Hi all…a quick note to let you know Eli and I are home from England, over 2000 photos later!  I promise I’ll share some but not ALL of the photos.  In the meantime, I wanted to share with you that I’m once again teaching in Houston at the International Quilt Festival.  To find out about online enrollment, which is now open, click here or in the link in the sidebar to the left. Here’s what I’ll be teaching:

Monday, October 27, All Day Class #128:  Let’s Machine Quilt–an intro to machine quilting, all day class, machines provided

Let’s Machine Quilt class sample–Right click to view larger

Coral Free-motion Quilting Sample, Click to view larger

Tuesday, October 28, Lecture #254:  How Did She Do That?  A lecture and digital presentation supplemented with in-the-cloth quilts sharing how I go from idea to image to quilt.  At 11:00, ending just in time to attend the Noon Luncheon.

Wednesday, October 29, All Day Class #339:  Birch Pond Seasons, an introduction to fusible applique and art quilting.  This is a fusing and design/composition class with no sewing.  You can see the pattern (which is included in the kit fee along with MistyFuse) here.  You can see a class in progress on this blogpost, and at the bottom of this post which includes a lovely winter version. This is the third year in a row that IQF has booked this class for Wednesday–yeah!

Thursday, October 30, Morning Event #460:  Machine Quilting Forum (alas, already full), with four other machine quilters where we each give a presentation to the full group.  Then you have about 20 minutes for a quick demo or lecture with each of us–think of it as speed-dating for quilters.

Thursday and/or Friday:  one hour SMALL demo/kit/hand-on class in the Fiber-on-a-Whim booth!   Exact one-hour class (at one end of the booth) to be determined, but likely printing with thermofax screens.  Class fee will include fabric, paint, paint brush to use and use of my thermofax screen(s) to make some printed fabric to take home.  More details to come!

The Giveaway is now concluded. Any comments left after 12:13 pm today, July 19, will not be part of the drawing, but comments are still welcome!  The winner is Phyllis Carlyle, comment #36 (picked by an online random number generator)!  Congrats and THANK YOU to all!

Hey I need some advice!  I’m putting together a new workshop and/or class called Quilting the Garden (part of my Quilting the Good Life series). I need your help picking which colors and flower images to use for the class.  In thanks for your help, I’m offering a free copy of my Quilting Arts video workshop, Art Quilt Design from Photo to Threadwork (read all about it here), for someone who answers some of my questions here on my blog (not Facebook).   I’ll choose a winner in a week’s time, on July 19th.  (See last paragraph for The Fine Print.)  Read on!

My questions for you, dear readers are these:

• What color flowers do you think the majority of students would pick, including you?
• Should I include the green-only hosta leaves?
• Which individual images would you most want to do in a class?  Tell me your favorite three (use the names I have given to each such as Purple 2, Yellow 4, and so on). 
• Would you want a complicated image as one of the options, such as Multi 1 below?

Purple, Multi and Green images:  four purple or purple and white Iris, a zinnia and hosta leaves.  Right Click on image to see it larger.

Some background information

Most students can either put together a top in a day class OR do some quilting in a day class, but not both.  And most guilds and shows won’t book multi-day workshops because students tend not to sign up for them.   I would dearly LOVE to teach 3-5 day workshops, but in the meantime I’m working on a one-day exercise which can be a standalone class also.

My solution to the “can’t do it all in a day” issue is this:  I will provide a kit for a modest fee including a photograph printed on cloth (from Spoonflower, my photos, about 8×10 or 12×10 printed size, or a tad larger) plus an 8 1/2 x 11 color photo, page protector, and possibly several color photos–one of each of the three options offered in the class.  The photos will come from the ones on this blogpost (or perhaps a different red, keep reading).  And what size is good?  is 8 x 10 too small, perhaps 10 x 12 or a bit bigger?  Or as large as 17 x 21 (which of course costs more to print)?

Pink Kousa Dogwood, Water Lily, apricot Lily, closer view of apricot colored Lily.  Right Click on image to see it larger.

