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Archive for the ‘art quilting’ Category

The Grocery Challenge, Part 2

Wednesday, September 7th, 2011

Alas, I missed Maine Quilts this year, where these quilts debuted.  (The good news is that I was teaching at Quilt Nebraska…more on that soon!) Here is the display (thanks Louisa for the photo!) of our challenge quilts at the Maine Quilts show:

The Coastal Quilter's Challenge quilts on display, with curious viewers

And a close up of someone looking — and the photos and tags:

A close up of Louisa Enright's A Thousand Flowers and my quilt, the clipper ship

From all reports, the quilts and display got lots of attention.  On the far left and far right I included a blurb about the challenge itself (the requirements I talked about in the previous post).  I then pinned photos of each of the products and asked viewers to figure out which photo went with which quilt.  I numbered the quilts, then made tags with lift-up fabric to reveal the  identity of the quilt by number, the maker, the title, and the product.

And here is the right hand panel that I’ll feature today–you’ll note that the photos don’t necessarily correspond to the quilts on that panel, I wanted to mix things up!

The right hand panel

A Thousand Flowers is at the top left:

This honey is a locally produced, raw, organic honey available at the local Farmer's Marke, again Louisa got the OK from Clay and Maggie King to use their label and wording. Quilters could use colors seen through the packaging as well as the label, hence Louisa's honey colored hexagons!

A Thousand Flowers by Louisa Enright. Using the traditional paper-pieced hexagons for the honeycomb was perfect, and very time consuming! Louisa also stamped bees onto the quilt, words, and more... absolutely WONDERFUL!

I wanted to do something Maine-ish, and trolled the aisles looking at labels for a while.  I found my inspiration in something I don’t usually drink:  beer!

Shipyard Ale. I thought the town on the label looked more like Wiscasset, but I wanted to make mine the Camden Harbor (the library is on the right!).

While at Quilt Festival last November, I chanced upon John Flynn’s booth.  I had mulled over how to do the storm at sea border that I had in mind:  fused?  painted?  Then I spotted his miniatures quilt.  Yes, insane.  The small square in a square block FINISHES at 1 1/8 inch!   I also learned that miniatures are VERY bumpy and I would have done better to set aside my beloved “skimming” free-motion foot and used the hopping “darning” foot.  I had to tug to get the lumpy bits under the skimmer foot, and that wasn’t so good for the quality of my stitching.  Bummers.  Oh well…lesson learned!

Sarah's quilt...of course can I remember the name right now? No! Sheesh.. I think it is From the Schooner Coast (since this area was known for shipbuilding and the windjammers). This one is based on a photo, used with permission of Capt. Jenny Tobin, of the Schooner Louis B. French. The library is to the right of the sail and the hills are the Camden Hills silhouette.

Millie chose sardines for One in  a Million:

Notice the Reny's (a Maine store) sticker!

And her interpretation in cloth:

Millie Young's One in a Million. Isn't that fish GLORIOUS?

Barbara Melchiskey is a master at appllique, which she used to great effect with Heinz 57 Ketchup:

Heinz 57...notice the tomato....

 

Barbara Melchiskey's Tomato on a Vine. Love the gold beads to make the 57!

 

Next is Maggie’s Maruchan kid…she even got written permission from Maruchan to make this design using the logo on the ramen package:

Maruchan ramen

Perfect! Maruchan by Maggie Schwamb. The workmanship is impeccable!

And in the final dash to done with me was my co-program chair Gail Galloway-Nicholson.  She sent me this photo and said it was a Cline Vinyards wine.  I immediately replied:  “Cline Vinyards?  From California?  As in Nancy Bunting Cline?”  Now how the heck is Gail supposed to have a clue what I’m yabbering about…

Cline Vinyards Cashmere wine

So I head (where else) to Google, source of instant knowlege.  Yes indeedy, it is Cline Cellars!   And why is this such a big deal?  Well.. I went to high school in California (just north of San Francisco, San Domenico School)  with the then-Nancy Bunting.   A few years later this funny lady (she is still witty) married a guy named Cline.  And they started their own vinyard.  And I can now go buy their wine here in Camden, Maine!!!!!! How utterly amazing is that????????? I checked the Photo Gallery pictures and yes indeedy that is Nancy…like me a bit older, a bit of gray, but still Nancy!  Shall we all join hands and sing a chorus of “It’s a Small World After All” while enjoying Gail’s quilt, with 3-d awning over the shop and soft and fuzzy fabric for the Cashmere in the window?

