I promised I’d share more of the thermofax screens I have designed and that Fiber on a Whim is making and selling, so here they are.  You can order these online or buy them at International Quilt Festival and other shows where Fiber on a Whim has a booth.

Onions is one of my favorite designs. I used a small white onion to stamp, then fiddled with the print in photoshop to create this screen. It makes a fantastic background print or part of a  layered piece of complex cloth.

I’m teaching two mini Whimsy-Classes in the Fiber on a Whim booth on the show floor at Quilt Festival, and we’ll be using the onion screen for oen of the two small projects in the classes.  For more information on this, visit here.  There is no advance sign up–come to the booth and the first 8 in line 15 minutes before the classes get in.  The modest $10 fee covers the kit fee–I provide everything you need.

The screens are so new I don’t even have some of them yet!

Squiggles thermofax screen by Sarah Ann Smith at FiberonaWhim.com 

Woven, thermofax screen design. Sometimes you just want a bit of something. This is a full-size screen so you can print as much or as little of the screen as you like. With the somewhat irregular edges, it is easily overlapped.

One of FoaW’s best-selling thermofax screens is an old French ledger, so we thought we’d try an alphabet, hand-written by me in a brush pen. Again, a good background design, which is what I was going for with most of my designs.

Another vegetable–this time celery!

The dagger-drops screen is a smaller size because you can easily repeat it. It will be fun to play with this, alternating the direction of the print 90 degrees or at diagonals or every which way.

The Queen Anne’s lace is from a photo I took, modified in photoshop elements, then scaled into three sizes. We will use this in the mini Whimsy-Classes project you can see in this blogpost.

Another onion print, a full size (9×12 inch) screen, that I call Tossed Onions.

Grasses, a full size screen with two ends to use. Kristin of FoaW requested this one–I had ordered it earlier for one of my own projects.

And last but not least, another great background print design, corn! Yep, I sacrificed an ear of corn on the cob for the sake of art.

In a few days I’ll do a review of Lynn Krawczyk’s great new book, Intentional Printing.  It will give you TONS of ideas on how to use thermofax screens and other surface design techniques.  Stay tuned! Here’s a link to Lynn’s website in the meantime, and she’s a ton of fun and on Facebook here.

And just in case you don’t feel like scrolling to the top but want to see the website where the screens are sold, here’s the link one more time!  I can’t wait to go to Quilt Festival, but I’m also looking forward to returning to my studio and playing with paint and thermofax screens!

What a thrill!  My copy of American Quilter, the AQS magazine for members of the AQS (American Quilters Society, as in the quilty folks in Paducah), arrived a day or two ago.  Yesterday I pulled it out of its wrapper and was leafing through it while making decaf tea last night.  I set it down, cover down and my eyes just about popped out of my head–there was the banner I made for Janome in thanks for their long-term support and loan of machines over the past decade ON THE BACK COVER in Janome’s new ad!

The back cover of the current issue of American Quilter with a Janome advert and MY quilted banner!  Right click to view larger.  They photography is great–it is really hard to photograph quilting on white fabric and show the depth and texture and they did a great job with this.

The banner was quilted on an 8900 to show what one can do with the machine.  It is a *brilliant* machine.   If you don’t want the top of the line 15000 (what I currently am using on loan and OMG is it a phenomenal piece of computer and machinery) and all the embroidery functions, the 8900 is tops and has a zillion options.   Anyway, here is a picture I took of Janome’s booth last year in Houston, with my banner hanging!

The banner in the Janome booth at International Quilt Festival last year (2013).

And some shots of the full front, back and a couple of detail photos.

The full banner. Right click to see larger.

The back. I LOVE the backs. The more I quilt, the more I like the back even more than the front!  Right click to see larger.

And some detail shots.

Detail of stitching.  Right click to see larger.  I really like the way the background quilting turned out.

And one more detail photo. Right click to see larger.

