Still, Still, Still is a carol the middle school chorus sang last year. I journaled the lyrics around this print of the stag. I first printed the reindeer directly on the page, but the print didn't work so well. So I printed onto tissue, then glued the tissue over the somewhat not-crisp original print onto the page. This made a sort of "echo" in the image. The background was done in Jane LaFazio's Mixed Media journals online class at Joggles.com.

For once, I actually thought ahead a bit.  Last spring, I did a presentation for my local quilt group, the Coastal Quilters, because they had been kind enough to award me a $50 scholarship to help pay for a class.  I took two online classes, one of which was lino-cutting with Dijanne Cevaal.  Last Christmas I had gotten this idea to make an ornament for my Frayed Edges friends for this year, so I noodled around Google Images to find pictures of stags and reindeer and prepared a drawing to use for a new lino-cut that is really a hybrid of about 20 pictures.  Then I finished the carving as part of my demonstration.

The resting reindeer, on tissue, on cloth, and in my sketchbook

In Fall, I finally got around to printing what I needed to make some ornaments.  At Thanksgiving time, I decided that I needed to make a few more, as it was time to give thanks, especially to some very special teachers at Camden-Rockport Middle School who have been wonderful to both of our kids.  Our younger son is in 8th grade, so this was our last chance to say a special thank you.

I made a run of 14 ornaments for family, friends and teachers.

The block is 6 inches, with the design carved on point.  I trimmed the prints on cloth to this “onion dome” (like you see in Russian churches) shape.  They are printed with Speedball Printing Ink, which I discovered the hard way last year is NOT water-fast.  Like a drop from the iron will make a blotch.  Erg.  So after printing these I sprayed with with Krylon Spray Fixative, which I hope will help.  The prints are fused to Peltex, a stiffener used in fabric postcards, and quilted with Superior Threads Glitter thread (the pearl color).  Unusually, I satin-stitched around the edge instead of using a yarn…nothing I had looked as good as a nice tight satin stitch.

A closer view of one with a more dense coating of ink that some of the others... I like it both ways.

I decided the ornaments needed a special card, so I used the stag I drew (see my earlier post this month) and photocopied onto a heavy card stock and made the note cards. Finding big envelopes was a challenge! You can see the back of the ornament at the top left, so you can see the quilting.

May tomorrow find you with those you love, with a moment of calm and joy and art and beauty.

Coastal Quilters 2013 Challenge: Favorite Place

Hi all…yes, I’ve been seriously missing, and as usual, that also means BUSY.  Among other things (which I will blog about in the coming days), I made this small quilt (in this photo, not yet quilted….that tells you how busy…it’s done except for sewing down the facings now).  Among other things that keep me busy and happy, is Coastal Quilters, the local chapter of Maine’s Pine Tree Quilt Guild.  I’ve been active on the board doing this or that for, well….basically since we moved to Maine 7+ years ago.  At the moment I am co-Program Chair and co-Challenge Coordinator.

Every August, CQ has a picnic at one member’s camp cottage (a “camp” in Maine is usually a rustic, uninsulated building somewhere in the woods or on a pond or lake).  Like most camps, this one is reached by a dirt road which astonishingly now has a name, not jut R.R.  (rural road) or F. R. (Fire Road) plus number.   But the road is still dirt, still so bumpy you need to drive at a crawl, and has “camp tree”…. a tree at the fork in the road with boards nailed to it.  Each board has a name and some sort of arrow so you know which way to go.  Joan also kindly always puts out some cheater-cloth dresden plate squares as flags to keep us going to the right place:  the family cottage on the shores of Pitcher Pond.

Why this digression?  well, we announce the Challenge in December or October, so by August I am starting to think about getting things organized.  And for the past two years, I have deputized all present at the picnic to be my advisory committee!  Since it was rainy and dreary this year, there were only a few of us (five, plus Joan’s husband and their dog).  Eleanor had been greatly inspired by the Twelve by Twelve book and Challenge.  See, my friend Deborah Boschert is one of our mini-group as well as part of the Twelves (see their website here), and she came from her home in Maryland for our show this summer at the library (see here 1, here 2 and here 3).  Eleanor really wanted to do a challenge like that.  So we summarily decided that in addition to the 2012 Challenge (using a vintage block, inspired by Mary Kerr’s Vintage Revisited, here), we would ALSO announce the 2013 challenge! We came up with a list of themes, and will announce one every other month at the unveiling of the “current” theme quilts.

