An old/new project

Quite a number of years ago, before I taught at my first national-level show, I had a rare opportunity in about 2007.   Dianne Hire, author, teacher, quilter, artist, gardener, lives nearby me here in Maine.   Alas, she hurt her back–badly–just a wrong move picking up a light stick.   And she was scheduled to teach at her favorite retreat in just a few days.  She needed someone to drive her and help schlep all the teacher stuff.  Luckily for me, my name came up as one of two folks who might be able to help her.  The other person couldn’t do it, so I finally got to meet Dianne (we have a mutual friend but had never met) and in the one week of summer where I could take a break from Paul and the boys and go.  So I drove her to Paul Smith’s College (!!! Yep, can you believe it, a college with that name in upstate NY near Lake Placid) and got to sit in and take all her classes.   I began this project back then, but never finished it though I always liked it.

Another bit of astounding good luck:  I’ve been affiliated with Janome America in their artists and teachers program for a decade now.  Can you believe it?  I can’t, but they seem to be happy with me and willing to keep me on.   I had never really wanted or liked the high end machines that do fancy embroidery software etc.  Then at International Quilt Festival in Houston last year I taught a class in a room with Janome’s new top of the line machine, the 15000.   WOWIE ZOWIE is it a BEAST!  And much easier to use with all sorts of cool features.   Even more astounding, Janome is lending me one!   Here it is, newly set up in my studio:

Albus Percival Wulfric Brian Dumbledore, because the Janome 15000 is of course the great White Wizard, the most powerful wizard ever

I decided to finish the quilt above (I won’t show the whole thing because Dianne is working on a book with the pattern) as my first project on the machine so I could get to learn the machine and make friends with it.  THEN I’ll move on to the Embroidery function learning curve!  Here are some close ups of the fantastic satin stitching I’ve achieved on this beauty!  I was able to taper (adjust) the width of the stitch as I stitched to get smooth thicks and thins in the satin stitched line.  WOOT!

Satin stitched, quilted, then the applique was outlined to make it pop. The large motif in the center is stitched in the ditch, but the motifs in on the right aren’t yet outlined.  It really makes a difference!

And my border design.  Here, the motifs on the right are outlined, the ones on the left are not.  The ones on the left kinda ripple.  By outlining, you really define and refine the shape.  Getting the tension just perfect was a bit fiddly.  I have found that the more complicated the machine, the more delicate they are in their settings.  Once you get them set, they are perfection, but you really need to understand your machine, be patient, and get to learn and know the way the machine works.  So often I hear students say “my machine won’t do that.”  Most of the time, I regret to say, it is operator error–not taking the time to learn and be patient.  So I am telling myself just that and hoping for LOTS of time in the near future to get to do that learning!

MASSIVE thanks to Janome America for their continuing generosity with me.   I hope to be able to give back to them and make some awesome, award-worthy quilts on this beauteous wizard of a machine!

The new July/August 2014 MQU issue. Order at www.mqumag.com or find it at Barnes and Noble (among other places).  The Quilting Ergonomics article on the cover is mine! WOOT!

Editor Kit Robinson asked me, a while back, if I would like to do an article on ergonomics at your sit-down sewing machine, and I jumped at the chance.  I’m not a physician, and I start the article by saying that “no one size fits all,” so be sure to check with YOUR health practitioner, but I have learned some things that will make your life easier when you are quilting.  I talked about quilting aids in the last issue (which I apparently in my busy-ness forgot to blog about…coming soon!   Naughty Sarah!) and in this issue I talk about making your space work for you.

After all, if you are thinking “Ouch” or “oh my aching back and shoulders” you’re not thinking about where your next stitch goes.  So that’s what this article is all about!

Thumper decided to read the MQU ergonomics article while I had the camera out to take a picture. Ahem.

So for this article, I put on make-up, sucked in my gut, and got hubby to come down and click the shutter after I set up the tripod and lighting for all these photos–so now hubby is published as a photographer!   Thanks Paul and Kit for the byline for him!  It was much easier than using the timer and me trying to dash and get into position before the shutter tripped.  I’ve clearly got pictures of what NOT to do as well as what you should do.  Speaking of which, I really should get back to doing those crunches and stretching exercises!

