This tablerunner was featured at the Janome Institute late this past summer and it is now featured on their blog, here (scroll to October 15, 2015) and here on their projects page.  And I’m sharing the pattern with you here as a Halloween Treat!

Spiderwebs table runner (c) Sarah Ann Smith 2015. Featured on the Janome America website/blog on October 15, and on Sarah’s blog. Photo (c) Janome-America; used with permission and thanks!

For many years now I’ve been fortunate to be associated with Janome America.   I have been sewing on their machines since late 2004, moving up the product line so I’ve had a chance to test machines at all levels.  And in about a week  I will review here my test-drive of the reasonably priced Skyline S7, a brand-spanking-new machine (and to spill the beans–I can’t believe how much you get for the price!).  Anyway, I occasionally do projects for Janome.  Although this tablerunner was made on a top of the line Janome 15000, all you need is a machine that does a straight stitch.  If you have the triple-straight-stitch also, that’s good because it gives you a “bold” line on the spiderweb, but it isn’t necessary.  Even the most basic sewing machines (as long as they are not straight-stitch only) have this stitch (look for three vertical lines next to each other).

Most of my work is very involved and advanced, and the projects Janome features tend to be easier, so I drove down to one of my favorite local shops, Alewives Fabrics (here).  I found the fabulous Halloween fabric, and I’m not usually a major fan of decorating for this holiday.  But I love the ghostly dresses and the “polka dots” on the black that are really little skulls!   I also adore spiders (anything that eats mosquitoes is a friend of mine) and spiderwebs.  The green cotton-linen blend was perfect!

Detail of the spiderweb block.

Spiderwebs for Halloween Table Runner  is the PDF for the pattern (also available on the Janome projects page, see link above).  Yep–this is a total freebie, including a full-size page of the spiderweb design which, of course, doesn’t need to be just like mine!   A friend had a great idea which I wish *I* had thought of:  to include a line of glow-in-the-dark thread with the stitching on the web!   If I were to make this again, I would feed the two threads together as if one (Thanks Lutra!)  through a large needle (size 16 or maybe even 18) to do the spiderweb stitching.

I always love the backs of things:

The quilting on the back of the tablerunner, so it is reversible if you want.

The fabric requirements on the pattern are SCANT–they are what I had, and I used every tiny little bit!   If you find you need to square things up a lot, buy a little more than I suggested.

Spiderwebs table runner (c) Sarah Ann Smith 2015. Featured on the Janome America website/blog on October 15, and on Sarah’s blog. Photo (c) Janome-America; used with permission and thanks!

An extra thanks to Taylor D. and Janome America for letting me use some of their photos (the nicely staged ones on the table)–I forgot to take nice photos before I sent it off to them for Institute!   And as always, thanks to Janome for having me in their Artist-Teacher program for so many years.  I truly appreciate it–and best of all, for making such great machines.  Yes, I’m affiliated, but I’d say the same things if I paid full MSRP!

The opening spread of my article on stabilizing the quilt sandwich in the July/August issue of Machine Quilting Unlimited

Over the past six years, I have been fortunate to have been invited to submit a quilt and to have works accepted in the Dinner@8 Artists exhibits and in Living Colour Textiles.   For those shows, work had to be a specific size.  The problem is that when you quilt, especially when you quilt a LOT, as I do, the quilt shrinks.  And you need to have a good composition and framing once it is done–not chopped off, not too much leftover because the piece shrank less or more than you expected.

It is hard to predict how MUCH it will shrink.  So I decided I needed to tackle the problem and acquire some knowledge.   It was a lot of work to test nearly a dozen stabilizers, so I was thrilled when I proposed an article on my explorations to Machine Quilting Unlimited and they agreed it would be a useful article.

This is the cover of the current issue with my article:

The cover of the issue with my article.

and a bit more:

This page shows some of my testing in progress–yes, there are ELEVEN samples. All quilted the same. Can you say TEDIOUS?

The issue is still on stands, and is available for order on the MQU website here.  The article also has a link to an on-line Web Extra with all the extensive details of the testing on various stabilizers, interfacings, and canvas/cotton duck which you can print out for your own reference.

Even happier, at the end of the article I mentioned that I would be trying cotton duck, dyed by me, as the backing instead of a fourth layer.  That quilt is made and has been juried into this year’s Dinner@8 exhibit, Affinity.  And in the January 2016 issue MQU will publish my article in their “Challenge Quilts” series about Descended From the Stars.  WOOT!

I think that the Coastal Quilters challenge has gotten a bit big for it’s wallspace…literally. My closet/design wall is 20 feet long. It was not long enough–there is another 6 foot panel! SHEESH! BUT, the Coastal Quilters TOTALLY ROCK!

Today began with finishing up chores:

1.  So yesterday I packed up my quilts and teaching supplies and whatnot for teaching at Maine Quilts this coming week (speaking of which, there are still some spots in my classes:  Birch Pond Seasons, Decorative Stitch Applique and Intro to Machine Quilting–go to MaineQuilts.org for more info!). Sent pdf’s to Staples for the handouts, which I’ll pick up Monday.

2.  Started prepping The  Coastal Quilters (my local chapter of the Pine Tree Quilt Guild) Chapter Challenge yesterday.

• Today I prepared the signage and finished pinning all 23 or 24 quilts,
• got the signage pin,
• lint-rollered the black drapes/panels for the bazillionth time (we have every color of cat and pug hair there is and it ALL floats–closed doors are not a barrier that work),
• folded and padded and packed them up.

