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Archive for the ‘International Quilt Festival’ Category

International Quilt Festival 2013, Houston, #6, Decorative Stitching!

Friday, January 31st, 2014

Time for another catch-up post, about my Decorative Stitch Applique class on Friday at Quilt Festival.   I’m on a yahoo group for Janome 6600-7700-8900 owners, and a discussion cropped up about using the decorative stitches and I realized I had yet to post this information, so here goes!

The Funky Chicken, from Sarah's Decorative Stitch Applique class in Houston

The Funky Chicken, from Sarah’s Decorative Stitch Applique class in Houston.  Right click to enlarge image.  I’ve stacked (grouped) stitches on this one.  For example, the checkerboard (in yellow upper left) is two passes of a satin stitch that has two columns of small alternating squares.  To the lower right of the green square, a scroll stitch is bracketed with scallops.  The center square is appliqued, stitched with the “V” stapes, then outlined with a bold straight stitch.  Done on a Janome 8900.

Ya know how we all have these fancy machines that do a bazillion things, and pretty much 98 percent of the time (or more) all we do is use the straight stitch and sometimes the zigzag?   Well, when I wrote my book, Threadwork Unraveled, I included a section to teach folks how to play with their fancy stitches. This is the project in the book and the regular class project.

Decorative Stitch sampler for my Decorative Stitch Class.

Decorative Stitch sampler for my Decorative Stitch Class.

I teach that section as a class which was offered this year at Quilt Festival.  This year I came up with a couple new projects as class options for students. Most of the students did the usual tossed leaves project for this class, but one loved my Funky Chicken.   Here she is early in the day, filling the background with fun stitch combinations in fun colors:

This student used the same colors as my sample.  We were luckily in the Janome classroom with the FABULOUS 15000 machines.  I've never been a fan of computer-screen sewing machine models, as I prefer visual knobs and buttons.  Well, let me tell that has changed!  I have severe sewing machine lust for one of these babies!  And they have even more (!!!) stitches than the already fabulous 8900!

This student used the same colors as my sample. We were luckily in the Janome classroom with the FABULOUS 15000 machines. I’ve never been a fan of computer-screen sewing machine models, as I prefer visual knobs and buttons. Well, let me tell that has changed! I have severe sewing machine lust for one of these babies! And they have even more (!!!) stitches than the already fabulous 8900!

Other students put their own spin on the leaves:

A student is making sample blocks with decorative stitches

A student is making sample blocks with decorative stitches.  This is a great way to test out pattern combinations–here she has a practice square to toss out and her “real” piece on the left.  If you have a practice square, that means you don’t have to pick out the stitches if you don’t like them!

Close up of decorative stitching on an aspen leaf.

Close up of decorative stitching on an aspen leaf.

This student tried a very bold, wide multi-stitch zigzag.

This student tried a very bold, wide multi-stitch zigzag.  You can see this is her practice bit–see how she has tested the appearance of various stitches in the strip on the right?

I made a smaller (about 9 inches square) quiltlet with the sampler leaf and the background stitching.  If you right click on this image, you can see more detail.  Notice how I layered up stitches to applique the green patch and how I used a decorative stitch on the binding.  On the latter, I used matching thread to machine stitch down the binding, then went over that with a decorative stitch.

I made a smaller (about 9 inches square) quiltlet with the sampler leaf and the background stitching. If you right click on this image, you can see more detail. Notice how I layered up stitches to applique the green patch and how I used a decorative stitch on the binding. On the latter, I used matching thread to machine stitch down the binding, then went over that with a decorative stitch.

And a happy student with her nearly-done funky chicken:

Thank you, Barb Brown of Colorado, for taking my class!   I love your chicken!

Thank you, Barb Brown of Colorado, for taking my class! I love your chicken!

The day ended with one of my favorite things at Festival:  FRIENDS!  This evening was the Dinner@8 artists.  Jamie Fingal and Leslie Tucker Jenison curate an exhibit each year for several years now, and I am thrilled to have been both invited to submit pieces and accepted in the exhibit!   My orca quilt, seen in earlier blogposts on Festival 2013, was in this year’s Exquisite Moment exhibit.  Here a bunch of us who were at Festival enjoy dinner and friendship and art!

