Today, I’m celebrating 8 years of blogging (SHRIEK…how can it be that long?) by announcing my upcoming Quilting Arts Webinar, an online seminar on getting started in Machine Quilting, which will be on September 5, 2013, at Noon East Coast (US) time.  I’ll be talking all about what you need to do to get started in machine quilting–the prep work that goes before the actual quilting.  And to answer the obvious question first, What’s a Webinar?, it is an on-demand web seminar.

Tips and tricks for getting ready to Machine Quilt in Sarah Ann Smith’s              Quilting Arts Webinar, Sept. 5, 2013

The links and advertising for the webinar will go live soon at Interweave.com, but I wanted to give all of  you a heads-up! and let you know first!  You’ll need an internet connection (which you obviously already have if you are reading this!).  Once you sign up, you’ll receive instructions on how to open the page in your browser and “sign in” and listen in (and see some slides) and even ask a question.  The Webinar will run 60-90 minutes.  If you can’t tune in at Noon on the 5th or need to leave, that’s OK because they record the webinar and you can listen in when it is convenient for you!!

When I teach, I like to tell students that machine quilting is sorta like painting a house:  if you don’t sand and spackle and prime that peeling paint on the windowsill, you’re not gonna get a good result.  It doesn’t matter if you have the best paint, paintbrush, and painter, if you don’t get things prepared well, your results won’t be as good as if you DID prepare AND understand what it is you are doing and why.  So I’m going to talk about the “whys” of the prep part of machine quilting.  Then you’ll have your machine working WITH you, not against you.  I hope some of you will surf on in and join in the webinar.  If you can’t be with us at noon on Sept. 5, however, you can STILL download a recording of the webinar, all the information I share and the Question and Answer session.

I’ll confess right now:  at first I didn’t “get” why anyone would pay $20 or more for a webinar.  Then I listened to some of the QA webinars, and OMG what a TON of information.  For a modest price, and you can listen in at your convenience.  They were fabulous!

One of the goodies that comes with attending the Webinar is QA often gives attendees a discount for future purchases (though I’m not sure how long the discount is valid) including my book, which they carry.  THEN,  my DVD on “Art Quilt Design From Photograph to Threadwork with Fabric Collage and Machine Quilting” will be available for download in mid-September and on DVD about October 1st!  WOOT!  More on that in a future post.  (Yes, I am teasing you!)  More, including hotlinks, when they go live!

I’m thrilled to report that I will be teaching in Houston at International Quilt Festival, Fall 2013!  I’ve sent off my contract, and will be teaching or presenting Tuesday through Saturday.  On Sunday, I get to play and shop!   Here’s my schedule:

Tuesday, October 29:  Tame Fussy, Fiddly Threads, an all day class on how to use successfully those beautiful sparkly, holographic and variegated threads on your stencilled tossed leaves.  See blogposts from previous classes here/1, here/2, here/3 and here/4.

Wednesday, October 30:  Birch Pond Seasons, an all-day class in fused collage.  You can see the pattern here and a blogpost from a local class here.

Thursday, October 31:  I’ll be one of 7 teachers presenting at the Machine Quilting Forum.  My subject will be Find Quilting Design Inspiration Everywhere.  The forum is like speed-dating for quilters:  each of the teachers gives an overview of their work (in 10 slides or less), then groups move from station to station listening to the teachers’ presentations.  It was a lot of fun, and I wish that in addition to hearing the teachers’ overview at the beginning that I had been able to sit in with the students.  It’s a great way to decide if you’d like to save up for a big class with a teacher or have them come to your guild.

Friday, November 1:  Decorative Stitch Sampler, all day class that teaches you to use all those fun stitches and threads.  We had a blast in this class in 2012!

Saturday, November 2:  Quilts, Inc., has a whole new fun thing on Saturday!  The Christmas Delights Forum.  I’ll be presenting the Stenciled Snowflake Ornament.  Each teacher will have a project suitable for quick gift giving and holiday celebrations.  I’m currently working on the samples, but hope to share with you before too long.  I discovered when teaching surface design technqiues a while back that it is fun to make a paper snowflake or mini Hawaiian-style design out of freezer paper, then stencil the image on cloth.  Then you can quilt it and turn it into a holiday ornament or decoration.

Looking forward to my students, friends, and quilts, quilts, quilts!   See you there!

Gosh, I must say I am thrilled at all the work that fell  out of the sky onto me this past spring, but it is nice to be able to take a breather, blog a bit, sit on the sofa with a bit, sit on the porch and enjoy the summer breeze (ok, so at the moment the breeze is imaginary but I can hope one wafts in soon ans disperses the hot and muggy weather that is doing us all in as I type this…hopefully by the time this posts to the blog the “hot, hazy and humid” forecasts will be done and we’ll be back to glorious Maine summers).

