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Archive for the ‘Techniques’ Category

Whimsy-Class and Sarah’s Thermofax screens at Fiber on a Whim

Thursday, October 2nd, 2014

What FUN!   As a result of collaborating with Fiber on a Whim, I am thrilled to announce that they are now carrying a line of thermofax screens designed by ME!  Whooda thunk it?   Best of all, FoaW is debuting the screens with a sale!

Learn to make the painted fabrics in this project in my mini-Whimsy class at IQF-International Quilt Festival Fall 2014.

Learn to make the painted fabrics in this project in my mini-Whimsy class at IQF-International Quilt Festival Fall 2014.   This piece was made (in part) with the Queen Anne’s Lace thermofax screen at Fiber on a Whim.

The collaboration began when Fiber on a Whim asked if I would like to do a mini class in their booth at Festival.  At International Quilt Festival I will be teaching regular classes (Intro to Machine Quilting, Birch Pond Seasons, particpating in the Machine Quilting Forum and giving a lecture on Tuesday), but I will also be doing two mini Whimsy Classes in the Fiber on a Whim booth #144 on the show floor on Thursday at 5 and Friday at 11. I’d love to see you in both the regular and the Whimsy classes!  The Whimsy classes (both the same)  will use thermofax screens and other paint processes to create your own cloth.  The booth is on “Main Street” (the big red-carpeted aisle in the middle) right next to the passageway/entrance to the quilts exhibits!  Read more about FoaWhim’s Festival plans here on their blog.

In the class I hope to have students do two small projects each.  In the class, students will create the Queen Anne’s lace background fabric used in this project along with the painted part of the nest, then finish the stitchery and quilting at home.  I will provide the materials you need in class, you add the rest at home.  Just show up, pay for the class (a very modest fee that covers supply costs), and play!  There will only be 8 spaces per class; stay tuned for details but I think you just need to show up about 15 minutes before class and the first 8 people in line get in to the classes.

The Queen Anne’s Lace custom stencil, which you can purchase from Fiber on a Whim not only at International Quilt Festival but also on their website is this one, which has the flower head in three sizes on a 9 x 12 inch screen.  (PS–did you remember all my screens are on sale right now?)  You can print with just a single size or use all three (or portions):

 

My custom Queen Anne's Lace screen that will be available from Fiber on a Whim, probably on their website later this week.

My custom Queen Anne’s Lace screen that will be available from Fiber on a Whim, probably on their website later this week.

I will also have students work on a piece of art cloth to make something along the lines of the piece below, which uses my Onions thermofax screen (I’ll post more about the screens once Fiber on a Whim is ready to sell).  This was like fingerpainting in kindergarten–pure play–but with cloth!

And some art cloth--this is SO not my typical, but I could see playing with surface design, a lot, to make more fabrics to use in my more typical style.  I wanted to have something totally "not me" though so that students get to try both representational and not!

And some art cloth–this is SO not my typical, but I could see playing with surface design, a lot, to make more fabrics to use in my more typical style. I wanted to have something totally “not me” though so that students get to try both representational and not!

Here are a few more images so you get the idea of what we will be doing–do come play!

For the nest piece, I took some pale beige batik, my Queen Anne's Lace stencil and paint to create this cloth, which I love so much I can see making yardage of this to use!

For the nest piece, I took some pale beige batik, my Queen Anne’s Lace stencil and paint to create this cloth, which I love so much I can see making yardage of this to use!

My onion screen will also be available at Fiber on a Whim.  I simply overlapped it a bunch of times to create this cloth, again something that I can see using as background fabrics.  And what a variety you'd get depending on your base cloth (this was plain white) and colors.

My onion screen will also be available at Fiber on a Whim. I simply overlapped it a bunch of times to create this cloth, again something that I can see using as background fabrics. And what a variety you’d get depending on your base cloth (this was plain white) and colors.  This was layers 1 and 2 in the red-black-white piece.

Hope you’re intrigued.  Personally, I want to go play with paint and cloth!

 

Bloghop — Inside-Out in Quilting Arts Gifts 2014!

Saturday, September 20th, 2014
These are some of the bags you'll see on my Inside-Out bag segment (and ... hint hint... perhaps in print sometime soon too....more on that when I am allowed!)