Another big thrill was seeing as I flipped to my article that Brenda Gael Smith had an article on the hanging system used in Australia that has artists putting velcro on the backs of quilts to adhere to the rigid walls used there.  Helps the quilts hang beautifully!   So then I went to see what all was in the magazine, discovered there is a companion article about the Living Colour Textiles exhibit and one of the quilts included was mine!!!! (and yes, I still need to do that blogpost about dyeing the fabric and making this quilt…too many things to do, not enough time…it will come, I promise!).   Anyway, here’s that page–what a delightful, welcome surprise!

Living Colour Textiles exhibit curated by Brenda Gael Smith.  Amaryllis, bottom right, is my entry.  To see the exhibit, go to livingcolourtextiles.com/gallery.html 

Gotta run:  today is the last day of Eli’s sophomore year, and it is a busy one.  Exam this morning, memorial service for a cross country teammate who died of a brain tumor just days after receiving his diploma (thank heavens the school graduated him, he missed most of the school year); I’m planning on a LOT of kleenex.  After that there is a picnic at his house and the runners are going to run his practice course in his honor and memory (and I’m tearing up just thinking about it).  Then, finally, the delayed wrestling team potluck and awards.   Phew!  But we get to sleep in tomorrow.  More anon!

I am delighted to report that I will have a quilt in this year’s Dinner@8 exhibit, Reflections, which will debut at International Quilt Festival, Houston, in October 2014. I’m honored and humbled to be in such company as the other artists included, many of whom I know and am happy to call friend.

Eli, Cross Country 2014
(c) SarahAnnSmith.com

This year’s challenge was to make a 24″ wide by 60″ long art quilt to the theme of Reflections.  Curators Jamie Fingal and Leslie Tucker Jenison wrote:

“A mirror image. A response to a thought or word. A memory. What glints back at us as we gaze upon the water. The throwing back by a body or surface of light, heat, or sound without absorbing it.  What will your reflection reveal about you?“

For more information, visit their website, here.

For once in my life, I decided not to be literal.  Instead I thought about our sons.  Four years ago, for one of these exhibits, I made a portrait of Joshua playing his guitar.  Now, at the same age, I wanted to portray Eli, who is an honor student and star athlete.  Though his “first” sport is wrestling, it doesn’t really play well with a long and narrow format!  BUT, running does.  So I chose cross country season!

For my entry, I wrote something along these lines:  When I reflect on how fast time has passed by, I am nearly paralyzed.  Like me, Eli prefers to “Do,” not ponder.   At sixteen, he is literally and figuratively running headlong into his future.

For this piece I dyed the red fabrics (same batch as those used for the amaryllis quilt–clever how I managed that one, eh?) and some of the ground and foliage fabrics.  The remainder are commercial batiks.  As usual, I have quilted it very closely.  I hope to share more details with you on that.  For now, here’s a detail photo.

Detail, Eli, Cross Country 2013.
(C) 2014 SarahAnnSmith.com

This post continues my earlier one, here, about taping three segments at Quilting Arts TV Series 1400, which will begin to air in July 2014 in the US on PBS.  For information on how to see this show, please check my earlier post.

With Susan Brubaker Knapp, the new host of Quilting Arts TV,on the set (you can see the top edge of the set in the background)!

My three segments are episode 2 (gifts), 5, and 12 (I think).  The topics are:

1. My Inside-Out Bag with Easy-Peasy zipper (with a web-extra pattern/instruction on the steps to make the bag–when the episode airs and the instructions are available online, I’ll share here and on my Resources page),
2. Thread and Needles
3. Free-Motion Quilting

Getting ready to roll tape for my first segment on Quilting Arts TV, Series 1400. (and yes, you saw this photo in the last post!) I show you how to make my incredibly versatile Inside-Out Bag so you can customize size, pockets, techniques for the outside (pieced, applique, surface design). The bag is quick and easy so it also makes a great special gift.

The bag demonstrated is the one on the right.  If you LOVE that ribbon, it is made by Renaissance Ribbons.  I used about 24 inches to make this bag, and the ribbon is (YIPPEEE) available here.   In the bag on the left, which has both bluebird fabric and ribbon, I used their birds ribbon which is  still available.  Can you tell I love it? My favorite ribbon designers are Phillip Jacobs, Laura Foster Nicholson and Sue Spargo, but there is a LOT of ribbon to swoon over on this site!  Sue Spargo, by the way, has some “supporting cast” narrow ribbons that are fab!