This is a bit of a catch-all post to catch you up on life, so in somewhat random order….

In April I lectured in Massachusetts, then taught in Rutland, Vermont. As you might guess, the class was Hawaiian Applique by machine which I will be teaching TWICE in Southern California this month!  Didn’t this student do a beautiful job with her satin stitching on the turtles block?

Here’s the classroom, on the lower level of a hospital center! Thanks to all the ladies who came–what fun!

And here’s a taro leaf block, another of the “small” options in this class. Lovely!

As luck would have it, my route (yippeee!) took me from Massachusetts right past my friend Jacquie’s house on the way to Rutland, where I didn’t have to be until the evening lecture.  So of course I got to make a small detour and visit, and of course she fed me (Jacquie is a MUCH better and more inspired cook than I am).  When I arrived (late, I’m Sorry jq!) she was on Skype with her daughter Melanie, who lives in Germany, so I got to visit with Melanie too!   We had so much fun yakking and sharing that we forgot to pull out Melanie’s elderflower cordial that she made, so I’ll just have to manage another trip to Vermont.

I LOVE this picture…which I managed to take with arm extended. It only took about three tries to get a decent one, too!

In April, Eli’s track and field season began. Here’s an early season meet (the deciduous trees are still bare), with him throwing the javelin. Look at that glorious sky and that beautiful boy-child (OK, soon to be young man) of mine! So proud of him–this is his third varsity sport this year, as a Freshman! And he qualified for States, making it three for three. Well done, kiddo!

Earlier, in the spring snowmelt and rain, our driveway (3/10 of a mile long…there is this big rectangle with lots all around it, and one long skinny driveway to the lot in the middle which is us) washed out, really badly on the bottom.  So we sucked it up and paid serious money to put in a proper ditch that would deal with all the water.  Cost about as much as (OUCH!) a nice used car! Here are the markings from when DigSafe came to show where NOT to dig:

Getting ready for ditching on the uphill side of the long driveway. The red shows where there are utility pipes (electric and phone/internet) underground.

Then, here are a couple more shots of me prepping for filming the Quilting Arts DVD on May 1 (my full blogpost on that is here):

Setting things up as they would be seen on camera, in the “stuff you’ll need” part of the DVD at the beginning.

And working on the preliminary quilting for the piece I would quilt on the set. I needed to have the tomatoes in various stages of being quilted to demo the difference from unquilted to partialluy done, to done, plus one to work on while filming.

So that’s a bit more of why I’ve been so quiet these past months–LOTS of work and family life.  Life is good!

You coulda knocked me over with a feather!   I very rarely hear back from students despite my invitation (Plea!) to send pics of projects!  Well Nancy McConnell DID!  THANK YOU, Nancy, and yep, I’m shouting!

Two years ago in March 2011 I had the pleasure of teaching for Cape Cod (Massachusetts)’s Bayberry Quilters, and Nancy was in my Balinese Garden class.  I always encourage students to do their own thing and adapt the pattern at will, and she did, and I’m so glad!   The pattern, here, is for a pillow or tablerunner.  Nancy let hers GROW into this beauty:

I just love the way the flowers dance across the surface!

Here’s what Nancy wrote:

Well, more than two years later, I completed the quilt on May 7th.  I had fun making the flowers and got carried away making
so many, but I had to use them, so “Garden Party” is a bit manic, but I am happy with it.  I used lots of rayon thread that I had in my stash
and was pleased with the results.  I will show the quilt in our annual Quilt Show on August 1, 2 and 3rd.  Hope you can attend.  Here’s the link to it:
http://bayberryquiltersofcapecod.com/

Alas, I won’t be able to go down (will be taking son to running camp in Vermont about then), but if you are in the vicinity, do go!

Here’s a detail photo:

Detal of Nancy McConnell’s Garden Party Quilt.

Thank you so much Nancy for being in the class and especially for sharing your quilt with me and letting me share it, in turn, with all of you!

Wow have I been busy, and I’ve woefully neglected my blog!   I’m sorry!  The good news is that a flurry of activity is nearly over.  In the past 8 weeks I have made a quilt for inclusion in a book due out next year, flown from Maine to Colorado to tape a Quilting Arts DVD workshop (more on that here), written and submitted two articles to two different magazines (more on those when they come out), and written a third but still have step-outs and photography to do on that one.  BUT–I am thrilled to share with you that Listen to the Song in The Night has been juried into the this year’s Dinner@8 exhibit, An Exquisite Moment.

Listen to the Song in the Night by Sarah Ann Smith (c) 2013. 24 x 60 inches. Artist dyed silk and cotton, a few commercial batiks (mountains). Free motion quilted, ink with dip-pen, paint.