Gail Galloway Nicholson's Cashmere--notice the "C" on the label and on the awning!

 

I cannot tell you how thrilled I am at the challenge, the results, and the outstanding work done by these 11 ladies and one gentleman!   Here’s to the next two years of challenges!

The Grocery Challenge, Part 1

Friday, September 2nd, 2011

This past year my co-program chair, Gail Galloway-Nicholson, and I, also took on the annual “Chapter Challenge” for the Coastal Quilters of the greater Camden (Maine) area.   We both had the same idea, but didn’t have enough time to implement it for 2011, so that will happen in 2012 (and be announced at our October meeting).  Then I had this FUN idea for this year…what about groceries?   Some of the wine labels are just awesome in color and graphic designs!   So I noodled around the idea.  Last August at the Coastal Quilters annual picnic at Joan’s camp cabin, I deputized those present and sounded them out.  They loved it and had some great suggestions…. so guess what… The local quilters came through GANGBUSTERS!

The (Camden area, Maine) Coastal Quilters Chapter Challenge 2011

The Challenge was this:  to take a packaged food or beverage product (not the fruit which is nice, or cleaning stuff which is work), but a food item of some sort.  You had to use at least four colors from the packaging (all of the colors if the label had fewer than four), plus you could add black and white.  But then I thought hmmm…someone could just troll the aisles looking for a package in colors they liked and wanted to use.  So I added a kicker:  you had to use something from the packaging in the quilt.  For example, if you used Tabasco sauce, you could use red-hot chili pepper fabric.  Or you could use rotini (corkscrew pasta) and make a corkscrew quilting motif.  I am so proud of this group:  12 signed up, 12 finished quilts (2 of us, including me, finishing a week before I had to turn the quilts in to Maine Quilts for hanging in the show and only 2 months after the ostensible deadline that I set!), and all are FANTABULOUS.  I’ll share them all in two long blogposts.  This is the panel I’ll share today:

The first panel of quilts

The finished size was 20 1/2 by 20 1/2 inches, in the hoeps that some of the traditional quilters would be tempted to participate as mostly the art quilty types have done recent challenges.   The irony:  the two with really traditional bits are by Louisa Enright (the hexagons) who is a contemporary quilter and does watercolor painting and me!  I had figured with this size you could do four 10×10 blocks (for example, what if someone bought frozen succotash–corn and lima beans–and used the traditional corn and beans block) plus have a bit for binding.  Or do a 12″ block and sash it, etc…. Sigh!

The first quilt completed was by Eleanor Greenwood, who does almost everything by hand!  She used a Naked smoothie bottle, and got permission from the Rainforest Alliance to use their frog logo in the center of the quilt (it appears on the back of the bottle).

Naked protein smoothie

The frog is stuffed and 3-D, the beading is spectacular, as are the colors, the 3-D petals… you name it.  WHAT a way to begin!

La belle grenouille contente (the happy frog) by Eleanor Greenwood. This takes my breath away every time I see it!

Next on the drape (I’ll do the quilts on the left, first):

Leigh's Blueberry Soda

Leigh Smith used a bottle of blueberry soda with an arched window as her item. She used a green metal garden stake as the rod and the rope to edge the window.

Karen Martin stretched the definition of food and beverage to include Centrum Vitamins:

Centrum Vitamins....notice the curve in the rainbow color logo and how Karen interpreted that in the blocks

Karen Martin used improvisational curved piecing which she learned from Northport (Maine) quilter Dianne Hire to make her blocks.Clever!