Thanks again to Janome America for years of support and making the best machines ever.

Thanks are also due to Jenny Bowker, a fanatastic art quilter from Australia.   About four years ago at Quilt Festival I was chatting with Jenny Bowker, who was telling me about how she teaches free-motion quilting and invited me by her classroom to see her samples.  In my classes I have always suggested using a large print to free-motion practice, but Jenny had this great way of using a square of big print surrounded by a solid color then by white (like a log cabin blog of sorts).  I asked permission to use/borrow/adapt Jenny’s idea and, Jenny being the wonderful and generous person she is, instantly said of course I could.   When I started my samples and offering this as an alternative to the main exercise in my intro free-motion quilting class, I wanted mine to be different so I eliminated the colored fabric and changes the shapes a bit.  Think of it as big print meets Quilt Modern!

After Festival I made some samples and blogged about them and Jenny’s work.  This banner is an extended version of those samples.   Thanks again to Jenny for a brilliant idea and sharing it!  Do go visit her website and enjoy her artwork, here.  Warning:  do not drool on your computer…her work is what I aspire to be able to do!

What FUN!   As a result of collaborating with Fiber on a Whim, I am thrilled to announce that they are now carrying a line of thermofax screens designed by ME!  Whooda thunk it?   Best of all, FoaW is debuting the screens with a sale!

Learn to make the painted fabrics in this project in my mini-Whimsy class at IQF-International Quilt Festival Fall 2014.   This piece was made (in part) with the Queen Anne’s Lace thermofax screen at Fiber on a Whim.

The collaboration began when Fiber on a Whim asked if I would like to do a mini class in their booth at Festival.  At International Quilt Festival I will be teaching regular classes (Intro to Machine Quilting, Birch Pond Seasons, particpating in the Machine Quilting Forum and giving a lecture on Tuesday), but I will also be doing two mini Whimsy Classes in the Fiber on a Whim booth #144 on the show floor on Thursday at 5 and Friday at 11. I’d love to see you in both the regular and the Whimsy classes!  The Whimsy classes (both the same)  will use thermofax screens and other paint processes to create your own cloth.  The booth is on “Main Street” (the big red-carpeted aisle in the middle) right next to the passageway/entrance to the quilts exhibits!  Read more about FoaWhim’s Festival plans here on their blog.

In the class I hope to have students do two small projects each.  In the class, students will create the Queen Anne’s lace background fabric used in this project along with the painted part of the nest, then finish the stitchery and quilting at home.  I will provide the materials you need in class, you add the rest at home.  Just show up, pay for the class (a very modest fee that covers supply costs), and play!  There will only be 8 spaces per class; stay tuned for details but I think you just need to show up about 15 minutes before class and the first 8 people in line get in to the classes.

The Queen Anne’s Lace custom stencil, which you can purchase from Fiber on a Whim not only at International Quilt Festival but also on their website is this one, which has the flower head in three sizes on a 9 x 12 inch screen.  (PS–did you remember all my screens are on sale right now?)  You can print with just a single size or use all three (or portions):

My custom Queen Anne’s Lace screen that will be available from Fiber on a Whim, probably on their website later this week.

I will also have students work on a piece of art cloth to make something along the lines of the piece below, which uses my Onions thermofax screen (I’ll post more about the screens once Fiber on a Whim is ready to sell).  This was like fingerpainting in kindergarten–pure play–but with cloth!

And some art cloth–this is SO not my typical, but I could see playing with surface design, a lot, to make more fabrics to use in my more typical style. I wanted to have something totally “not me” though so that students get to try both representational and not!

Here are a few more images so you get the idea of what we will be doing–do come play!

For the nest piece, I took some pale beige batik, my Queen Anne’s Lace stencil and paint to create this cloth, which I love so much I can see making yardage of this to use!

