Back in 2013 I did a post on this subject, and decided it was high time to update it! So here you go. There is a downloadable PDF for you to enjoy; it’s also listed on my Resources page.

Sharing is a good thing, so today I want to share some of my favorite things: products that I use and recommend.  If you discover a link is no longer working, please let me know by leaving a comment or using the Contact Me page. Since this list is quite long, here is what you’ll find below, my stuff first (sorry) then alphabetical order:

• Threadwork Unraveled, my book about all things thread
• Art Quilt Design from Photo to Threadwork video workshop
• The Art of Sarah Ann Smith, so far
• Big Design Wall
• Clover seam ripper
• Clover needle threader
• Famore Cutlery Bent-tip tweezers
• Heidi Proffetty’s insanely sharp tweezers
• Janome M7 Continental Sewing Machine
• Karen Kay Buckley’s Scissors
• Mistyfuse Adhesive Web
• Mistyfuse Goddess Sheets
• Mistyfuse Transdoodle / Saral transfer paper
• Panasonic Titanium Non-stick Iron
• Running with Scissors bag and byAnnie’s patterns
• Textile Paints
• Val Webb, art teacher extraordinaire
• Valerie Hearder—jumbo non-stick press sheeting
• Wool Felt ironing pad

 

Threadwork Unraveled by me, Sarah Ann Smith

My book is about all things thread.  You’ll learn everything you need to know about thread, from how it is made to what will make your life easier, and your quilting better!  The book is organized in three sections:  The Basics, Applique, and Quilting, and is designed to be a reference book you’ll come back to again and again.  You’ll learn how needles, tension, your workspace, sewing machine, stabilizers, and other tools all help you in using all those wonderful threads now available.  I’ll help you understand how and why certain tools and notions work best and when another option is a better choice.  Click here to read more and to order.  Now out of print, it is still a valuable reference tool.  I have a number of new copies and you may be able to find it online / used elsewhere.

Art Quilt Design from Photo to Threadwork 

The complete cover of my video workshop, back when it was a dvd, Art Quilt Design from Photo to Threadwork with Fabric Collage and Machine Quilting.  Order the download from Quilting Arts here.  https://www.quiltingdaily.com/product/art-quilt-design-from-photo-to-threadwork-video-download-2/

Big Design Wall

There are a ton of different ways to get your own large design wall.  When we moved into this house, my studio was a grim, mostly unfinished basement space.  I did a series of blogposts in 2011 as I transformed it into my dream studio (well, except for moving it upstairs).  Here is the first of the posts… just pop “state of the studio” into the search box.   I designed my space and had my carpenter make a storage area by installing “closet doors” made of two hollow-core doors framed with 1x lumber.  We nested 1” rigid foam insulation into each of the 48” wide doors.  Due to low ceilings, they are a bit under 7 feet tall.  If you don’t have space for a permanent design wall, just a 48” wide piece of rigid insulation—perhaps trimmed to 72” tall—works.  You can stash it behind a door or under a bed.  Trust me, you’ll LOVE having it.  

By Annie’s Stiletto

I’d never really liked stilettos until I met this one.  The grippy texture on the metal point is what clinched it, but the “ironing” flat end and the comfortable grip help, and the two flat sides to the grip area prevent it from rolling off the table—what a concept! Recently I thought I’d somehow lost mine in the studio and almost ordered another.  For once, I found it before I hit Place Order! 

Clover Seam Ripper and Clover Needle Threader

Seam Ripper:  Sharp.  Narrow tip.  Comfortable handle.  Little rubbery bit to grip.  What more can you ask? 

Needle Threader:  I received this as a gift when I lectured for a local area guild.  I didn’t use it for years.  WHY NOT?  It really works.  Has a place to hold the needle that somehow magically turns the needle so the eye is in the correct direction.  Has a thread cutter.  Drape the thread as indicated, push down on the lever and presto, threaded needle!  

Famore Cutlery Bent-Tip Tweezers

I received these as a gift in a teacher goodie bag at International Quilt Festival Houston.   They are AMAZING!   They GRIP.  The have             this bent tip that allows you to use them to slide under a stitch like a seam ripper and pop a stitch.  When you have little pesky bits of thread, they grab and pull them out…they are so sharp they just pinch down tight and WORK. 

Heidi Proffetty Tweezers—wicked sharp! wicked precise!

For years, I used the tip of my scissors, fingers, a skewer or a pin to coax and nudge itty bitty bits of fabric into place on my collaged art quilts.  Then my friend and colleague Heidi Proffetty came up with a better mousetrap:  some ridiculously fine, SHARP, POINTY tweezers to place those little bitty bits into place (she does mosaic quilts and does a lot of fiddly work).  I don’t know how I managed without them!   

