Woooohooo!  (and OMG…two posts in one day?)  Doing the Snoopy Dance (despite the dank humidity and clammy temps here in usually balmy Maine):  Cookie?  PLEEEZE Cookie!, my portrait of our pug Pigwidgeon, got juried into the World of Beauty contest that is the heart of the IQA Quilt Festival in Houston this fall! (Click on picture for much larger view.)

In addition to this sweet pug mug, I’ll have the portrait of my son Joshua in the Beneath the Surface exhibit (thanks to MistyFuse our sponsor!), and two quilts in the special exhibit showing  quilts from Lark Books’ popular 5oo Art Quilts book.  WOOT!  Tippety tap, tippety tap…sounds like more celebrating…break out the ice cream!

At long last!  There has been precious little time for making art quilts over the past few years.  What with family chaos, the hurly burly of every-day-life, writing a book and making all the samples, marketing the book, travel-teaching and whatnot, I’ve can scarcely recall the last large art quilt I made just for the sake of making it. Here’s a detail (you’ll have to keep reading to see the rest!  yes, I’m evil <GRIN>):

Last autumn, Jamie Fingal and Leslie Tucker Jenison of Dinner at Eight Artists invited me to submit a quilt for consideration in a juried invitational show called “Beneath the Surface.”  (Note:  a list of accepted artists is on their blogpost dated March 22…what fine company!) That means you make a quilt to theme and size (36 wide by 48 tall), and it still might not get in.  My first thought was…I have too much on my plate.  Then I realized the due-date (which always gets me in gear) was early enough in the year that I might actually have time to do it!

My first thoughts were underground waterways, roots, rocks, critters that burrow.  Then, thanks to the influence of my friend Kathy who loves the sea, I thought about under the sea.   But then I thought, no, everyone will do that…. I want to do a portrait!  Then I realized, it could fit the theme:  What is under the surface of a teenage American male?

I took about 65 photos one evening of my older son playing guitar, which is such an elemental part of who he is.  I selected two:  one for the overall body position, another for the face (angle of head, mouth closed, eyes looking down).  I ended up using a third picture because the proportions of the first two didn’t give me enough of the room for the measurements of the quilt.   Luckily, I finished on time and got in!!!

I’ll share the construction process (I’m always fascinated by how a quilt comes to life, but decided I’d show the results here, THEN show the process because, well, I’m impatient and want to share!) in future blogposts. So, here it is!

I think this may be one of the best quilts I’ve ever done; best of all, Joshua likes it too.  I was worried about the funky batik I used for the guitar neck, but when he saw it he said “If I could find a guitar like that in real life I’d BUY IT!” How cool is that?

My original statement for the quilt was (big surprise) a bit too long, so I’ll repeat all of it here:

What is beneath the surface of a 16 year-old male?  Some things are obvious:  music, food, girls, friends, food, school, guitar, food, video games, movies, girls, friends, food. Others are not so obvious.  There is the man he is becoming:  kind, compassionate, interesting, funny, breathing music in his soul, argumentative, loyal, passionate, tolerant, stubborn, smart, gregarious, curious, honest, loving and loved.   “Mom?  Can you fix me something to eat?”

Thanks to Moore’s Sewing Center (in southern California and online) and Brother International, who are sponsoring the exhibit at the IQA show in Long Beach, California; we are hoping the exhibit will continue on to the big IQA show in Houston in Fall 2010.  Thanks also from me to Iris Karp of MistyFuse for her generous support.  This entire quilt top was made with fused applique…MistyFuse ROCKS!

So far I know these artists have blogged about their quilts in the exhibit:

• Deborah Boschert
• Terry Grant
• Karen Rips
• Gerrie Congdon

Those of you who can, I hope you can take pics at Long Beach!  Enjoy, and again thanks to Jamie, Leslie and our sponsors!

There is a new book out from Lark Books in its “500” series, 500 Art Quilts.

I was thrilled when I received word that two of my quilts would be among the 500 (made by 369 artists).  A whopping 432 pages long, this book is, pure and simple, eye candy!  Edited by Ray Hemachandra with quilts juried by Karey Bresenhan, founder of the International Quilt Association and quilty godmother to hundreds of thousands of quilters for her incredible energy and devotion to quilting and the quilting industry–she’s one of the forces of nature behind International Quilt Festival in Houston (can you tell I think she’s the bee’s knees?).

Now that I have received my artists’ copy, I am even more thrilled—and humbled and astounted—to be included on these pages.  All I can say is that you MUST get your hands on a copy of this amazing compilation which summarizes the state of art quilting around the world today.  It is simply STUNNING!

My quilt A Sense of Place:  The Wall, has a page all to itself (on left):

And Koi (yippeee!) is included here, top of left page:

Throughout the book I was tickled to see names I know well, and equally excited to see quilts and names I’ve never seen before.  What a wealth of talent and creativity we have in this medium!  Karey did a fantastic job selecting a representative range of styles and techniques (jurying was blind, meaning she did not know who made which quilts), and Hemachandra and staff did a great job placing the quilts in groupings that complement the quilts.  There is almost no text, just name of the maker, size, materials.  The artwork speaks for itself…and it is singing in joyfullness!