Our first theme was Favorite Places.  Eleanor also completed a quilt  (interestingly, I chose my spot on the sofa in the living room, and Eleanor did a site map of her home–totally unknown to each other), and since this challenge was her idea, I asked her to pick from our list of themes for the next one:  Cycles!  Try Googling cycles and you’ll come up with all sorts of cool possibilities.  I hope we get more participants; I hope to let others choose the themes.

So that my local chapter members have a place to look, I’m going to include the instructions right here, along with the themes.  Hope you enjoy–feel free to adapt / use these guidelines to set up your own challenges!

Themes:

• Due December 2011:  Favorite Place
• Due February 2012:    Cycles

The 2013 Coastal Quilters

Chapter Challenge!

In a nutshell:

• Every two months from October 2011 to April 2013 we will issue a challenge theme.
• Make a 13×13 inch quiltlet that relates to that theme and bring it to share two months later.
• You do NOT have to make ALL the challenge themes.  You can make one, several or all.
• For at least ONE of the challenges, you must incorporate a traditional quilt block pattern/design/something into the piece is some fashion.  You may do this just once, a few times, or for every challenge.
• Please include a label on the backs with this information (see below for possible limits on display)

Your First Name Last Name

Date (May 2012 or whatever)

Coastal Quilters 2012 Chapter Challenge

Your address/contact info

More details:

At the 2011 Picnic at Joan’s camp on Pitcher Pond, Eleanor  said she was inspired by Deborah Boschert’s Twelve By 12 Challenge group and the book.  She wanted to do something similar.  Sarah deputized those present (Joan, Louisa, Louisa’s sister, Eleanor) as her Challenge Advisory Committee, and we came up with the general guidelines and themes for this 18-month challenge to be shown at Maine Quilts in 2013.  Here’s what we decided:

• Quilt must be 13 x 13 inches to go with the year 2013
• Puns are allowed/encouraged
• Each quilt must have a front, batting, back and suitable edge finish
• You must include a traditional block in some fashion in at least one of your challenge pieces
• We will have 9 themes distributed over 18 months
• The first three themes are decided; we have ideas for the rest, but participants may suggest additional themes and we might possibly revise the list

If we have too many 13×13 quilts, Sarah will figure out how many we can display, then set a maximum number that any individual can have on display.  Those with less than that number may display all their quiltlets.  Those with more than that number will select which ones they want to hang at Maine Quilts.  As has happened the past couple of years, Sarah will do up the entry for our challenge and arrange the display.

Please include a label on the back with this information

Your First Name Last Name                        Coastal Quilters 2013 Chapter Challenge—[theme]

Date (May 2012 or whatever)                        Your address/contact info

More information:

If you have any questions, contact Sarah Ann Smith at  sarah@sarahannsmith.com.

The Twelve by Twelve International Art Quilt Challenge book is available in many locations, including on Amazon.com.

ISBN-10: 1600596665 or   ISBN-13: 978-1600596667

I wanted to share with you that my friend Deborah Boschert, one of my Frayed Edges mini-group, is one of the artists teaching online through Alma Stoller’s Stitched!  STITCHED is a collection of 20 online video workshops by 20 talented fabric artists. Students have access to all 20 workshops and can choose to view and work on the projects any time of the day, any day of the week. Registration opens on Dec 1 and the workshops kick off on Jan 1 and run through June 1. Registration is only $89. Deborah is teaching a workshop titled, “Branches, Buds and Blossoms: A Botanical Fabric Collage.” She includes videos on selecting fabrics, adding surface design, composing and improvisational hand embroidery.

Deborah Boschert's Buds, Branches and Blossoms class is at Stitched!

If you’re interested, visit Deborah’s blog, here.  It sure sounds like fun!
And no, I have not dropped off the face of the earth…. when my blogging slows up it means I’m busy in real life.  Have TONS to share… just need time to write the blogposts and size the photos and whatnot…. I promise to be back with good stuff…Soon I hope!

I was interviewed and videographed (filmed?) by a student at nearby Maine Media Workshops (used to be Maine Photographic Workshops) in Rockport, Maine–also found on Facebook here.  This came up almost at the last moment back in October, and I am finally (hanging my head in shame) getting to sharing it with all of you! I quickly tidied the few messes in  my studio—I guess having been too busy to work there paid off!  I took out a bunch of my quilts to put on the design wall, and learned a lot from the filming process.  Thank you so much for picking me!  How lucky I am to live near the workshop, eh?

Anyway…here I am….  Hope you enjoy seeing the clip and learning a bit about my “life before quilting” and my journey in quilting. And special thanks to our son Joshua, whose quilt is featured at the end of the video along with his music (you can here more on YouTube here and here and here) and to the videographer who wanted to use his music to accompany his quilt!  WOOT!

