite my attempts to place them are going where they want…sigh):

 

 

 

 

 

 

 

 

 

 

 

We decided that as lovely a backdrop as the maple tree was, the light was simply too harsh.  Eli suggested we go down by the arbor/cut-through to the big meadow.  He thought he could lean up against the post and it would look more natural.  Turns out there is too much bittersweet, but the photo turned out great!

Eli selected this shot, which used a fairly shallow depth of field (to blur the background) and was taken from a tripod.  I can confidently say there is NO WAY I could have gotten such a good shot (with minor post-production/editing work) when I began this class in January.   YEAH!  I’m learning!   And Eli is happy.  And will now return to grumbling when I take photos of him.  <<grin!!!!>>>

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

That’s it for now!

 

Normally it doesn’t matter if I post my photo a week late, but since the theme was Halloween, and since I’ve actually done this at not-the-last-day, I’m doing week 43 today and I’ll fill in with week 42 next week!    And oh…if you haven’t been around, this is part of the year-long 52-Week Photography Challenge class I’m taking online with Ricky Tims.  This composite image was something that I would NEVER have been able to do at the start of this class! I used four photos (two of the widows, one of my hands, one of the moon).For anyone interested in how I did it, here you go (Long!)

This week’s theme was Halloween.   Apparently Ricky had planned on Hands, then changed it to Halloween.  But the “use hands” didn’t get edited out (until someone asked about it and he said typo!).  By that time I had this hare-brained idea for my weekly submission.  Our challenge was to do something creepy for Halloween (or otherwise Halloween-y) using what we’ve learned.   This may be one of those instances that Ricky refers to as “Just because you can, doesn’t mean you should.”   Oh well!  It was a fun flight of bat-ful fancy!

1. Darken photo of moon. Select to the right of the moon extending area quite a bit to the right. Use content aware fill to “reposition” the moon.

2. Take first of the two willows in the night mist photos (shot on iPhone, which used last and showed those cool streaks in the mist). Since the photo was square, add a layer and paste. Add another layer and paste again, so that the two images overlap. Use soft-edge eraser brush to blend the two photos. Some Dodge and Burn to even out the overlap. Flip horizontally.

3. Take the second of the two willows-in-the-night-mist and repeat the above process in Step 2.

4. Reduce opacity to about 30-35 on both willows layers.
5. Merge down layers so the four willow layers end up as one (or was it two) layer(s).

6. Spend a ridiculous amount of time trying to make assorted masks work to let the moon shine through without overlaying leaves. Give up and use an enormous, soft-edge dodge brush to lighten the layers over the moon.
7. Dragoon hubby into taking shots of my hands as a bat (after google searching). Set up light and tripod/camera etc first.

8. Remove background around hands. Reduce opacity, use burn tool to knock back highlights on my fingers.

Edit out arms using a large hard-edged eraser brush to create wing scallops.

9. Create multiple layers, using “transform” to scale and rotate to edit the “bat.” Mull over whether to have one or three bats. This is seriously one of those “just because you can, doesn’t mean you should” moments. Still not sure about one versus three. But after HOURS of edits, I’m going with three!
Time for lunch and other work!

So that’s it!  My Flickr album for November is here, and for the page with all my albums is here.