Janome M7 Continental Sewing Machine

Astonishingly, I have been affiliated with Janome since 2003.  I am a Janome Artisan, and proud to be associated with them.  Even with that, I’d say all the wonderful things I say about Janome machines if I weren’t.  There is a reason why I have chosen Janomes for my sewing.  Since the 6500 in 2003, with each new machine they send me, I keep thinking they couldn’t get better.  But they do.  The 6600 all those years ago was a giant leap forward, and the M7 is perhaps even more of a qualitative leap into excellence.  The machine is huge, sturdy, easy to use, and performs flawlessly.  And the harp space—that is a 104” x 104” quilt in there!

It started in 2003 when I was frustrated with my then-machine’s balkiness using assorted fun threads.  I wanted to decide what threads to use, not have my machine dictate what I could use because the machine would otherwise crab at me (for example, on that other-brand-machine, it didn’t like it when I used Superior Threads 40-wt poly in the needle and 60-wt  Bottom Line in the Bobbin; ALL the Janomes I have used  handle that with ease).  A huge, Huge, HUGE Thank You to Janome America for their long-term support of me!  I think I’ll go hug my Janome right now!

I have started making a few videos of me using my beloved machine to help you learn and posted them to my YouTube channel, here.  Hope you enjoy! https://www.youtube.com/user/SmithQuilts/videos  

Karen Kay Buckley’s scissors

Honestly, I love and use all of them!  They are well worth the not- expensive price, and will likely soon become YOUR favorites, too. You can find these on Karen Kay Buckley’s website as well as at many shops and online.  The two on the left are “regular” scissors.  The four on the right are the micro-serrated scissors with a non-stick coating (the black ones).  The precision in cutting with the micro-serrated scissors allows amazing control and is key to creating my work. The Purple handles are the first ones and still the first scissors I reach for.  The curved tip on the little red ones is nifty, and I also use the plain (pink and orange) fairly often.  

Mistyfuse Adhesive Web 

I am a complete fan of Mistyfuse products.  I LOVE this fusible web!  It leaves such a light, soft hand, never “expires”, doesn’t gunk up the needle EVER, and works really well.   I also like that it does NOT come packaged with release paper (which in other brands either comes loose too easily, or sticks, or whatever); you use baking parchment or a non-stick press sheet (next item) which is less wasteful than all that release paper, and once you see how to use Mistyfuse, it is infinitely easier!   For most projects you would want either the white or the Ultraviolet; the latter is best for light colored fabrics.  The black has lots of fun uses. 

Mistyfuse Goddess Sheets

Goddess Sheets are non-stick press sheets.  You could use Reynolds Baking Parchment, but these sheets won’t wrinkle and wear out or tear like Baking Parchment.  I’ve been using my press sheets for YEARS–the only wear and tear is where I accidentally sliced off a sliver with my rotary cutter!   I prefer the largest sheets; the Fat Goddess is so named because it allows you to fuse up an entire Fat Quarter (18×22 inches) of fabric without having to move the sheet.  The Holy Cow sheet is 36 x 48 inches!

Mistyfuse Transdoodle Transfer sheets and

Saral Transfer Paper in a roll

To transfer designs, I use Transdoodle or trace; but you could use a light box.  If the fabric is light enough , I can trace by placing the fabric over the design, OR I layer things up with the fabric on the bottom, Transdoodle Transfer paper in the middle, and the pattern on top.  These sheets last a LONG time, can be used over and over and over again.   Available in white, it has a heavier chalk load and last longer than Saral.    Saral is a transfer paper available in art supply stores and online and is available in sheets like Transdoodle and in rolls.  Sometimes you just want a long roll of white for a large design or motif.  You can find Saral  here at Dick Blick among other places..  I will note one caution:  if  like me you forget to test for removability, whenever you use ANYTHING yellow, TEST!  It doesn’t like to let go of some fabrics!  I stick to just white or blue.

Panasonic Non-Stick Titanium Coated Iron

I have had several of these over the years—one fell to the cement floor one time too many (I filed off the broken tip and kept using it tho!).  The other I used so much I wore off (after multiple years) the finish on the sole plate!   Oh how I LOVE LOVE LOVE this iron! I think iron manufacturers think non-stick means doesn’t stick to clean fabric.  These you can melt fusible onto them directly and wipe it clean with a paper towel!  No more iron cleaner fumes!  