First, I WANT her photo-flood lights, the kind with the silver rectangular umbrella and a white cover that diffuses the light so well.  Then, in filming, there is an “A Roll” and a “B Roll.”  The A roll is the main interview (took about 10-14 minutes), which you will hear in the soundtrack, and see parts of the interview (Gosh… I hate the way my mouth moves when I talk!  Usually I hate the sound of my own voice, but that was OK this time… but … erk!  Anyway, that is totally to do with me and nothing to do with student or how cool this experience was!).  The B Roll is the next 5 hours of filming, edited into a coherent 3-minute video.

PS:  The student (a woman about my age or a bit younger) is employed by a major US Corporation and is in charge of the film/photography.  Since they subsidized her attendance at the workshop, she asked that I not name her or the  company so there would be no appearance that this clip was related to the company.  So that’s why the anonymity–but THANK YOU sometime-quilter and awesome photographer and videographer for picking me!

To see this larger, visit the link you YouTube, here.  And one last PS…the clip of the ambulance is stock footage…nothing like that big city anywhere near where I live!

PLEASE send our quilts home!   This past summer, Anne Copeland of the Fiberarts Connection curated the exhibit  “Then and Now”  that was on display at the Mancuso shows in New Hampshire (World Quilt Competition) and California (Pacific International Quilt Festival, PIQF, Santa Clara).   The Mancuso show folks returned all the quilts to Annie, who in turn packed them up to return to their owners.   All but four have made it home; alas, it appears that two of my quilts and two of Wendy L. Starn’s quilts are currently lost and unaccounted for since about October 11th, over a month.  If you see these quilts for sale anywhere (or anywhere or any way else!) PLEASE let me know!!!!!!!

As far as we can figure, Annie shipped out most of the boxes on October 11th at an Office Depot near her home in Lomita, California; they are a postal acceptance facility.  Those quilts were packed in Flat-Rate Medium USPS (US Postal Service) boxes; all of those for which she has a receipt and tracking numbers were delivered.  Several days later Annie made two trips to the US Post Office in Lomita.  One trip was for the international shipments (to Canada and the Netherlands) and another was for domestic mail.  Annie had tracking numbers for six of seven boxes known to ship that day, and all are marked as delivered according to the USPS Tracking and the seventh box the recipient has said she received her quilts.  Of those who answered my e-mail, everyone had opened their boxes and received only their own quilts (and with the size of the box it would be pretty hard to fit in extras).

That leaves the four quilts–shown above in small images and below full size–missing:  “Fields of Gold” and “Dogwood::Dawn” made by me, and “Shady Lady” and “Economy” by Wendy L. Starn.

Fields of Gold by Sarah Ann Smith. Size: 18 x 20 1/2 inches. 2nd place winner in Houston 2009, featured in Award Winning Quilts 2011 calendar. This is my only Houston-ribbon-winning quilt (so I guess I'll have to try and make another), and would love it to come home...

Shady Lady by Wendy L. Starn of LA. 26 3/4 x 27 3/4 inches. Included in Lark Book's 500 Art Quilts.

Dogwood::Dawn by Sarah Ann Smith. 33 x 27 inches. Previously on sale at Ducktrap Bay Trading Company in Camden, ME.

Economy by Wendy L. Starn of Louisiana. 19 1/4 x 19 1/2 inches.

I have posted my information to the Lost Quilts website, and gone through everything Annie and I can think of to try to figure out what happened to the boxes.  Annie remembers  packing and labeling boxes with Wendy’s and my names and addresses, but due to a lot of pain from knee surgery, her memory isn’t clear about what happened with those two boxes.  She thinks they might have been taken to the Office Depot, but there are no records.  Without tracking numbers, the postal service can’t do a thing.  I even suggested Annie check her bank records for  purchases so we could do the math and it appears no postage was paid for the missing two boxes.  I am still hoping they will turn up eventually.

In the meantime, going public via the internet seems to offer our best hope for recovering these quilts.  If by chance you see them (HORRORS) on Etsy or Ebay, or anywhere else, PLEASE let us know.  As Annie is also having to move (while still in pain from the surgery) to a new home, please contact me.  In turn I’ll share any info with Annie and Wendy.  Annie is, I am certain, more stressed about this than I am!  She has always been SO careful in the past, and I know that her pain was a major factor in this issue.  Please send her healing light for her pain, and “good move” thoughts–and “come home quilt” thoughts for Wendy and me.  I am still hoping that maybe they may be walkabout in the US postal service…perhaps with no postage and have yet to be returned to sender…..

Thanks for your help!