At the start of a segment, the producer sets things out on the table so they look good.  And you get fitted for a mike.  I knew the mike would distort the neckline of my blouse, so

I suggested to the audio guy (whom I had just met about a minute before) that we could perhaps pin it to my bra strap.

At that point…hilarity ensued:

Then I said, gosh, how am I going to explain to my husband that I asked a guy I met moments earlier to play with my bra strap! Thanks Kristine for this great shot (yes, she was there with multiple cameras around neck and cell phones opened to camera mode on the table!)

Here’s another great shot for that first segment–this may be the best current photo there is of me! Good make-up (hides much, so does not standing in profile to show the chin and neck!)  And I gotta say, I wasn’t nervous because having a friend as host made me SO comfortable with the process.  Having done the DVD in Colorado last year also helped a ton!   I knew what to expect:  be prepared and know that the cast and crew and all the Interweave folks are SUPERB!

Then

Time for a wardrobe change and getting re-fitted with the tiny mike. It picked up the sound well I guess, as we didn’t have ANY do-overs, but the prongs definitely pricked–like staples poking into you–because the backing tape moved.

And here’s the requisite on-set shot for segment two.   Bought the blouse–sandwashed silk and YUMMY–at Coyote Moon in Belfast, Maine, on sale!  the week before taping.   I don’t usually wear colors this dark near my face, but just loved this blouse.

On the set. We’ve changed clothes for a different episode of QA TV.

Next, the final segment:

With Susan Brubaker Knapp, the new host of Quilting Arts TV,on the set.  Bought my top from Brie Kriebel at Quilt Festival Houston in 2013.  I think my first stop at Festival this coming year is going to be her booth!   Bought my button necklace at Festival several years ago.  Can you see I’m relaxing as we get farther along?

Yeah! I was still there when Lyric Kinard arrived! Does ANYone have such an infectious, impish smile as Lyric?  I’m lucky to have run into Lyric many times at assorted teaching venues and shows.  We took turns looking first at my phone camera, then hers to take this tandem-selfie!

And then it was time to pack up and head home.   I had realized shortly before leaving for Ohio that a student in an online drawing class I’m taking (we’ve taken several from Val Webb, teacher extraordinaire) lives the other half of her year in Ohio.  We’ve met here in Maine (she lives several hours from me, but four of us met up in a middle-zone place); it turns out I was going to pass by her exit on the way home, so we got to meet for a late afternoon sip before I started racking up the miles to go home:

Carole Jurack came to meet me at the McDonalds at exit 200 in Ohio on I-90. What fun!  It was great to see you, Carole.  Here’s to sketching at the Botanical Garden in June.

So now all we need to do is wait for the series to air!  I’ll keep you posted.  In the meantime, I’ve unpacked, slept, started to catch up on my online classes, and get ready for the next round of articles to write and quilts to quilt.  It is going to be busy in April and May!

WOWIE what a wonderful thing!   In February, when my friend Susan Brubaker Knapp was tapped to take over the hosting duties for Quilting Arts TV when Pokey Bolton stepped down (Pokey is now the Chief Creative Officer for Quilts, Inc., the wonderful folks that bring us Quilt-Mecca aka International Quilt Festival), Susan asked me if I would like to be on the show!  YOU BETCHA!   And what a wonderful six weeks it has been, prepping step-outs and samples and driving to Ohio to tape the three segments.

Getting ready to roll tape for my first segment on Quilting Arts TV, Series 1400.  On set with host Susan Brubaker Knapp.  I show you how to make my incredibly versatile Inside-Out Bag so you can customize size, pockets, techniques for the outside (pieced, applique, surface design). The bag is quick and easy so it also makes a great special gift.

If any of you are on Facebook, you may have seen the images Susan, Vivika Hansen DeNegre (executive Editor for Quilting Arts), I and other guests have posted, but here are some more.  And one of the best parts is, just like Houston, getting to meet folks in person that you first met online.   Jeannie Cook-Delpit of Bernina was there to help with the machines, and Sue Reno and I taped the same day so it was a blast to meet her.   Sue appears to do things the way I do:  be prepared to the max and pack in tons of great information. Sue also taped a DVD workshop on her cyanotype process that I know is going to be great!  I’m so looking forward to seeing Series 1400 which will begin airing on PBS in July.