My onion screen will also be available at Fiber on a Whim. I simply overlapped it a bunch of times to create this cloth, again something that I can see using as background fabrics. And what a variety you’d get depending on your base cloth (this was plain white) and colors.  This was layers 1 and 2 in the red-black-white piece.

Hope you’re intrigued.  Personally, I want to go play with paint and cloth!

These are some of the bags you’ll see on my Inside-Out bag segment.  The orange bags are one of my two projects in Quilting Arts Gifts 2014 along with a companion card holder.  The one on the right (the lotus fabric) is made from plasticized cloth, so great for make-up or messy stuff.

What fun I had on the set of Quilting Arts TV filming my episodes, and what MORE fun to have two projects included in this year’s Gifts 2014 magazine as well as two holiday recipes–one for a sweet treat the other is satsuma-currant scones (satsumas are similar to clementines or mandarins, use whatever citrus you have!).  Makes me hungry just thinking about them!

This year’s issue of Quilting Arts Gifts. I’m thrilled to have two projects and two recipes included!

(Note:  to order, click here or use the Affiliate link in the sidebar on the left; the Affiliate link will get you a discount on some items!)

I thought I’d share some variations on the theme to give you ideas of how you can make your own bags–they are SO fast and easy and fun!  Use the article in Quilting Arts Holiday or the instructions in episode 1402  of Quilting Arts TV to make the bag with these variations.  Learn more about all of series 1400 here  including information about Episode 1402 which includes the bag project.

Here are two of my cardholders. These are so fast–they would make a great gift-card “wrapping” for Christmas, then the recipient can continue to use the holder. They are sized to fit business cards, but I use the green one for all those extra (annoying!) store cards for the grocery, discount stores, pharmacy, and so on. The green was the original; despite being beaded on the flap and used heavily for three years, it is still in great condition. The warm-tones bag is new. The project in the magazine uses a snap closure, but I really like this one which uses a heavy duty hair elastic and button.

The blue-green card holder has velcro closing. I painted white velcro with acrylic ink to match. The warm-tones uses that thick hair elastic. I like the way I used perle cotton to quilt the bag and stitch down the back end of the hair elastic.

I’ve also made variations on the basic flat-bottomed bag for my iPad and notebooks.

The iPad case is simply a larger version of the card holder. The trim comes from Renaissance Ribbons.

And the inside:

And the inside. Again, I used acrylic inks to color the white velcro to match.  I’m not sure that the ink is washfast, but so far I haven’t had to find out the hard way!  This bag has an outside pocket (with zipper) on the back to hold the charging stuff and stylus.

I made this bag to fit my new, slightly longer, portable watercolor palette and painting supplies.

Inside of my Painting stuff bag. It has pockets sized to fit a tube of gouache, a glue stick, eraser, and so on.

I’ve also made several notebook or sketchbook covers using this easy technique.

My notebook, zipped closed. Can you tell I really love that ribbon from Renaissance Ribbons?  I also couched some heavy perle cotton on the edge and used it as a zipper pull.

The notebook cover opened up. I make pencil pockets on the left and used a 22-24 inch zipper all the way around. When gauging the size for your cover, think about the thickness of the zipper tape. If your notebook is really thick, you may want to add some fabric extensions to the sides so it will close nicely OR just make the cover a bit larger than you think you’ll need so it will wrap and zip shut nicely.  And you can see in the center how I had fun quilting AND used a small bit of ribbon at the top ends of the zipper and at the bottom to make a nice, clean finish.

My notebook cover, opened up, shows the ribbon extends across the back, too.

I hope you’ve enjoyed these additional options for the patterns I shared in my Quilting Arts TV segment and in QA Holidays 2014!  Remember to use the link on the left if you decide to go shopping at the online Interweave Store–it may get you some discounts!  Or click on this one right here to go directly to the Holiday issue!

Here’s the list of the bloghoppers with links.   If you haven’t had a chance to visit already, please do.  Some of these folks I know, but others are new to me so I’m really looking forward to seeing  (or have really enjoyed seeing)g their blogposts and blogs!