The key word appears to be Titanium–-other non-stick irons don’t work the same way!  There are several models available at the moment on Amazon, and in various wattages…I’m going to order the 1800 as the one I have now is 1200.  In 2020 I tested various other irons including one that is “titanium” but none worked nearly as well as the Panasonics have over the years.  For the price of four or five tubes of iron cleaner, you get an iron you can wipe clean!   Mo’ bettah!  Put “Panasonic Titanium Non-stick Iron” into the Amazon search box for a current listing.

Running with Scissors bag and byAnnie’s patterns

Initially I made this as a “travel” case for teaching on the road.  In March 2020.  When the world screeched into a parallel universe with the arrival of the COVID pandemic.  As I type, it has never been on the road.  It has also never been put away.  I LOVE this bag:  it stays open on my worktable and is so easy to use!  I enlarged the size about 1” in both directions so I could fit a 9×12” cutting mat inside the outside pockets (or corrugated plastic) so that I can stand it up without having to make and use the companion bag.  This is not a fast project, but the instructions, as I have learned from other byAnnie patterns, are brilliant.  Take it one step at a time, use the top-quality products from byAnnie (not affiliated, just a fan-girl), and you’ll LOVE it. https://www.byannie.com/running-with-scissors

Superior Threads

There are many brilliant threads out there now, that is one of the things that prompted me to write my book:  so that folks could understand how to use them.  Since I teach, I try to be fair, honest, and give all companies an equal chance.  There are a number of companies that make threads I use, respect and like:  Superior Threads, Aurifil, Madeira, Isacord and others.   But Superior is far and away the best at striving to educate the public.   I highly recommend the Education section of the Superior Threads website.   As well, they make brilliant quality threads, stand behind their products, and have great customer service.   When I switched from quilting with only cottons to using a wide range of threads (thanks to my Janome’s ability to do so without a grump), I decided to build my stash to “one of each please”–the thread equivalent of the BIG box of crayons!  I did so 10 or 12 spools at a time, and having a wide range makes it so much easier for me to do my thread-coloring.

Textile Paint 

You could spend years having fun with surface design, textile paints, drawing materials and dyes.   My DVD just mentions the use of transparent Textile Paints.

There are many, Many, MANY types of textile paints including opaque, transparent, metallic and so on.  You’ll find different ways to use them, too. All of the major brands work but have different properties.  Some are creamier, more like sour cream that is well stirred, but others are more like a dense yogurt, almost spreadable Which to pick depends on your personal preferences and what you intend to do with the paint:  direct paint, stencil, screen print.  Yeah, I know.  Helpful as mud LOL!   

My favorites now and which I sell on my website are ProChemical & Dye’s ProFAB and ProSilk paints.  The ProFAB are sour cream consistency and great for stamping, screen printing (my fave) and direct painting.  The ProSilk can, despite their name, be used well on cotton.  They are an ink-like consistency and you can almost use them in a watercolor-y way.  My kits are now sold, so please check the trial packages at ProChemical and Dye, here. Click on the links there for ProFAB Textile paints, both transparent and opaque, and the ProSilk paint (ink-like consistency).  

Val Webb, art teacher extraordinaire

In late 2012 I took Val’s first online class.  I have no idea how I learned about her, but I am so glad I did.  I have learned SO MUCH from her.  I have taken other online classes, but the most important thing in any representational art form is learning to see, and that I what she has taught me.  My first workshop, I could tell something was maybe a bit amiss, but not what.  Over various workshops over the years (several pictured at right, that’s Val’s art), I’ve grown to where I can study and compare, using tips and tricks and techniques.  For example, I am not a fan of the waxiness of colored pencils, but learning the slow, repetitive nature of shading with them has taught me how to layer dyes and textile paints to create what I want in my artwork.  If you’d like to see some of the blogposts I’ve done over the years about my work in her classes—the vulture is one of my favorites–click here.  The skills of seeing and thinking translate directly for me.  After a couple-year break for busy life, I am now signed up for my 8^th class with her.  So I encourage you to check out Val’s site and consider her classes.   https://valwebb.wordpress.com        She is on FB and IG as The Illustrated Garden.

Valerie Hearder non-stick pressing sheets, ginormous

Some years back, after a good teaching year, I finally indulged:  not one but TWO VAST non-stick pressing sheets, which I ordered from art quilter Valerie Hearder, who lives in the Canadian Maritimes.  Val says “I sell the wide teflon by the yard and can sell any length.  Check out www.valeriehearder.com.  I have 18” wide and I also have 37” by any length. Note that my prices are in Canadian $ which is a big saving for Americans.  In the pre-COVID days I had no trouble ordering my two 36/7 x 72” sheets.  One lives on my Big Board (a 22×60” ironing surface) and the other on my design wall.  When I do Really Big quilts, I can pin both up on my design wall (see above!).  Expensive, but if you do a ton of fusing and tend to work big, worth it.