These are some of the bags you’ll see on my Inside-Out bag segment.  The orange bags are one of my two projects in Quilting Arts Gifts 2014 along with a companion card holder.  The one on the right (the lotus fabric) is made from plasticized cloth, so great for make-up or messy stuff.

What fun I had on the set of Quilting Arts TV filming my episodes, and what MORE fun to have two projects included in this year’s Gifts 2014 magazine as well as two holiday recipes–one for a sweet treat the other is satsuma-currant scones (satsumas are similar to clementines or mandarins, use whatever citrus you have!).  Makes me hungry just thinking about them!

This year's issue of Quilting Arts Gifts.  I'm thrilled to have two projects and two recipes included!

This year’s issue of Quilting Arts Gifts. I’m thrilled to have two projects and two recipes included!

(Note:  to order, click here or use the Affiliate link in the sidebar on the left; the Affiliate link will get you a discount on some items!)

I thought I’d share some variations on the theme to give you ideas of how you can make your own bags–they are SO fast and easy and fun!  Use the article in Quilting Arts Holiday or the instructions in episode 1402  of Quilting Arts TV to make the bag with these variations.  Learn more about all of series 1400 here  including information about Episode 1402 which includes the bag project.

Here are two of my cardholders.  These are so fast--they would make a great gift-card "wrapping" for Christmas, then the recipient can continue to use the holder.  They are sized to fit business cards, but I use the green one for all those extra (annoying!) store cards for the grocery, discount stores, pharmacy, and so on.  The green was the original; despite being beaded on the flap and used heavily for three years, it is still in great condition.  The warm-tones bag is new.  The project in the magazine uses a snap closure, but I really like this one which uses a heavy duty hair elastic and button.

Here are two of my cardholders. These are so fast–they would make a great gift-card “wrapping” for Christmas, then the recipient can continue to use the holder. They are sized to fit business cards, but I use the green one for all those extra (annoying!) store cards for the grocery, discount stores, pharmacy, and so on. The green was the original; despite being beaded on the flap and used heavily for three years, it is still in great condition. The warm-tones bag is new. The project in the magazine uses a snap closure, but I really like this one which uses a heavy duty hair elastic and button.

The blue-green card holder has velcro closing.  I painted white velcro with acrylic ink to match.  The warm-tones uses that thick hair elastic.  I like the way I used perle cotton to quilt the bag and stitch down the back end of the hair elastic.

The blue-green card holder has velcro closing. I painted white velcro with acrylic ink to match. The warm-tones uses that thick hair elastic. I like the way I used perle cotton to quilt the bag and stitch down the back end of the hair elastic.

I’ve also made variations on the basic flat-bottomed bag for my iPad and notebooks.

The iPad case is simply a larger version of the card holder.  The trim comes from Renaissance Ribbons.

The iPad case is simply a larger version of the card holder. The trim comes from Renaissance Ribbons.

And the inside:

And the inside.  Again, I used acrylic inks to color the white velcro to match.

And the inside. Again, I used acrylic inks to color the white velcro to match.  I’m not sure that the ink is washfast, but so far I haven’t had to find out the hard way!  This bag has an outside pocket (with zipper) on the back to hold the charging stuff and stylus.

I made this bag to fit my new, slightly longer, portable watercolor palette and painting supplies.

I made this bag to fit my new, slightly longer, portable watercolor palette and painting supplies.

Inside of my Painting stuff bag.  It has pockets sized to fit a tube of gouache, a glue stick, eraser, and so on.

Inside of my Painting stuff bag. It has pockets sized to fit a tube of gouache, a glue stick, eraser, and so on.

I’ve also made several notebook or sketchbook covers using this easy technique.

My notebook, zipped closed.  Can you tell I really love that ribbon from Renaissance Ribbons?

My notebook, zipped closed. Can you tell I really love that ribbon from Renaissance Ribbons?  I also couched some heavy perle cotton on the edge and used it as a zipper pull.