You can read more about the exhibit, here. Last year I was really stumped.  This year it was a matter of which quilt to make:  childbirth (done discreetly–the mom’s view looking over the sheet over your knees at your newly hatched child in the doctor’s hands), Eli as a 2 year old under the blueberry bush grinning as he munched blueberries, or any of a number of other moments.  But then I remembered the whalesong.  Best of all, not only did hubby Paul, but so did the boys who were about 5 and 9 (or maybe even 4 and 8).  We lived on San Juan Island in Washington state at the time.  Our house  was about 1/3 mile up from the water and faced the Straits of Juan de Fuca with the Olympic mountains on the other side, 17 miles away.  We could see and hear the orcas from our house.  The writing on the quilt tells the story:

Cloaked in the sounds of the rustling breeze, the song drifted through the open window as I readied for bed.  Not believing my ears, I turned out the lights.  Then I began to listen.  It couldn’t be, could it?  The more I listened, the more I believed.  It was the whale song–but above water!  How could that be?  I ran to the living room and told Paul to come outside and listen.  Then we woke our young sons from a sound sleep to hear the song in the night.

We heard the orcas breathe, ripple the water, tail lob, and the thunderous splash of whales breaching.  There were so many of them, and they were singing!  The next day, still in disbelief, I called the Whale Museum researchers.  It was indeed a superpod, a family reunion of the J, K and L pods.  They told me many scientists study the whales for an entire career and never hear them sing above water.  And we four remember standing on the deck in the summer night listening to the orcas sing.

 I knew that I wanted to dye some silk for the water because of the sheen of the sandwashed satin, and found some silk I had dyed for the San Domenico Tableau quilt (here) for Mary’s dress.  I used the matte side for the sky–it’s at the top in this picture.

First round with the dye bath. The big piece on the bottom is silk. The others are cottons except for the very top piece which is a silk I dyed earlier.

Then

More fabrics dyed for the project. The cotton on the right is what I used for the back.

I used the blue on the top left in the photo immediately above, but had overdyed it to be darker and more solid, for the top and bottom panels where I would write the story.  After all, it is hard to make a picture of something you heard but didn’t really see so I though I’d best add some words!   I took some artistic license and added a full moon and lightened the scene just enough to actually make a picture not a large blotch of dark! First, however, I needed to figure out how I was going to write on the cloth.

I knew I wanted to write on the top and bottom panels of blue cotton that I had dyed, but wasn’t sure what method to use.

On the right, you can see assorted lower case “a’s” written with DeColourant (some colored) and assorted tools to apply.  I thinned the thick liquid, but then it ran.  Not the look I wanted. It’s a great product, but not the right one for this purpose.  The top “Disguised” is done in an archivally safe Sakura Jelly Roll pen, but it looks much brighter in the real than in the photo.  It was OK, but the Liquitex Ink! (acrylic ink) in white with the “crow quill” dip pen was perfect.  The variations in pressure as I wrote gave an almost italic look, so that was my choice.

Next I printed out the text at full size to make sure it would fit and to use as a guide.  I was afraid that I would get the word order wrong or space out and misspell something, so I folded the printouts and set them just above the line I was writing, covering up the  previous line so I didn’t confuse myself!  You’ll see my chalk-lines in the photo; I used SewLine by Moda with ceramic chalk lead which erased like a dream when I was done.

Above you can see how I folded the printed paper so I could follow along, line by line.

Next step was to over-paint some batiks for the mountains.  I had a few that worked as is, but most needed to have the batik design muted.

Batik fabric for the mountains. The cloth was over-painted with dark (not sure if I used black, blue or a combination).  In the lower part of the photo you can see how I have already cut some of the mountains. I wanted the foothills and coast to be even darker than higher up, where the moonlight hit the tops of the Olympics.

Next I auditioned various fabrics, two blacks for the whales, a gray (which needed darkening) for the thin strips separating the top and bottom panels from the center.  I free-motion stitched on the black sateen I selected for the whales with just a stabilizer underneath, then cut a slit in the silk (BIG gulp and holding of breath), then tucked the whale into the opening and hand-appliqued them down.

Test-driving fabrics for this and that.

And finally, the quilting. It went fairly quickly, as it was all blues from palest (which appears white but is actually a pale silvery blue) to nearly black on most of the quilt, with just some gray and deep charcoal for the mountains.

Detail shot showing quilting, moon, and white ink dots for the moon glow.

The exhibit will debut at the International Quilt Festival in Long Beach this coming July.  I’m thrilled to be a part of the Dinner@8 exhibit once again, and would like to thank our various sponsors over the years, especially Moore’s Sewing Centers, Havel’s Scissors and Mistyfuse (which I use a lot)!