Wool Felt Ironing Pad

When I was a kid, ironing boards came with a real wool felt pad under the cloth.  Things ironed beautifully.  Then things went to polyester and synthetic foam and, well, yuck.  The quilting world recently rediscovered the joy of a nice wool press surface.  As usual, if you stick the word quilt on the product, the price doubles, triples or more.  So I did a little sleuthing.  I knew of a felt manufacturer so I went to see if they had the wool pads.  THEY DO.  And they will sell to the public.  It helps if you get a bunch of friends together and do a group order.  Their ½” wool felt is 72” wide and is sold by the yard.  Some friends from my local guild and I got together and did a group order for 2 yards.  Rather than me try to cut the thick felt with a linoleum knife (and end up hospitalized), I paid the modest fee to have them cut the pads.  One woman and I each wanted a 72” x 22” wide piece each.  The rest we had cut into pieces 14 x 18”.  Each yard cut that way yielded one large and three smaller pieces.  You can have it cut into whatever size works.  We ordered the F-7 Gray ½” thick felt.  Shipping added to the cost, but I think the 14×18” pieces ran about $33 including cutting and shipping.  2021 prices for about the same size are a bit lower than two years previously, and are roughly $40, and for the large ones, my 22×72 cost me about $98, while the current prices for 20×60 are around $112 on Amazon.  https://www.sutherlandfelt.com/felt/pressed-wool-felt/

I’m thrilled to share that I will be teaching online again in mid August, and for the first time ever you can take my most popular class, Collage the Garden, LIVE ONLINE! Sign ups are open NOW and are here. One of the best things is you will be home, so you can get whatever it is you wish you had brought to class, because you are at home and sewing on your machine!

I’ll be offering:
Wednesday, August 12, 2020: Collage the Garden: From Photo to Flower (6 hours) from 10-4 Eastern daylight (there will be a lunch break)
Thursday, August 13, 2020: Mastering Metallics (3 hours) from 2-5 Eastern daylight. Kit is optional.
Saturday, August 15, 2020: Easy-Peasy Inside-Out Bags and spin off projects from 2-5 Eastern daylight.

You can find complete class descriptions and PDF supply lists on my Workshops page (classes are listed in alphabetical order). When available, there are also hotlines to blogposts so you can see previous student work. If you have ANY questions, please don’t hesitate to write to me! I’ve done a recap of each of the workshops below as well.

Collage the Garden is all about my process. I teach you how to interpret a photo in class, then you will know how to use YOUR photos to create your own original artwork. We talk about selecting a good image, selecting fabric, fusing, tricks for working with cloth and, time permitting, introduce how to quilt (this is a who second follow-on workshop).

I’d love to have you in one of my workshops at the Mancuso Online Quiltfest here. If something you want to take isn’t offered, let me know what and I’d be happy to schedule an online class offered directly from me later in the year.

There is a thing called star trails photography (just google it…it’s really cool). The earth rotates on its axis. The North Star is static in our northern skies. If you take time lapse photos and then “stack” (merge) them, you get star trails….images that describe the lines created by the light of the stars. Did you know that starlight comes in different colors??? It does… I love the feeling of the vastness of space. When I went to college, I comforted myself knowing that my then-boyfriend and I could both look up at the constellation Orion in the sky even though we would be 3000 miles apart. I love wondering what is out there, and feeling snug and at home in my own world. The universe is Out There and it is Within Us. I love the resulting art quilt. While trying to figure out the title (star trails was too boring), I wrote a poem to go with this quilt:

As many of you know by now, I was selected to be a Michael Miller Brand Ambassador this year. At the start (last December) we received a box STUFFED with goodies (post here). I decided to challenge myself, using items ONLY from this box to make an art quilt in my style, but using fabrics that are totally not in my usual wheel house: commercial solids, prints, and bling. I love the result…in trying to figure out the title (star trails was too boring), I wrote a poem above. Help me decide should the title be Canticle of the Stars? or Anthem of Light? Leave comments and thoughts!

So, how do you make an image that is DARK work successfully as an artwork? In this case, the answer is a lot of quilting with light thread in seven shades from pink to peach to green to blues! Here are the fabrics I used:

The quilting was done entirely on my Janome M7 Continental. The sky was done with the walking foot and the trees was free-motion quilted. It has been eons since I did walking foot quilting…I may do more of it soon! And the threads I used:

I hope you’ve enjoyed this journey to the stars, and back to home on Earth.