 

The notebook cover opened up.  I make pencil pockets on the left and used a 22-24 inch zipper all the way around.   When gauging the size for your cover, think about the thickness of the zipper tape.  If your notebook is really thick, you may want to add some fabric extensions to the sides so it will close nicely OR just make the cover a bit larger than you think you'll need so it will wrap and zip shut nicely.

The notebook cover opened up. I make pencil pockets on the left and used a 22-24 inch zipper all the way around. When gauging the size for your cover, think about the thickness of the zipper tape. If your notebook is really thick, you may want to add some fabric extensions to the sides so it will close nicely OR just make the cover a bit larger than you think you’ll need so it will wrap and zip shut nicely.  And you can see in the center how I had fun quilting AND used a small bit of ribbon at the top ends of the zipper and at the bottom to make a nice, clean finish.

My notebook cover, opened up, shows the ribbon extends across the back, too.

My notebook cover, opened up, shows the ribbon extends across the back, too.

I hope you’ve enjoyed these additional options for the patterns I shared in my Quilting Arts TV segment and in QA Holidays 2014!  Remember to use the link on the left if you decide to go shopping at the online Interweave Store–it may get you some discounts!  Or click on this one right here to go directly to the Holiday issue!

Here’s the list of the bloghoppers with links.   If you haven’t had a chance to visit already, please do.  Some of these folks I know, but others are new to me so I’m really looking forward to seeing  (or have really enjoyed seeing)g their blogposts and blogs!

Enjoy!

My episodes on Quilting Arts TV Series 1400!

Sunday, July 20th, 2014
Creativity, Inspiration, and Quilting Arts TV Series 1400, Clockwise from top left: Dog Walkies with Pigwidgeon (winter), Kiwi blossoms (garden), Eli home from camp (family), Poppy (garden), Notebook cover, On the set with Susan Brubaker Knapp, taping my Easy-peasy Inside-Out Bag

Creativity, Inspiration, and Quilting Arts TV Series 1400, Clockwise from top left: Dog Walkies with Pigwidgeon (winter), Kiwi blossoms (garden), Eli home from camp (family), Poppy (garden), Notebook cover, On the set with Susan Brubaker Knapp, taping my Easy-peasy Inside-Out Bag.  Click to view larger.

Series 1400 on Quilting Arts TV, now hosted by my friend Susan Brubaker Knapp, is about creativity and inspiration.  For me, inspiration can come from everywhere:  a glorious plant or view on my dog walkies with Pigwidgeon, ‘Widgeon himself, my family, an idea or a book, or something as utterly mundane as “I need a notebook cover”, or even a bag for all my watercolor stuff. I am so excited to get my copy of this series.  SOB–it’s not on PBS here in Maine on satellite (MPBN are you listening?), so I need to order.  You can too!  It is available either on DVD or as a download (episodes or the entire series) here.  Even better, if you link to the Interweave store from the button on the left sidebar, although the new series isn’t on discount, you can get a discount on some other items on the site. !    And last but certainly not least, visit editor Vivika Hansen DeNegre’s QA Blog and leave a comment for a chance to win a FREE  copy of the series!

Here's the cover of the upcoming Season 1400 for Quilting Arts TV!

Here’s the cover of the upcoming Season 1400 for Quilting Arts TV!

For today’s bloghop post, I thought I would share a lot of photos but not so much blather.  At the end of this post as well as here (the kick off day) you can find links to all the creative talented women who appear on the series, with many thanks to the creative talented women and men who are BEHIND the camera that make all this possible!

Thanks to Vivika DeNegre's post (she's Quilting Arts Editor), my dog walkies photos are now in the big time LOL!   Inspired by Gloria Hansen's butterfly photos, one day I took my good camera along with my phone and was able to get this shot of a butterfly on the clover alongside our driveway.  Inspiration is everywhere, including the most mundane of times and places--waiting for the dog to do you know what! Whoever came up with the idea of tethering yourself to animal waiting for it to do you know what???

Thanks to Vivika DeNegre’s post (she’s Quilting Arts Editor), my dog walkies photos are now in the big time LOL! Inspired by Gloria Hansen’s butterfly photos, one day I took my good camera along with my phone and was able to get this shot of a butterfly on the clover alongside our driveway. Inspiration is everywhere, including the most mundane of times and places–waiting for the dog to do you know what! Whoever came up with the idea of tethering yourself to animal waiting for it to do you know what???