First:  many thanks to Pokey Chatham Bolton, an amazing woman with vision and talent and drive:  who knew when she fell in love with crazy quilting and started a magazine in the back of her in-law’s sheep barn that Quilting Arts would become what it is today! I spoke with her after finding Issue #2 on the stand and called up to subscribe!  What a long way you’ve come and how much you have accomplished, Pokey!

Second:  many thanks to the sponsors of the show including Bernina of America, Coats and Clark, Havel’s Scissors and AQS.  THANK YOU for bringing this show to the happy quilters of the world!

I’m somewhere near the Pennsylvania-New York border on the Thruway driving toward Solon, Ohio (near Cleveland) where the show tapes. I chose to drive rather than fly–I hate airports! It didn’t take much longer than flying, I could take everything with me, and listen to audio books en route.

The trip from Maine to Ohio was 835 miles each way, so a full day and a half.  I left at 8 a.m. Tuesday and arrived in Ohio just in time for lunch.

This unassuming door is the entrance to the company (owned by a woman–YEAH!) that films and produces the show. Well organized, lots of good pre-taping information and support–great staff! Thank you Kathie, Katherine and all the crew that make us look good.

Susan Brubaker Knapp is a wonderful artist, teacher, mother, friend, and she is going to be WONDERFUL as host.  They are keeping the format the same in general, but introducing a few small changes, first among them is that instead of three segments in a half hour, there will sometimes be two longer segments so we can share more in-depth information.  Susan is handling the chaos of taping with aplomb, asking great questions, and I couldn’t have felt more relaxed or comfortable with Susan, Vivika, Helen Gregory (now VP for Content at F+W/Interweave) and Kristine Lunblad of Quilting Arts.  Thank you to Kristine for taking all of these photos…it was so funny:  she’d have three cameras around her neck and as many phones to take the requisite “on set” photos for each segment.

TV lights do weird things to make up, so when taping for TV or a DVD workshop, a professional comes in to do your make up so you look good on camera. Thank you Sue, because you succeeded! Here I am taking a sorta blurry selfie after Sue worked her magic at the make-up/hair station.

The guests (meaning those of us on the show) were invited to bring outfit changes for our different episodes  They film 12 or 13 episodes at a time.  If you’ve seen the show in the past, you know Pokey had on a different outfit in each episode.  But the guests are in multiple episodes, and they all tape the same day.  So Susan had to change about a thousand times (well maybe five to seven) a day.  They have a bulletin board up with photos of Susan in outfit and jewelry, with “Day 1,”  “Day 2” et cetera, so they could keep track of what she needed to be wearing for which segment/episode.  So I went in and looked at the photos to pick which of my tops to wear so we’d look good together.

Some of the trays for my segments: the rear three are for the bags (the last tray is all the different bags I’ve made with this method), plus the one for the thread-needles segment.  PS:  Marie Z. J.:  see your black-white-gray thread-catcher bag on the second tray?  I love it so much I brought it to use on set!

On the day I arrived, I set out all my stuff for the segments on trays (like great big sheet cake pans).  I guess I had a lot for the bags segment, as one staffer asked if I was taping a workshop (60-75 minutes) as well as a segment (mine were 10-12 minutes each). Hmmm.  Over-prepared?

And the last tray, for my free-motion quilting segment on taking the leap from walking foot to beginner designs. Thanks to Jenny Bowker (website here) for allowing me to adapt one of her teaching methods and share the way I teach it on the episode. While we’re speaking of Jenny, she has just undergone surgery for breast cancer in her Australian homeland. Let’s all send MASSIVE healing light and comfort and “nuke the cancer into oblivion” thoughts to speed along her recovery. Go, JENNY!

And my suitcase, emptied of projects but with a few quilts to decorate the set still inside. And my take-with-me electric kettle which I take when driving. Nothing like a relaxing cup of decaf tea (made properly with boiling water!) at the end of a long teaching day on the road!

To close, a special Thank-you to hubby, who totally didn’t mind that I spent our 31st anniversary driving to Ohio and setting up my trays!

Next blogpost:  Taping my segments on Thursday!

A note:  where I live in rural Maine, alas we don’t get QA TV on our local PBS affiliate.   In some markets, the creative shows are on a PBS spin-off channel called CREATE TV.   If you get your TV on cable, you will likely be able to catch the show on air.   We have DirectTV, and alas no joy.  But you will be able to purchase the entire series or individual episodes (download only on the latter) once the series airs.