One of the two tables of folks in the Dinner@8 exhibit.  Leslie is at the head of the table, next to Diane Rusin Doran (in pink), Susan Brubaker Knapp (glasses) and Lyric Kindard (only partly in the photo--sorry Lyric!)

One of the two tables of folks in the Dinner@8 exhibit. Leslie is at the head of the table, next to Diane Rusin Doran (in pink), Susan Brubaker Knapp (glasses) and Lyric Kinard

And too much fun not to include, Susan and I taking pictures of each other taking pictures!

And too much fun not to include, Susan and I taking pictures of each other taking pictures!

 

 

 

 

 

 

 

International Quilt Festival 2013, Houston, #5

Wednesday, January 22nd, 2014
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Wind by Masanobu Miyama of Japan

When the curtain went up on this major prize winning quilt, I knew we had a game-changer.  With apologies for the analogy, this quilt is about the size of my placemat!  Finally, art quilters don’t have to force themselves to work somewhere between large and vast to have a chance at a top prize.  

The signage for that glorious dog.

The signage for that glorious dog.

That puppy made a second appearance in the quilt show in this larger quilt which Masanobu made with his wife:

A much larger quilt (I'd guess at least 60 inches) by Hiroko Miyama and Masanobu Miyama.  Do you see the Golden with the little boy?

A much larger quilt (I’d guess at least 60 inches) by Hiroko Miyama and Masanobu Miyama. Do you see the Golden with the little boy?

And the signage:

The artists' comments about this quilt.

The artists’ comments about this quilt.

Here’s a detail of the small quilt…breathtaking!

Detail of "Wind" by Masanobu Miyama

Detail of “Wind” by Masanobu Miyama.  Perfection!

A two-fer, both wonderful!

A two-fer, both wonderful!

2013.11.10.FestivalFavoritesB013The quilt on the left so impressed Karey Bresenhan and Nancy O’Bryant Puentes, co founders (along with their moms–they are cousins) that it won an Honorable Mention.  Here’s a detail:

Detail, A Truly Feathered Star by

Detail, A Truly Feathered Star by Karen Sievert

I was so tickled to see this quilt which I had first seen in the Art Quilts Maine exhibit at Maine Quilts.  It is by Julie Weaver, and is her first quilt (but I hope not last!) to be juried into Houston.

I was so tickled to see this quilt which I had first seen in the Art Quilts Maine exhibit at Maine Quilts. It is by Julie Weaver, and is her first quilt (but I hope not last!) to be juried into Houston.

Even more fun, I'm on the show floor when I hear, "Hi, Sarah," And it is Sarah Carpenter and Julie Weaver, from Maine!

Even more fun, I’m on the show floor when I hear, “Hi, Sarah,” And it is Sarah Carpenter and Julie Weaver, from Maine!

Artie Facts by Joyce Patterson.   How can you not LOVE this image?

Artie Facts by Joyce Patterson. How can you not LOVE this image?

And the signage:

Artie Facts info

Artie Facts info

Hope you enjoy!

 

 

 

 

 

 

 

 

 

 

International Quilt Festival 2013, Houston, #4

Saturday, January 11th, 2014

Wow… I’ve certainly been AWOL (Absent WithOut Leave)!   That’s what happens when I get busy.  Between Eli’s wrestling, daily life, and working on a quilt for Joshua, I was appalled to see it has been over a week since I posted.  So I thought I’d share some photos from Houston’s Quilt Festival.  Though it was a while ago, I haven’t shared yet, and it is still good eye candy!

Since I’m thinking about beginning this coming year’s entry for the Dinner@8 exhibit, let’s focus on this year’s exhibit which was themed “An Exquisite Moment.”  I struggled to come up with a theme for Rituals, but so many ideas came for this theme:  childbirth, nursing, Eli peeking at me from under the highbush blueberry bush, munching away, the peaceful comfort of a cup of tea and a good book.  But when I remembered the night we heard the orcas sing, and because all four of us remembered that night, that had to be the quilt for me.

It always thrills me when someone likes what I have made enough that they take a picture.  The blue quilt is my "Listen to the Song in the Night," which I blogged about here.

It always thrills me when someone likes what I have made enough that they take a picture. The blue quilt is my “Listen to the Song in the Night,” which I blogged about here.