And I'm always inspired by the landscape of Maine, the state that has become my soul's home.  From early summer mornings like this shot to the sunrises of winter and the sunsets of summer, the colors and lines and peace inspire me.  Makes me want to go play with cloth and dye!

And I’m always inspired by the landscape of Maine, the state that has become my soul’s home. From early summer mornings like this shot to the sunrises of winter and the sunsets of summer, the colors and lines and peace inspire me. Makes me want to go play with cloth and dye!

After nearly a decade using the same headshot, I decided it was time to be honest about the gray and the new glasses.   Here I'm with Widgeon--photos with him always relax me and make me laugh--so much better than posed.  And you can see my quilt, The Circle Dance, which is part of the exhibit and book Dare to Dance, An Artist's Interpretation of Joy (blogpost here).  Widgeon is joyful when he is fed!

After nearly a decade using the same headshot, I decided it was time to be honest about the gray and the new glasses. Here I’m with Widgeon–photos with him always relax me and make me laugh–so much better than posed. And you can see my quilt, The Circle Dance, which is part of the exhibit and book Dare to Dance, An Artist’s Interpretation of Joy (blogpost here). Widgeon is joyful when he is fed!

We all know trips can be inspiring, too.  Earlier this year I travelled to NY/CT to lecture, and got to spend a day with my friend Deirdre Abbotts.  We went in to the city and I spied this incredibly building.  Can't you see that as an applique quilt?  Reminds me of Jane Sassaman's work--and she's on this season too!

We all know trips can be inspiring, too. Earlier this year I travelled to NY/CT to lecture, and got to spend a day with my friend Deirdre Abbotts. We went in to the city and I spied this incredible building. Can’t you see that as an applique quilt? Reminds me of Jane Sassaman’s work–and she’s on this season too!

It's always fun to see behind the scenes, too.  Here are my three segments laid out in step-out sequence on trays, waiting for my turn to tape.  At the filming studios in Ohio.  I blogged about the taping here.

It’s always fun to see behind the scenes, too. Here are my three segments laid out in step-out sequence on trays, waiting for my turn to tape. At the filming studios in Ohio. I blogged about the taping here (part 1) and here (part 2).

Sometimes you just have to laugh!   We were trying to figure out where to hide the microphone for this episode, when I suggested pinning it to my bra strap.  The sound guy was only momentarily nonplussed, then started pinning as I stretched the strap.  Then, as Asst. Editor Kristine Lundblad was snapping photos, I blurted out, How am I going to explain to my husband that I just asked a total stranger to mess with my bra?   We all laughed!

Sometimes you just have to laugh! We were trying to figure out where to hide the microphone for this episode, when I suggested pinning it to my bra strap. The sound guy was only momentarily nonplussed, then started pinning as I stretched the strap. Then, as Asst. Editor Kristine Lundblad was snapping photos, I blurted out, How am I going to explain to my husband that I just asked a total stranger to mess with my bra? We all laughed!

One of the other fun things about this line of work is running in to familiar faces and friends in unusual places.  This is Lyric Kinard--does she not have the cutest, most infectious smile of anyone you know?

One of the other fun things about this line of work is running in to familiar faces and friends in unusual places. This is Lyric Kinard–does she not have the cutest, most infectious smile of anyone you know?

These are some of the bags you'll see on my Inside-Out bag segment (and ... hint hint... perhaps in print sometime soon too....more on that when I am allowed!)

These are some of the bags you’ll see on my Inside-Out bag segment for Quilting Arts TV Series 1400, Episode 1402 (and … hint hint… perhaps in print sometime soon too….more on that when I am allowed!)

Remember, you don’t have to wait for the episodes to air (mine are 1402, 1405 and 1408)–you can order the DVD or download the series or individual episodes here.   The way they are recorded, they should play on DVD players or computers around the world–yeah! And if you go to the Interweave store through the button to the left of this blogpost, you can get a discount!

Here’s the bloghop schedule, plus you can also read all about it on Quilting Arts Editor Vivika DeNegre’s blog here. Keep coming back here to click on the appropriate link for each day.