For a while now I’ve wanted to blog about irons, and why I love the ones I have. Yes, plural…..I have SIX! Three are “small” size, two are regular, and one is Sirius the Black Dragon. Yes, my Janome M7 sewing machine is named Albus (the second, he had a predecessor named Albus). There’s even a video at the end of this post about all these irons!

The Panasonic is my go-to iron for fusing. At 1200 watts, it gets hot and has acceptable steam, although I almost always use it as a dry iron. I love this iron so much I wore the finish off my last one! I always have one that is my working iron, and a brand new spare in the closet in case the cats or I knock it off the ironing board one time too many (studio is in the basement, cement floor…not good for falling objects). I can LITERALLY place this on Mistyfuse or other fusible web, melt it all over the bottom of the iron and WIPE IT CLEAN. No more hot iron cleaner fumes (which cannot be good to inhale–they set off smoke detectors)! For the price of four tubes of iron cleaner, you’re golden. This link takes you to the one I am currently using–I like that it has auto off because I am easily distracted. As of April 2020, it is a whopping US $27. Even if you only use it for fusing, it’s worth it!

I fuse on top of my ironing surface, but also on the design wall. Holding the iron (which is relatively light) had gotten uncomfortable because I have arthritis in my thumbs and wrists. So I tried the little mushroom iron, the ones you see in classrooms and at retreats–many folks can plug them in and not blow the fuses. It is quite comfortable to hold when used on a flat surface, but on the design wall it requires you to bend your wrist, and that hurts for me.

For years I have recommended the Panasonic Titanium nonstick iron to students–Panasonic should give me free irons for life I’ve sold so many for them LOL! But I had (note the past tense) suggested that the gold-ish colored titanium appears to be the key. Not so much. First, my “in the closet” iron-in-waiting is a Panasonic Titanium ordered earlier this year, but is now a silvery color instead of gold-ish, but still works the same. Second, not all Titanium non stick is the same. I decided to give the CHI Titanium Ceramic, below, a try. It costs more, about $59, and has 1700 watts so lots of heat and power and good steam. It’s great for steam ironing, but not so great at the non-stick–it really doesn’t wipe clean the way the Panasonic does. Here’s what happened:

The model I purchased is the same as this one (minus the soleplate cleaner, which I wish I had). The steam is IMPRESSIVE…literally, it sends out a jet about six feet….watch the video below! It comes with a cord stand (which I don’t point out in the video. There is the power cord and, wrapped in cloth, the line that powers the iron and brings the steam to it. Unlike a regular steam iron that produces steam constantly (if you set it to do so), you need to push the button, but that is easy to do given the location on the handle.

The steam cord is a bit stiff, which is why having the clamp-on cord guide is so helpful. You also get a silicone mat so you don’t have to tip the iron on end, just set it on top of the mat. That is comfortable for my arthritis. So is the light weight of the actual iron. AND you can steam things that hang, like curtains and garments!

When I have a lot of ironing (like yards of dyed fabric, or just washed fabric), the steam generator is a DREAM. Also excellent when doing a final fusing of the finished art quilt top and when blocking a quilt. Many steam generators if the tank runs dry, you have to turn it off, wait for it to cool, then add water. Not so this one–just open the lid to the easily accessed tank and add water (shown in video). BINGO! WINNER! Just be sure not to send a blast of steam in the direction of your other hand. Guess you don’t need to ask why I advise you of that. Ahem. Only did it once! If you are also a garment maker, you’ll love this. I will grant you, it is *expensive.* But in my case, worth it.

Bottom line: I use the Panasonic for all fusing. For smaller ironing jobs, I use the CHI. For working on the design wall, I use the Clover. And when I need STEAM or have a lot of ironing to do, the LauraStar. So there you have it…why I ned at least FOUR irons! What are your favorites, and why?

And yes, I meant every single one of those excessive exclamation points. Usually I’m lucky to get two out of two quilts juried in to a given show. This time, not only did both Lupines and Rose Hip get in to the Mancuso Brother’s Mid-Atlantic Quilt Festival, they BOTH RIBBONED!!!!!! That is a bucket list item that I never, ever, Ever, EVER expected to check off! Guess what…done! To the judges: THANK YOU for making a dream come true!

I’ve never won a prize such as Best Use of Color at a national level show, so I am particularly pleased–my work is about color, and then about the quilting. Next August 5-7 I’m going to be teaching a three-day workshop, Exploring Paint on Cloth, at ProChemical and Dye in Fall River, Massachusetts. I’ll be sharing the techniques I used in both of these quilts in that workshop and hope some of you can join me! Details in the hotlink. I’m deep in the planning for the specifics of what we can do in three days and getting so psyched for it!