Next up is Jim Vandernoot’s AWESOMEly quilted piece.  Jim works for Campbell’s so used the V* Fusion drink as his inspiration.   I wish I had written down the proper title….  Jim, if you read this please send it to me because it’s perfect for this piece:

V-8 Fusion

Jim Vandernoot is a part-time Maine resident; we're thrilled he likes to take some of his vacation time and come visit with us!

Update:  the correct title (Thanks Jim!) is “In Search of the Quilting Gene.”  LOVE it!

Betty Johnson chose Land O’ Lakes half and half, and the curved lines in the graphics for her quilting motif:

Land O Lakes Half and Half (I'll take the full fat version!)

Btty Johnson perfectly captured the swirling lines and colors of the package graphics, wondei\ring about the fish swimming under the surface of the lake!

And on the bottom right of this panel, Rebecca Hokkanen made Tea-Bags using The-Tea Nation…with real teabags in the florette on the largest of the bags… notice the “T” in each bag??? How punny! (Please do not throw tomatoes at me as they will only mess up your keyboard…)

Cranberry Tea

Rebecca Hokkanen makes bags, and drinks tea, so she make Honest-Tea T-Bags!

If anyone wants my instructions for the challenge, just write to me and I’ll send you a PDF!

 

Published again… The Best of Quilting Arts: Your Ultimate Resource for Art Quilt Techniques and Inspiration

Tuesday, August 30th, 2011

Wow what a fun way to start the day:  open up an e-mail from Quilting Arts about “Ten Art Quilting Lessons Learned” to see that they have a new book.  I knew months ago that something I had written for Quilting Arts several years ago was to be included in a new book.  Well this is it, titled The Best of Quilting Arts:  Your Ultimate Resource for Art Quilt Techniques and Inspiration, AND they featured my photo/pieces for the edge-finishes article in the e-mail!!!!!!  Here is a link to see that e-mail online; scroll down to see my little green quiltlets.   And here is a link to pre-order the book.  Make sure to click on the tab to see what is in the book (my bits are in the first section).  It looks like it will be a great book, and I am so thrilled and honored to be included!

The major sections in the book are:

  • Introduction
  • 1.  Starting and Finishing:  Articles on Art Quilt Basics
  • 2.  Trends in Surface Design:  Articles on Stamping, Dyeing, Printing and More
  • 3.  Represent!  Articles on People, Pets, and Text in Art Quilting
  • 4.  Make it Green:  Articles on Recycled and Natural Materials
  • 5.  Too Much is Never Enough:  Articles on Embellishment and Mixed Media
  • Contributors
  • Resources
  • Index

It is 160 pages and only $24.95… can’t wait to buy my copy!  I am thrilled giddy and silly to be included with folks like Jane Dunnewold, Terry Grant, Jane Davila, Melanie Testa and so may other talented artists. WOW…just pinched myself, and I really am awake and it really is true!

 

D Minor Harmonized

Saturday, August 20th, 2011

So much has been going on that I’ve been really busy, have a ton of things to share with all of you, stuff quilty, home-y, but sometimes a mom’s just gotta brag on her kids.  In this case, I need to share what Joshua has been doing.  Many of you may remember the portrait art quilt I did of Joshua playing his guitar a little over a year ago (most of the posts are in April and May 2010….beginning  here.   Well, now you get to hear him play his latest composition….

I know Joshua wrote the music as well as played it, but I think he also recorded a couple of tracks and meshed them on the computer in Garage Band (software on the Mac).  He did this YouTube on his girlfriend’s laptop, and she may not have a built-in camera like mine does (which he used for the next clip).  No matter what, Way cool, kiddo! 

Joshua clearly has talent (and has practiced and played a LOT), which he did not inherit from me!  Music skipped my generation, but mama was good at piano, singing, and loved classical music.  Joshua’s taste is mostly *really* heavy metal, but he writes beautiful music as you can tell.   Here’s another piece that is the type of music he usually plays / shreds:

How he can keep all those notes, in order, in his head and then out of his very fast fingers defies comprehension!  But he does it….and well!  (Proud mama beaming!)