 

And because I can’t resist, one more of our beloved pug:

How can anyone NOT love a face that cute and pitiful?

How can anyone NOT love a face that cute and pitiful?

 

Dust Happens–a new article!

Tuesday, March 4th, 2014

Especially in my house!  Think rural.  Think cats.  Think Sarah.  But you don’t want dust inside your sewing machine!  I was so happy when editor Kit Robinson asked me to do an article on the care and feeding of your domestic sewing machine.  That article has just come out in the March/April issue of Machine Quilting Unlimited:

 

Machine Quilting Unlimited March/April Issue with my article on dust along with other great articles.  LOVED the one by fellow-Mainer Margaret Solomon Gunn on scalloped bindings and one on Jenny Bowker's quilts.

Machine Quilting Unlimited March/April Issue with my article on dust along with other great articles. LOVED the one by fellow-Mainer Margaret Solomon Gunn on scalloped bindings and one on Jenny Bowker’s quilts.

I was even more elated when just a few days after copies arrived in mailboxes across the US, Publisher Vicki Anderson forwarded this email to me:

My wife just received her March/April 2014 issue and I want to compliment you on the Sarah Ann Smith article titled Dust Happens.
 
I am a Bernina Certified tech that repairs anything that walks in the door and all brands of Long Arms. I also give presentations to the local guilds on Care and Feeding of your Domestic Machines. Her article is the most comprehensive that I have read to date. I feel as if she had a copy of my Power Point in front of her (right down to the needle photos!).
 
Outstanding! I agree with 100% of what she said and applaud her for the article.
 
Please use this and pass this along in any way that you see fit.
 
Duane Sellers
Bernina Tech
Lafayette, In

WOW! Talk about a HAPPY RUSH!  You all know I’m a Janome girl, but we also all know how GOOD Bernina is in terms of service and support, how good it’s repair folks are.  To have a Bernina Tech say that about my article just gives me goosebumps!  Thank you Mr. Sellers!

Here’s a peek at my article–to read it you’ll need to get a copy, which you can do online at mqumag.com or in places like Barnes and Noble or Books-a-Million.

The first page of "Dust Happens," my article about caring for your machine.  Just a few moments every time you use your machine will keep it much happier!

The first page of “Dust Happens,” my article about caring for your machine. Just a few moments every time you use your machine will keep it much happier!

And HUGE thanks to Marie Z. Johansen (BFF!) and Silvia Dell’Aere (a.k.a. Orkaloca) for photographs used in the article.  I needed a specific view of a Bernina bobbin case and, astonishingly, despite having hundreds of photos available for press use, Bernina didn’t have the view I needed, so I called Marie–who is a fabulous photographer–and asked if she could save my bacon and photograph her Bernina’s bobbin case (right before deadline no less), and she did!  THANK YOU!  And Silvia has allowed me to use a photo of hers of the tips of new vs. slightly used needles in my class presentations for years.  I asked for a print-resolution photo, but she had to take a new one–Thank you!  So please, visit their blogs and say thanks! Here’s the page with their photos:

Two more pages from the article. In the "nine patch of photos," Marie's photo is middle row, right.  Silvia's is top left.

Two more pages from the article. In the “nine patch of photos,” Marie’s photo is middle row, right. Silvia’s is on a different page.  Thank you both!

Have another article in the next issue of MQU..it’s been a good year for writing (which I love as much as quilting).  Thanks, Vicki and Kit, for the opportunity to write for MQU.  I’m so happy to have been able to bring good articles to you.  Thanks also again to Mr. Sellers for taking the time to write such a nice comment!

International Quilt Festival 2013, Houston, #6, Decorative Stitching!

Friday, January 31st, 2014

Time for another catch-up post, about my Decorative Stitch Applique class on Friday at Quilt Festival.   I’m on a yahoo group for Janome 6600-7700-8900 owners, and a discussion cropped up about using the decorative stitches and I realized I had yet to post this information, so here goes!