I was doing much the same thing with several of the other pieces!  One of my favorites is by my friend Diane Perin Hock.  The feeling of tranquility and peace is palpable:

Diane Perin Hock's portrait of the Adirondack chair under the tree at a quilt retreat fill me with calm.  The colors, the serenity...I love this!

Diane Perin Hock’s “Serenity,” a portrait of the Adirondack chair under the tree at a quilt retreat fill me with calm. The colors, the calm…I love this!

And the same quilt in its "neighborhood."  The quilt to the immediate right is by Judy Coates Perez.

And the same quilt in its “neighborhood.” The quilt to the immediate right is Fear of Flying by Judy Coates Perez. The next one over (turning on the ignition) is Speed by Cheryl Sleboda, while the passion flowers to the left of Diane’s are by  Frances Alford.

Two more friends:  Deborah Boschert's red branch on the left and Rachel Parris's feeding the chickens on the right.

Two more friends: Deborah Boschert’s red branch is in the center and Rachel Parris’s feeding the chickens on the right.  I first met Rachel at a dinner of the artists (those who were at Festival) one year, and she is the most wonderful woman.  On the left is Jayne Larson’s Rainbow: A moment of reflection.  This year it was so much fun… I Facebooked my propped up feet at the airport on my way home, and Rachel promptly messaged me:  she was in the same terminal, so we got to have coffee together before we split to the corners of America!

I'm bummed that this photo isn't in sharp focus, but I love Deborah's quilt so much that I'm including it anyway.  It is quintessentially "Deborah," with her signature handwriting (this time on super-scale), branches, surface designs stamped and stenciled, but the colors are a-typical, giving it a wonderful freshness.

I’m bummed that this photo isn’t in sharp focus, but I love Deborah’s quilt so much that I’m including it anyway. It is quintessentially “Deborah,” with her signature handwriting (this time on super-scale), branches, surface designs stamped and stenciled, but the colors are a-typical, giving it a wonderful freshness.

Rachel Parris grows as an artist every year.  I totally adore this piece.  It makes me think of our grandmothers' time and lives, and love how Rachel used the writing on the apron.

Rachel Parris grows as an artist every year. I totally adore this piece, “Ordinary Day.” It makes me think of our grandmothers’ time and lives, and love how Rachel used the writing on the apron.

Cynthia St. Charles dyes and does a lot of surface design.

Cynthia St. Charles dyes and does a lot of surface design.  For Winter Walk II, she has carved blocks for stamping as well as using thermofax screens.

 

Cynthia St. Charles, detail:

Cynthia St. Charles, detail: Even in this photo it is hard to realize that she has stamped on many fabrics, collaged them, printed onto sheers, layered them…the piece is mesmerizing and is reinforcing my thnking that I really need to take more time to play, to dye fabric, to print and stamp and come up with my own cloth in addition to my signature tone-on-tone batiks.

I'll close with a neighborhood shot of my quilt on one side of the Dinner at 8 display.  I am so inspired by these women, and so pleased to be included in their company.

I’ll close with a neighborhood shot of my quilt on one side of the Dinner at 8 display. I am so inspired by these women, and so pleased to be included in their company.

For more about the Dinner at 8 artists and exhibits, visit the Dinner@8 blog.  If you’d like a show catalog, you can purchase one here, printed by Blurb.  Thank you to Loris Bogue for taking the time to put this together again this year!

International Quilt Festival 2013, Houston, #3

Monday, November 25th, 2013
Snow Buddies by Ruth Powers

Snow Buddies by Ruth Powers

I’ve got enough photos (the edited list!) for at least five separate posts of quilts and blurbs.  I decided that this year I would post both the quilt AND the signage from Festival immediately below it.  I just ADORE Ruth’s shaggy dog!  Good composition with the shepherd behind to set him off from the wintry background.  And notice the successful shadows to anchor the dogs to the earth since the horizon line is somewhat blurred on the left (as happens on a blustery winter day).

IQF signage for Ruth Powers' Snow Buddies

IQF signage for Ruth Powers’ Snow Buddies

Oh I'm SO IRKED!  My friend Franki Kohler made this portrait of her beloved dog, and it is bl blurry AND I forgot to snap a pic of the signage!  But it was too sweet not to share!