For the class I want a relatively uncomplicated image that will allow students to learn to use thread colors to shade and paint and color their artwork.  By working on top of a photo, the imagery is provided.  They can then use my collage process, taught in my DVD (info here), to create their own imagery in cloth rather than using a photograph.  But they will, having taken this class, have learned the skill to interpret the photo into color and thread.  A multi-color flower may be best, but not many fit that bill.  The simplicity of a lily is perfect–only six petals!  Too many petals make it more complicated.  Would you want a complicated image as one of the options? Or should I keep all the images relatively simple?

Reds, alas I don’t know the names of these glorious flowers (sending email to the Botanical Gardens horticulturalist). Should I find a different truly RED flower, as these are burgundy and ladies who love red want REALLY red?  Right Click on image to see it larger.

In the red collage, photos 3 and 4 are intriguing, but probably not the best for this exercise, but I couldn’t resist including them.

Are whites too hard for thread selection? Right click on collage to view larger.

I’m also thinking that white flowers are not the best choice, but would like feedback.

Lots of yellows that I love. The solution to the white question might be to choose the cream lily above. The yellow rose will be one of my sample flowers–I’m working on another project for an article that involves this sample, so students may want to try this one. The coneflower photo may be too complicated for a classroom, especially the cone.  Right click on the collage for a larger view.

And:

A selection of popular flowers, but the owner of the local gallery that has sold my work tells me orange doesn’t sell, people don’t like orange. What do you think? I think the lily would be a fabulous one for the purposes of the exercise, but….Right click on collage to view larger.

And there is the question of thread:

I use and teach using 40-wt poly thread, which shows up beautifully.  But some people prefer cotton, only cotton.  If students do not pre-order the photo, they won’t know what color they will get in class.  That means they would need to bring a LOT of thread:  for the orange lily above, for example, if at home I would use at least 3-4 shades of orange (pale to rust), yellow, yellow-green, and the background greens.  Is it better to kit the thread with the photo? Or allow students to bring their own, but perhaps be frustrated because they don’t have the right colors?   Me taking a thousand spools of various colors without requiring a purchase is, alas, not an option because I can’t afford to have so much money tied up in inventory.  So, what would you prefer from a class/teacher?

So tell me what you think:

• What color flowers do you think the majority of students would pick, including you?
• Should I include the green-only hosta leaves?
• What is a comfortable size for you?  Is 8×10 too small? 
• Which individual images would you most want to do in a class?  Tell me your favorite three (use the names I have given to each such as Purple 2, Yellow 4, and so on). 
• Would you want a complicated image as one of the options? Or should I keep all the images relatively simple?
  
• Should I include a thread as part of the kit?  Each one would probably need at least four shades of thread at $6-8 per spool of Superior 40-wt polyester plus a pre-wound bobbin of  blending fine thread, so that would be an additional $25-33 on top of a kit fee for the fabric and color photocopies of about $10-12.

If this class is a go, I will offer at most three flower options.  IF students register for the class 2 months in advance, they may write to me directly with their choice of flower and I will make sure they get their first choice for the workshop.  It takes that much time for me to order the fabric, have it printed, and shipped back to me and be ready in time for the class.  The remaining students would have to pick a color from what is available at the class.  That means they’d need to bring thread for multiple colors (at least four shades of each colors) if thread is not part of the kit.

THANKS!

The Fine  Print: 

• Remember to comment by 8 a.m. Saturday, July 19th (US East Coast Time) for a chance at winning my DVD in thanks for your taking the time to read, think, and comment here on my blog!
• If you are outside of the US, you may comment but I’d appreciate a little help with the postage–I’ll pay up to $5 in postage.
• Comments must be here on my blog, not a feed reader or facebook!
• Comments like “gee I’d love to win the DVD” won’t work–I’m really looking for feedback on the images and questions I asked.

For the first time in more than 30 years, I got to visit New York City, thanks to the Northern Star Quilt Guild and my friend Deirdre Abbotts!  On Tuesday of last week I gave my Journal Quilts and Journaling for Quilters lecture to the Northern Star Quilt guild in Somers, NY.  Thanks so much to one and all for inviting me down–I hope I get to return to teach!  When the engagement was booked, Deirdre suggested I plan on staying with her and she’d take a day off work and we’d go to the City and play–So we DID!  FUN!