The Funky Chicken, from Sarah's Decorative Stitch Applique class in Houston

The Funky Chicken, from Sarah’s Decorative Stitch Applique class in Houston.  Right click to enlarge image.  I’ve stacked (grouped) stitches on this one.  For example, the checkerboard (in yellow upper left) is two passes of a satin stitch that has two columns of small alternating squares.  To the lower right of the green square, a scroll stitch is bracketed with scallops.  The center square is appliqued, stitched with the “V” stapes, then outlined with a bold straight stitch.  Done on a Janome 8900.

Ya know how we all have these fancy machines that do a bazillion things, and pretty much 98 percent of the time (or more) all we do is use the straight stitch and sometimes the zigzag?   Well, when I wrote my book, Threadwork Unraveled, I included a section to teach folks how to play with their fancy stitches. This is the project in the book and the regular class project.

Decorative Stitch sampler for my Decorative Stitch Class.

Decorative Stitch sampler for my Decorative Stitch Class.

I teach that section as a class which was offered this year at Quilt Festival.  This year I came up with a couple new projects as class options for students. Most of the students did the usual tossed leaves project for this class, but one loved my Funky Chicken.   Here she is early in the day, filling the background with fun stitch combinations in fun colors:

This student used the same colors as my sample.  We were luckily in the Janome classroom with the FABULOUS 15000 machines.  I've never been a fan of computer-screen sewing machine models, as I prefer visual knobs and buttons.  Well, let me tell that has changed!  I have severe sewing machine lust for one of these babies!  And they have even more (!!!) stitches than the already fabulous 8900!

This student used the same colors as my sample. We were luckily in the Janome classroom with the FABULOUS 15000 machines. I’ve never been a fan of computer-screen sewing machine models, as I prefer visual knobs and buttons. Well, let me tell that has changed! I have severe sewing machine lust for one of these babies! And they have even more (!!!) stitches than the already fabulous 8900!

Other students put their own spin on the leaves:

A student is making sample blocks with decorative stitches

A student is making sample blocks with decorative stitches.  This is a great way to test out pattern combinations–here she has a practice square to toss out and her “real” piece on the left.  If you have a practice square, that means you don’t have to pick out the stitches if you don’t like them!

Close up of decorative stitching on an aspen leaf.

Close up of decorative stitching on an aspen leaf.

This student tried a very bold, wide multi-stitch zigzag.

This student tried a very bold, wide multi-stitch zigzag.  You can see this is her practice bit–see how she has tested the appearance of various stitches in the strip on the right?

I made a smaller (about 9 inches square) quiltlet with the sampler leaf and the background stitching.  If you right click on this image, you can see more detail.  Notice how I layered up stitches to applique the green patch and how I used a decorative stitch on the binding.  On the latter, I used matching thread to machine stitch down the binding, then went over that with a decorative stitch.

I made a smaller (about 9 inches square) quiltlet with the sampler leaf and the background stitching. If you right click on this image, you can see more detail. Notice how I layered up stitches to applique the green patch and how I used a decorative stitch on the binding. On the latter, I used matching thread to machine stitch down the binding, then went over that with a decorative stitch.

And a happy student with her nearly-done funky chicken:

Thank you, Barb Brown of Colorado, for taking my class!   I love your chicken!

Thank you, Barb Brown of Colorado, for taking my class! I love your chicken!

The day ended with one of my favorite things at Festival:  FRIENDS!  This evening was the Dinner@8 artists.  Jamie Fingal and Leslie Tucker Jenison curate an exhibit each year for several years now, and I am thrilled to have been both invited to submit pieces and accepted in the exhibit!   My orca quilt, seen in earlier blogposts on Festival 2013, was in this year’s Exquisite Moment exhibit.  Here a bunch of us who were at Festival enjoy dinner and friendship and art!

One of the two tables of folks in the Dinner@8 exhibit.  Leslie is at the head of the table, next to Diane Rusin Doran (in pink), Susan Brubaker Knapp (glasses) and Lyric Kindard (only partly in the photo--sorry Lyric!)

One of the two tables of folks in the Dinner@8 exhibit. Leslie is at the head of the table, next to Diane Rusin Doran (in pink), Susan Brubaker Knapp (glasses) and Lyric Kinard

And too much fun not to include, Susan and I taking pictures of each other taking pictures!

And too much fun not to include, Susan and I taking pictures of each other taking pictures!