I’ll be back soon (I hope!) with pictures of the painted basement center area, nearly the last fix-up in the studio, some watercolors from a journaling class online with Jane LaFazio, teaching in Nebraska, painting what was Joshua’s room (he moved into an apartment with his girlfriend) and is now Paul’s new office, a shelf for mugs in the kitchen, and other assorted “life” that has been keeping me busy!

Conversations, Part 3: the smaller pieces and fixing it…

Friday, August 12th, 2011

By the time I got to making the two small pieces, I had ONE week left, and lots of other stuff to do during that week.  Can you say work fast?  Under pressure?  SHeesh!  I really hope life slows down, because I can’t take too much more of this!

One of the architetural photos I took and used for the small pieces

The other of the architetural photos I took and used for the small pieces

These two photos were the ones whose lines shadows most inspired me.  I love the interplay between straight lines and the curved, the grid of stone and the undulating shapes, the blue sky and the white stone, and the shadows.  I love how the architect used bands/lines of (metal?) whatever to create de facto louvers to shield the galleries and interior spaces from the bright sunlight, and how those bands create striped shadows on the pillars and walls.

Here are the two smaller pieces, with batting and backing sticking out, and their sketches/tracings above.

Due to lack of time, I quilted both small pieces at once… I’d thread up on say ivory, quilt those areas, switch to cream and repeat, then to tan, etc. on both quilts, working my way to the dark of the windows and the sky and, finally the facings!

But I still wasn’t happy with the shadows from the table and chairs, so I went back to the now not-quite-done central piece.  In the next photo you can see the two pencils plus the paintbrush.

I still wasn't happy with the shadows (or lack thereof) on the main piece, which was ostensibly finished. Guess not. So I took out my Inktense by Derwent pencils (the Payne's Gray and a neutral gray) and took a deep breath

This picture shows the table shadows partially done....

Using the pencils was a bit of a "thriller" moment: I used two colors of gray to get the shade I wanted. The lighter gray on the bottom is where I have colored over the gray quilting threads with the pencil (see black arrow marks on the photo). You can then dampen the pencil marks to create an ink and intensify the color. However, I didn't want the color to bleed into the sunny stripes that came through the slats of the table. So I took out the hair dryer! I used a damp paintbrush in my right hand to moisten the ink, and the hair dryer in my left hand to dry as I painted/wet the pencil-ink. I had very little bleeding into the sunny stripe as a result, and what I did have doesn't really impact the image much at all. PHEW...time for a nice glass of wine after that... I could have totally ruined the whole, finished thing...with just days to go before hanging the show!

The quilt was getting better and I was disliking it less.  But it still wasn’t quite right to me.  There was too much blue at the top.  So for the show I “cropped” it by folding the top to the back… I’ll decide how much to trim off the top and re-do the facing and hanging sleeve after the show comes down.  So here is a question for those of you who have slogged through these blogposts:  how much should I remove from the top?  Here are three VERY similar versions:

So I do I leave it alone (far left), crop a little (center) or crop a bit more (right)? Photo is clickable to see it larger...

So do I leave it alone with lots of blue, crop a tiny bit, or crop a little bit more?  The photo on the far left is as made.  The way it is hanging is about where I photoshopped it in the center photo, and the one on the right is close to square (think symmetry with the proportions of the two small pieces).  So do I crop?  How much?

And just to remind you…here are the three pieces done and in the show:

Conversations by Sarah Ann Smith -- click to see larger

And yes….I might maybe do another quilt or two… I mean, look at this water-maze-garden-hedge…  how cool is that?  and the cropped version below?

the green is hedge, the dark in between is water!, and beyond are plants on the "bowl" shaped slope in the gardens that surround this water feature.

I just LOVE this rhythm and repetition....