Cheers! With Luana Rubin and Deirdre Abbotts–see below for more info

The week before heading down, I found and fell in love with Gudrun Sjoden’s clothing, website here, and discovered they have just ONE store in the US:  in New York!  So we went, and I indulged.  No pics of the clothing, and I forgot to take pics of the inside of the store other than this one, but I can tell you I could have dropped four figures on clothing in there with no difficulty.  Fortunately, I restrained myself (a bit).  And I figured out what sizes I take in her clothes, so now I can order online.  <Beam>

Behind the cash register at Gudrun Sjoden’s NYC store–I <3 this line!

Deirdre lives about an hour’s commuter train ride from NYC, so after a brief stop we headed in to the city armed with our fare cards for use on the train and subway.  Because we got there in the late morning, we shopped a bit, went to Purl Soho, walked around Soho a bit (which seems a lot more skyscraper-ish and less Bohemian than I remember from 30 years ago) and went clothes shopping (where Deirdre got the deal of the week on the sale rack).  We then had a late lunch at Le Pain Quotidien at the recommendation of the shop clerk.  SCORE!  Seriously, some of the best tasting food I’ve had in years.  A simple open-faced sandwich, but every component was succulent and savory:

Two “tartines” at Le Pain Quotidien in Soho. The drizzled sauces were incredible…I’ve written in hopes they’ll share some of the ingredients since the place has a website with some recipes given. YUM!

Deirdre had noticed that Luana was in town, so we texted back and forth hoping to meet up for a drink or something after Luana’s business meetings and play (Denzel Washington in A Raisin in the Sun).  Luana thought they’d be out at 3:30, so Deirdre and I decided to subway up to the theatre (near Times Square–what a zoo), but turns out that was intermission time.  So we just HAD to go to City Quilter while Luana watched the second half before meeting her for wine and appetizers at her hotel, near Grand Central.  I brought home a couple of their custom prints…fun!

Cheers! Raising a glass to friendship!

I’ve got a couple more posts with buildings and inspiration!   Stay tuned–here’s a sneak peek:

How lucky we are that the titans of industry 150 years ago poured money into buildings that are art!

This post continues my earlier one, here, about taping three segments at Quilting Arts TV Series 1400, which will begin to air in July 2014 in the US on PBS.  For information on how to see this show, please check my earlier post.

With Susan Brubaker Knapp, the new host of Quilting Arts TV,on the set (you can see the top edge of the set in the background)!

My three segments are episode 2 (gifts), 5, and 12 (I think).  The topics are:

1. My Inside-Out Bag with Easy-Peasy zipper (with a web-extra pattern/instruction on the steps to make the bag–when the episode airs and the instructions are available online, I’ll share here and on my Resources page),
2. Thread and Needles
3. Free-Motion Quilting

Getting ready to roll tape for my first segment on Quilting Arts TV, Series 1400. (and yes, you saw this photo in the last post!) I show you how to make my incredibly versatile Inside-Out Bag so you can customize size, pockets, techniques for the outside (pieced, applique, surface design). The bag is quick and easy so it also makes a great special gift.

The bag demonstrated is the one on the right.  If you LOVE that ribbon, it is made by Renaissance Ribbons.  I used about 24 inches to make this bag, and the ribbon is (YIPPEEE) available here.   In the bag on the left, which has both bluebird fabric and ribbon, I used their birds ribbon which is  still available.  Can you tell I love it? My favorite ribbon designers are Phillip Jacobs, Laura Foster Nicholson and Sue Spargo, but there is a LOT of ribbon to swoon over on this site!  Sue Spargo, by the way, has some “supporting cast” narrow ribbons that are fab!

At the start of a segment, the producer sets things out on the table so they look good.  And you get fitted for a mike.  I knew the mike would distort the neckline of my blouse, so

I suggested to the audio guy (whom I had just met about a minute before) that we could perhaps pin it to my bra strap.

At that point…hilarity ensued:

Then I said, gosh, how am I going to explain to my husband that I asked a guy I met moments earlier to play with my bra strap! Thanks Kristine for this great shot (yes, she was there with multiple cameras around neck and cell phones opened to camera mode on the table!)