Oh I’m SO IRKED! My friend Franki Kohler made this portrait of her beloved dog, and it is blurry AND I forgot to snap a pic of the signage! But it was too sweet not to share!

Kool in Ketchikan by Ingrid Catteneo

Kool in Ketchikan by Ingrid Catteneo.  This is a good sized quilt..maybe 40 inches across.  I totally love the dogs in sunglasses!  Think I’d like their humans, too!

signage for Kool in Ketchikan

signage for Kool in Ketchikan

Watch  Your  Step:  Fall by Libby Lehman

Watch Your Step: Fall by Libby Lehman. 

Many of you have by now heard that back in April Libby suffered a ruptured aneurism followed by two massive strokes, followed by many, many seizures.   It is a miracle Libby survived the aneurism, let alone even one of the strokes.  Clearly, Libby’s indomitable spirit (and perhaps a greater purpose for her to remain with us) have conquered the first obstacles.  After a few difficult weeks in early Autumn, Libby is back in fine form and healing and improving daily.  If you are so inclined, you can follow Libby’s progress thanks to family and friends (known as Team Libby) at Libby’s page at Caring Bridge and can also make donations to help cover the costs of her care (which aren’t covered by insurance).  Here is what her family posted:

If you would like to make a contribution to the “Libby Lehman Medical Fund”, you may use paypal.com.  Just set up an account with paypal.com and donate to libby.medfund@gmail.com,  or send a check to her sister, Cathy Arnold at 2220 Stanmore, Houston, TX 77019 for deposit into a special account at JPMorgan Chase Bank.  For more details, please refer to the [ Caring Bridge ] Journal entry entitled “Contributions – Angels Needed”.

Signage for Libby Lehman's Watch Your Step

Signage for Libby Lehman’s Watch Your Step

I hadn’t seen any of Libby’s recent work, so was thrilled to get to see both old and new pieces on display.  Karey Bresenhan and IQA set up a display of Libby’s quilts in *primo* territory where folks could see Libby’s works (gathered from her holdings and those sold but whose owners lent them for the show), meet Team Libby (I got to meet her son Les and sisters), and make contributions to help Libby.   If you can afford just a few dollars, every little bit helps.  And sending prayers and healing light is free, and I swear it is working.  Libby’s recent improvements began just as things kicked into gear for Market and Festival–she KNOWS we are all out here pulling for her!

 

Jane Sassaman's top prize-winning quilt

Jane Sassaman’s prize-winning quilt, Illinois Album, which garnered the Baby Lock Master Award for Innovative Artistry (on of the BIG prizes!).  The black border kinda disappears next to the drape, but it is stunning.  I got to say hello to Jane, and told her I didn’t know what thrilled me more, that she had won a top prize or that she was entering work again!  

I forgot to snap a picture of the signage (was too busy chatting with Jane and not trying to sound/feel like a dork), but at least I got this close up!

I forgot to snap a picture of the signage (was too busy chatting with Jane and not trying to sound/feel like a dork), but at least I got this close up!

 

And here's to the Maine contingent!  My friend Pat LaPierre McAfee, of Supreme Slider fame, is a top quilter.  She won (another!) first place ribbon for this beautiful work.

And here’s to the Maine contingent! My friend Pat LaPierre McAfee, of Supreme Slider fame, is a top quilter. She won (another!) first place ribbon for this beautiful work, Shades.

Signage for Pat LaPierre's quilt.

Signage for Pat LaPierre’s quilt, Shades.

Quilt by Dianne Hire, quilting by Pat LaPierre and Dianne Hire.   I saw this quilt when it was at the top stage--Dianne had begun work on it well over a decade before I saw it a couple years ago.  It had to get tucked away --work and life happen!   But she brought it out and OH MY!   Wish you could all see this in person.

Adagio by Dianne Hire, quilting by Pat LaPierre and Dianne Hire. I saw this quilt when it was at the top stage–Dianne had begun work on it well over a decade before I saw it a couple years ago. It had to get tucked away –work and life happen! But she brought it out and OH MY! Wish you could all see this in person. The colors and rhythm and designs make my heart sing!

And the signage for Dianne Hire's quilt.