• Friday, September 12, Vivika Hansen DeNegre, http://quiltingdaily.com/
  Saturday, September 13, Lyric Kinard, http://lyrickinard.com/blog/
  Sunday, September 14, Claude Larson, http://randomactsofpiece.blogspot.com/
  Monday, September 15, Linda McLaughlin, http://notesfromstudiob.blogspot.com/ and Kathy Kerstetter, http://artndl.blogspot.com
  Tuesday, September 16, Lori Miller, http://lorimillerdesigns.wordpress.com/
  Wednesday, September 17, Melanie Testa, http://melanietesta.com/blog/, and Liz Kettle, http://www.textileevolution.com/index.php/our-journey
  Thursday, September 18, Susan Brubaker Knapp, http://wwwbluemoonriver.blogspot.com/
  Friday, September 19, Lisa Chin, http://somethingcleveraboutnothing.blogspot.com/
  Saturday, September 20, Sarah Ann Smith, https://www.sarahannsmith.com/weblog
  Sunday, September 21, Catherine Redford, http://catherineredford.com/

Enjoy!

What a THRILL!   I’ve been published many times now (how lucky am I?!!!), but I am elated to share that I my traditional quilting has also made the cut.  I have three quilts in 500 Traditional Quilts, juried by Karey Patterson Bresenhan, founder and CEO of Quilts, Inc., and founder and Director Emeritus of International Quilt Festival.  The book is part of Lark Book’s “500 Series,” and I was proud to be included also in 500 Art Quilts. You can find 500 Traditional Quilts here (on Amazon, available other places too) and 500 Art Quilts here.  My blogpost about 500 Art Quilts is here.  What is so wonderful is that I made the cut in blind jurying:  that means the juror has no idea who made which quilt, you are juried in on the basis of the quality of the quilt.

I’m in 500 Traditional Quilts, Karey Patterson Bresenhan, juror. Well, three of my QUILTS are in this book, not me!

My three quilts included in this book are From the Schooner Coast, Haleakala Sunrise and Nourish the Body, Nourish the Soul.  Avid quilters will recognize the works and names of many of the quilting world’s top traditional quilters, so I am particularly honored that three of my quilts made the cut.  Even better, the two Hawaiian-style quilts of mine will be in an exhibit of selected works from this book that will debut at International Quilt Market and Festival this October-November.  For me, this is huge: my work meets the standards for publication and exhibiting at what is probably the most prestigious quilt show in the world.  WOW!

The theme for this spread is clearly sailing ships. Mine is the blue one in the middle, with a detail of the quilting no less! This quilt is called From The Schooner Coast.

Any reader of this blog will immediately recognize my Haleakala Sunrise quilt which is the background for this website. I just love bright, clear “Caribbean” colors. This was my first original Hawaiian-style design, and I still love it and Hawaiian quilts in general.

Nourish the Body, Nourish the Soul, is on the left. I made this quilt to be in my Threadwork Unraveled book, a “bible” of thread used on/in a sewing machine. Due to length, we ended up cutting the applique section out of the book, but I remember finishing the design for the center block while sitting on the floor of Joshua’s hospital room in 2007 after he was hit by a car (and it’s somewhere back in the July/Aug 2007 blogposts!). So glad he is completely well, doing well, the book did great, and my quilting career actually exists!

I have to be honest:  I have not “read” this entire book, yet.  This is a book to be savored. Dip into it, browse the beauty in its pages.   Yes, I am an art quilter.  But first and foremost I am a quilter, and these quilts are art even though they are traditional–I love ALL types of quilting.  Karey called these quilts “the crème to la crème of traditional quiltmaking today.”   I can’t wait to see the exhibit of selected quilts from the book in Houston (I’m teaching again this year, but blessedly have a couple days to be a civilian and just enjoy the show).   Hope to see you there!