Here’s another great shot for that first segment–this may be the best current photo there is of me! Good make-up (hides much, so does not standing in profile to show the chin and neck!)  And I gotta say, I wasn’t nervous because having a friend as host made me SO comfortable with the process.  Having done the DVD in Colorado last year also helped a ton!   I knew what to expect:  be prepared and know that the cast and crew and all the Interweave folks are SUPERB!

Then

Time for a wardrobe change and getting re-fitted with the tiny mike. It picked up the sound well I guess, as we didn’t have ANY do-overs, but the prongs definitely pricked–like staples poking into you–because the backing tape moved.

And here’s the requisite on-set shot for segment two.   Bought the blouse–sandwashed silk and YUMMY–at Coyote Moon in Belfast, Maine, on sale!  the week before taping.   I don’t usually wear colors this dark near my face, but just loved this blouse.

On the set. We’ve changed clothes for a different episode of QA TV.

Next, the final segment:

With Susan Brubaker Knapp, the new host of Quilting Arts TV,on the set.  Bought my top from Brie Kriebel at Quilt Festival Houston in 2013.  I think my first stop at Festival this coming year is going to be her booth!   Bought my button necklace at Festival several years ago.  Can you see I’m relaxing as we get farther along?

Yeah! I was still there when Lyric Kinard arrived! Does ANYone have such an infectious, impish smile as Lyric?  I’m lucky to have run into Lyric many times at assorted teaching venues and shows.  We took turns looking first at my phone camera, then hers to take this tandem-selfie!

And then it was time to pack up and head home.   I had realized shortly before leaving for Ohio that a student in an online drawing class I’m taking (we’ve taken several from Val Webb, teacher extraordinaire) lives the other half of her year in Ohio.  We’ve met here in Maine (she lives several hours from me, but four of us met up in a middle-zone place); it turns out I was going to pass by her exit on the way home, so we got to meet for a late afternoon sip before I started racking up the miles to go home:

Carole Jurack came to meet me at the McDonalds at exit 200 in Ohio on I-90. What fun!  It was great to see you, Carole.  Here’s to sketching at the Botanical Garden in June.

So now all we need to do is wait for the series to air!  I’ll keep you posted.  In the meantime, I’ve unpacked, slept, started to catch up on my online classes, and get ready for the next round of articles to write and quilts to quilt.  It is going to be busy in April and May!

WOWIE what a wonderful thing!   In February, when my friend Susan Brubaker Knapp was tapped to take over the hosting duties for Quilting Arts TV when Pokey Bolton stepped down (Pokey is now the Chief Creative Officer for Quilts, Inc., the wonderful folks that bring us Quilt-Mecca aka International Quilt Festival), Susan asked me if I would like to be on the show!  YOU BETCHA!   And what a wonderful six weeks it has been, prepping step-outs and samples and driving to Ohio to tape the three segments.

Getting ready to roll tape for my first segment on Quilting Arts TV, Series 1400.  On set with host Susan Brubaker Knapp.  I show you how to make my incredibly versatile Inside-Out Bag so you can customize size, pockets, techniques for the outside (pieced, applique, surface design). The bag is quick and easy so it also makes a great special gift.

If any of you are on Facebook, you may have seen the images Susan, Vivika Hansen DeNegre (executive Editor for Quilting Arts), I and other guests have posted, but here are some more.  And one of the best parts is, just like Houston, getting to meet folks in person that you first met online.   Jeannie Cook-Delpit of Bernina was there to help with the machines, and Sue Reno and I taped the same day so it was a blast to meet her.   Sue appears to do things the way I do:  be prepared to the max and pack in tons of great information. Sue also taped a DVD workshop on her cyanotype process that I know is going to be great!  I’m so looking forward to seeing Series 1400 which will begin airing on PBS in July.

First:  many thanks to Pokey Chatham Bolton, an amazing woman with vision and talent and drive:  who knew when she fell in love with crazy quilting and started a magazine in the back of her in-law’s sheep barn that Quilting Arts would become what it is today! I spoke with her after finding Issue #2 on the stand and called up to subscribe!  What a long way you’ve come and how much you have accomplished, Pokey!