And the signage for Dianne Hire’s quilt.

 

 

 

 

 

 

 

 

International Quilt Festival 2013, Houston, #2

Thursday, November 21st, 2013
If it was Tuesday, that meant I was teaching Tame Fussy, Fiddly Threads!  As always, the students were brilliant!

If it was Tuesday, that meant I was teaching Tame Fussy, Fiddly Threads! As always, the students were brilliant!

Tuesday is the “down” day between Market (the trade show, which is only open to industry professionals, not the general public, ends on Monday) and Festival (which opens with a Preview night on Wednesday evening, then is open Thursday-Sunday).  Folks who attend Market often stay to take a class, and folks who attend Festival come early so they can take classes, then be free to enjoy the show and vendors on Thursday.  This year, I got to teach one of my favorite classes, Tame Fussy, Fiddly Threads, which is all about using metallics, holographics, and heavy threads (the kind that go through the needle, not bobbin work).

A student plays with heavy 30-wt So Fine thread from Superior Threads early in the day.

A student plays with heavy 30-wt So Fine thread from Superior Threads early in the day.

Since so many of my classes are fusing, I thought I’d mix it up when I formulated this class.  Instead, we make a stencil out of freezer paper and paint with Lumiere and ProFab textile paints.  Students can use my model or do their own thing (which I LOVE when they do that!).

This student chose gingko leaves pointing away from the center on the north-south/east-west axes. She then penciled in quilting guidelines on the black background.

This student chose gingko leaves pointing away from the center on the north-south/east-west axes. She then penciled in quilting guidelines on the black background.

In the supply list, I suggest a black background fabric.  I love this small black and charcoal check!  Her quilting is great…love the nestled-in quilted-only leaf next to the stenciled leaf, as well as the shading on her leaves, and how she alternated painted and not in the spray of leaves on the right.

This student was having fun!

This student was having fun!  Her background of black and gold fabric is somewhat visually busy, so she is wise to concentrate her stitching on the painted leaves as the print could obscure the lovely stitching.

Then in mid-morning a fun surprise!  The best thing about Festival is seeing folks you know from (mostly) the internet…the quilts are great too, but the quilters are the bestest!

Luana Rubin, founder with her  husband Paul of eQuilter, was at Festival and popped in to say hi!  We are both members of a small online group--there are not so many of us and we are VERY tight!  We respect everyone's privacy closely, so we can share and be sure that we will support each other and keep mum.  I also got to see Luana AND her daughter Sophie later on the show floor (photo in a future post).

Luana Rubin, founder with her husband Paul of eQuilter, was at Festival and popped in to the classroom to say hi! We are both members of a small online group–there are not so many of us and we are VERY tight! We respect everyone’s privacy closely, so we can share and be sure that we will support each other and keep mum. I also got to see Luana AND her daughter Sophie later on the show floor (photo in a future post).

Practicing on a sample sandwich before working on the stenciled piece.

Practicing on a sample sandwich before working on the stenciled piece. (Note her shirt, from Lopez Island Resort; Lopez is the island next door to San Juan Island where I used to live.  I swear everyone on the planet has either been to the islands or knows someone who lives or lived there!)

Another set of gingko leaves, this time on the diagonals, partially quilted.

Another set of gingko leaves, this time on the diagonals, partially quilted.

And the same leaves at the end of class.  Fabulous!

And the same leaves at the end of class. Fabulous!

Oak leaves are popular, too, and easy to draw!

Oak leaves are popular, too, and easy to draw! notice how she varied the thread for the leaves.  Would love to see how she quilts the acorns; we talked about doing a dense zigzaggy thing for the caps!

Love the quilted border!

Love the quilted border!

A happy student in a happy and talented classroom.  We got to use the Janome 9900s in class, which is similar to the machine I use at home.  FAB!

A happy student–the maker of those wonderful gingkos– in a happy and talented classroom. We got to use the Janome 9900s in class, which is similar to the machine I use at home. FAB!

And those glorious gingkos from above at the end of the day.  LOVE THIS!

And those glorious gingkos from above at the end of the day. LOVE THIS!

My next Houston post will share quilt pics, then I’ll do more on classes I taught, then more quilts, then even MORE quilts!