This takes HOURS.   HOURS.   Every year I swear I will NOT do it again.  And every year I do.  Thank heavens next year’s challenge the quilts are all to be 16″ square, cuz I’m not doing this with multiple sizes.  Ever.  Again.  Never.  (Don’t quote me on that in a couple years.  Sigh.)

3.  Prepared my quilts (entry and teacher quilt) for delivery on Wednesday.

4.  Found the quilt I entered in Houston and that got accepted.  (More in a future post.  Yes, I’m evil.  You have to wait.) Need to pack it up Monday and ship.

5.  Made more chocolate chip cookies for the child.  OK, so we could both eat batter, plus bake some cookies.  Slurp.

6.  Watched a video or two for my new online sketching class.

7.  Didn’t start the lesson for my photo class.  At least I have an idea or two.  Of course I’m leaving it to the last day, as usual.  Sigh.  But I love the class.  Anyway….I digress (what else is new?).

So I decided to reward myself by working on a small Hawaiian Block/quiltlet that will finish 26 1/2 square.  Yep, the size of a Euro Square pillow sham.   Number 1 of the pair was done in time to teach Hawaiian Applique in Florida this past March.

Nourish the Body, Nourish the Soul, (my pattern) Taro block–first of two matching pillow shams.

I was marking it to square up after quilting when Paul called me up to dinner.  These two will replace hand appliqued, hand quilted Hawiian style pillow shams (pattern by Elizabeth Root) that were the first hand applique I ever did.  I made them during the FIRST Gulf War.   They are now largely “formerly quilted” as most of the threads have broken and worked out, but the applique is still intact.  A few tears from critter claws, threadbare or tufting on the piping due to wear.   Those things, I realized tonight, are 25 YEARS OLD–yes, quarter century old pillow shams.  Yes indeedee, I think it is time to REPLACE THEM.  Still like them, but they look like they have (and they have) literally been around the world.  I’ll share more when done!

That’s it for tonight!  That’s all, Folks!

I’m thrilled to be able to share my most recent major work along with the news that Descended From the Stars has been juried in to this year’s Dinner@8 exhibit, Affinity, which will debut at International Quilt Festival 2015 in Houston, Texas, this coming October.

(c)Sarah Ann Smith 2015; quote (c) Mirza Khan, used with permission.  Click to open slightly larger.

You can find more about the exhibit and the other artists here.  I am blushing to find myself in such company, and humbled to be in this exhibit for my sixth consecutive year.

The theme is Affinity, and the call for entry reads:

Detail of the lower right corner, showing the autumn tree of life.

Detail of the lower left corner, with the winter tree kissed by snow.

Wanna come play with me?  It is time to look forward after a very busy winter and spring! I’ll be teaching at Vermont Quilt Festival at the end of June.  I’m so looking forward to it…pretty much my three most popular classes and a new one.   Balinese Garden teaches you decorative machine applique in your choice of pillow top, small quilt or table runner.   Fussy-Fiddly is about how to use those  (not really) challenging threads successfully; we’ve got so many wonderful thread choices available to us now, so let’s USE them!   Birch Pond Seasons teaches you skills and techniques to make not only this “north country” pattern, but go on to work on your  own designs.  Finally, Sunday’s half-day class, Easy Peasy Inside Out Bags, is about making quick and easy, lovely bags:  any size you want, easy zipper installation and addicting like potato chips–bet you can’t make just one!  I sure couldn’t–I keep making (and giving) them!

Here are my classes:
115    Balinese Garden                                                                    Thursday, June 25
218    Tame Fiddly Fussy Threads for Machine Quilting        Friday, June 26
314    Birch Pond Season                                                               Saturday, June 27
410    Easy-Peasy Inside Out Bag                                                Sunday, June 28

To sign up, click on this link:  http://www.vqf.org/all_classes_view.php .  Once there, look just below the purple “Basic Sewing Supply List” for “view by instructor.”  Use the dropdown list to select Sarah Ann Smith, and it will pop up information on all these classes.   Also, I’m happy to answer emails with questions!

Balinese Garden Table Runner–Class is Thursday June 25.  As always, I encourage students to cut loose, be creative, and make the project their own.

115    Balinese Garden  Thurs June 25

Here are four versions of my tossed leaves. You learn to make a freezer paper stencil and paint on cloth. While the paint dries, learn key tips to success with metallic, holographic, heavy and shiny threads, then free-motion quilt your piece.

Here’s a closer view:

The original quiltlet which happens to be on the cover of my book!

218    Tame Fiddly Fussy Threads for Machine Quilting        Fri June 26

Learn all sorts of fun tricks for making free-form fabric collage quick and easy

And the autumn view. I encourage students to personalize their quilts. Bring a photo of your favorite mountain and make it the featured hill. Make it any season you want! Be creative!

314    Birch Pond Season        Sat June 27

These bags are so easy and fun to make. They are wonderful to use (in all sorts of sizes), to give as gifts, and can even be turned into iPad or notebook covers.

If you watch Quilting Arts TV, these may look familiar, as they are on one of my episodes in season 1400 AND were in the 2014 Quilting Arts gifts magazine.

410    Easy-Peasy Inside Out Bag  Sun June 28

For all my classes, you can check here on my “Classes” page for more information and PDFs of the supply lists, or look on my “Resources” page for the downloads.  I’d love to have you in class!