Second:  many thanks to the sponsors of the show including Bernina of America, Coats and Clark, Havel’s Scissors and AQS.  THANK YOU for bringing this show to the happy quilters of the world!

I’m somewhere near the Pennsylvania-New York border on the Thruway driving toward Solon, Ohio (near Cleveland) where the show tapes. I chose to drive rather than fly–I hate airports! It didn’t take much longer than flying, I could take everything with me, and listen to audio books en route.

The trip from Maine to Ohio was 835 miles each way, so a full day and a half.  I left at 8 a.m. Tuesday and arrived in Ohio just in time for lunch.

This unassuming door is the entrance to the company (owned by a woman–YEAH!) that films and produces the show. Well organized, lots of good pre-taping information and support–great staff! Thank you Kathie, Katherine and all the crew that make us look good.

Susan Brubaker Knapp is a wonderful artist, teacher, mother, friend, and she is going to be WONDERFUL as host.  They are keeping the format the same in general, but introducing a few small changes, first among them is that instead of three segments in a half hour, there will sometimes be two longer segments so we can share more in-depth information.  Susan is handling the chaos of taping with aplomb, asking great questions, and I couldn’t have felt more relaxed or comfortable with Susan, Vivika, Helen Gregory (now VP for Content at F+W/Interweave) and Kristine Lunblad of Quilting Arts.  Thank you to Kristine for taking all of these photos…it was so funny:  she’d have three cameras around her neck and as many phones to take the requisite “on set” photos for each segment.

TV lights do weird things to make up, so when taping for TV or a DVD workshop, a professional comes in to do your make up so you look good on camera. Thank you Sue, because you succeeded! Here I am taking a sorta blurry selfie after Sue worked her magic at the make-up/hair station.

The guests (meaning those of us on the show) were invited to bring outfit changes for our different episodes  They film 12 or 13 episodes at a time.  If you’ve seen the show in the past, you know Pokey had on a different outfit in each episode.  But the guests are in multiple episodes, and they all tape the same day.  So Susan had to change about a thousand times (well maybe five to seven) a day.  They have a bulletin board up with photos of Susan in outfit and jewelry, with “Day 1,”  “Day 2” et cetera, so they could keep track of what she needed to be wearing for which segment/episode.  So I went in and looked at the photos to pick which of my tops to wear so we’d look good together.

Some of the trays for my segments: the rear three are for the bags (the last tray is all the different bags I’ve made with this method), plus the one for the thread-needles segment.  PS:  Marie Z. J.:  see your black-white-gray thread-catcher bag on the second tray?  I love it so much I brought it to use on set!

On the day I arrived, I set out all my stuff for the segments on trays (like great big sheet cake pans).  I guess I had a lot for the bags segment, as one staffer asked if I was taping a workshop (60-75 minutes) as well as a segment (mine were 10-12 minutes each). Hmmm.  Over-prepared?

And the last tray, for my free-motion quilting segment on taking the leap from walking foot to beginner designs. Thanks to Jenny Bowker (website here) for allowing me to adapt one of her teaching methods and share the way I teach it on the episode. While we’re speaking of Jenny, she has just undergone surgery for breast cancer in her Australian homeland. Let’s all send MASSIVE healing light and comfort and “nuke the cancer into oblivion” thoughts to speed along her recovery. Go, JENNY!

And my suitcase, emptied of projects but with a few quilts to decorate the set still inside. And my take-with-me electric kettle which I take when driving. Nothing like a relaxing cup of decaf tea (made properly with boiling water!) at the end of a long teaching day on the road!

To close, a special Thank-you to hubby, who totally didn’t mind that I spent our 31st anniversary driving to Ohio and setting up my trays!

Next blogpost:  Taping my segments on Thursday!

A note:  where I live in rural Maine, alas we don’t get QA TV on our local PBS affiliate.   In some markets, the creative shows are on a PBS spin-off channel called CREATE TV.   If you get your TV on cable, you will likely be able to catch the show on air.   We have DirectTV, and alas no joy.  But you will be able to purchase the entire series or individual episodes (download only on the latter) once the series airs.