As an ardent art quilter, you might not guess that I began my quilting journey with traditional quilts (my first is a Wild Goose Chase variation from McClun and Knownes Quilts! Quilts!! Quilts!!! book, my second a Mariner’s Compass from a pattern by Mary K. Ryan of Vermont), and still absolutely adore them even if I don’t find the time to make them.  There was a wonderful exhibit of quilts from Texas, and I was able to take pictures.

Star of Stars, circa 1845, by an Unknown Maker, was on this year’s totebag (which you can see in the last picture on this post) and is simply spectacular in  color, design and workmanship.  It is a large quilt…101 by 101 inches, which is plenty big for a king sized bed!

Oh My Gosh, by Diane Tenney, is a contemporary quilt.   The small flying geese triangles that make the diagonal lines on the quilt look like they are about 1.5 inches on the LONG side of the triangle!!! EEEK!

Log Cabin, Streak of Lighting setting, 65 1/2 x 77 inches; no date estimated; unknown maker.  I’m not usually wild about streak of lightning settings, but I really liked the use of value (light versus dark) in this one:

I love log cabin quilts, tho, and this one with plaids was no exception.  It is 53 x 66 inches, dates to circa 1875-1885, by an unknown maker  The logs are barely a half-inch wide finished size!

And here’s a detail..oh my!

The final quilt I’ll share is a Grandmother’s Flower Garden with silk green border.  You can tell that Quilts, Inc., does things right…this delicate quilt even had a special display podium to prevent undue stress on the quilt.  The hexgons are about 1/2 inch across!!!!:

If I recall correctly, all these quilts are in the International Quilt Festival collection…. I wonder how large that collection is… I’d love to see them ALL displayed some year but I expect it would take over the entire convention center, or nearly!

Next:  The Frayed Edges in October….Deborah came from Texas for a FUNDERFUL visit, then more on Festival.  Cheers, Sarah

One of the lessons learned is to  get your class a good title AND a good class description.  I clearly failed on the Chunk and Jigsaw Fusible applique!  The class had only 7 students, but I opted not to cancel (I was given the choice), figuring getting paid for seven students is better than none, and they had already planned and prepped, and I had spent more money and time on kits and materials for this class than any other, so I might as well.  In reality, the class is using fusing and other art techniques to make fabric postcards (or slightly larger) pieces in the class.

Well, it turned out we had a ball!   I decided the best way to organize things was to demo the fusing first, have students fuse up a stash of fabrics (thanks to IQA for providing extra ironing stations in the hallways….due to electricity charges and wiring you can only have two irons in a classroom, clearly not enough for full classes!), then move to art techniques in the late morning and afternoon.  I set up an “Art Smorgasbord” in the back of the room, with materials and supplies for various techniques at three tables / workstations.

At the end of the day everyone put their stuff up on one of the foam core sheets and we all took pictures (photo above).  Among the techniques we tried were angelina (a hairy fiber that is sparkly which you can emboss with a stamp), making your own stamps from rope, glue, “stuff” (such as metal washers), foam sheets (I used Darice Foamies from Wal-mart…an adhesive backed foam that you can cut with scissors), painting on fabric, freezer paper stencils to stencil, couched yarns and other stuff, making your own cording from yarn, strips of fabric and whatnot, scrunching/texturing fabric…. and finally, my favorite finish for postcards:  the couched-yarn edge.  I made sure everyone tried every technique or had some of the materials to take home and try.

Here Auian made the most adorable reindeer…she had brought many Christmas fabrics, and I am totally in love with this guy!:

and her friend Tanyel made some wonderful postcards with her to-die-for selection of African fabrics:

Marie used both African and regular quilting fabrics and my Little Brown Bird pattern to make her own, slightly larger quiltlet… wish I could see this one when it is done! I was SO excited… early in the day I did a small exercise that helps folks understand that drawing really can be easy if you just break it down into basic steps and concepts…and Marie said she actually thought that now she might really be able to draw, and she never had before…WOOOOHOOO!!!!!  I think what I love best about teaching is when I can help a student realize that the really CAN do it!

and

Our fantabuloso Janome rep (who helped with the machines, and tips and all sorts of fun stuff) got to join in the fun on Thursday since we were so few– it was truly a pleasure to have her in the classroom helping, she was everything you  hope a classroom company rep will be!

Renee worked quietly over on the side of the room and boy did she cut loose!  Her mom and dad are both artists, and you can tell she is comfortable in a creative, free-form environment.  Plus, her taste in colors and fabrics and mine overlap a lot… I loved what she has done in these cards:

Mary’s frog and lily make me think of spring.  I also shared in the class how to use some funky tape-yarn to “bind” or edge-finish a postcard.. that’s what Mary has done on the top edges here:

Stacia had fun with abstract design and Angelina:

I’m not positive, but think this one may be Stacia’s also:

Kitty said she likes to work in series, and this is part of her seasons series:

She also used the paintsticks and a stamp I had made of cardboard and glued twine (done in the shape of a tree)  with the Shivas to color this cloth for future use:

Last but not least,one more beauty from Renee:

It was a great class to end my first teaching stint in Houston.  Because the class was so small, it was very informal and we got to sit close and work together to do some truly fun stuff!

I’ve just sent in my application to teach again next year in Houston…here’s to hoping!   Thanks to ALL my students, it was truly a privelege to be able to come teach and to have you in my classes.