BOOK REVIEWS:

Karey Bresenhan’s book Creative Quilting: the Journal Quilt Project, (available here) came out about this time last year, and I intended to blog about it then, but life got away from me (what a surprise). Even if I didn’t have five (!!!) journals–small art quilts– in this book, I would recommend this 272-page tome heartily. I think this book will become a benchmark publication of where art quilting is in the earliest years of the 21st century. It is truly a remarkable, inspiring, and educational book that belongs on the shelf of every person who loves art quilts, whether they make art quilts or not.

So what is a journal quilt? The idea was to explore something each month–instead of writing in a paper journal, to document the month in cloth and thread and fiber and whatever, while also keeping a brief written narrative. The finished pieces were to be the size of a U.S. piece of copy paper: 8 1/2 x 11 inches, vertical orientation. I joined the QuiltArt list in late 2002 just as the first year’s journals were being sent in to hang in Houston. I signed up in early 2003 as soon as possible to participate the coming year, in part because I figured (happily I was wrong) it would be the only way I would ever have a quilt in Houston. For my January quilt, I wanted to involve my son, then in 3rd grade, since he was sometimes jealous of my quilting time. I asked and received the OK from both Joshua and Karey to use a piece of his second grade artwork as my very first journal:

I cannot believe, now, how many firsts were in that quilt: first time using metallic thread, first time painting on fabric, first time fusing sheers and beading on a quilt! Now, those techniques are standard fodder for me. It is simply not possible to over-state how much doing the journal quilts has contributed to my development as an art quilter. This is the quilt and the project that launched a career! Best of all, it not only made it into the book, but is also included at thumbnail size in the introduction. You should have seen 13-year old Joshua’s eyes grow wide and fill with pride when I got the book and promptly opened it to show him HIS artwork (as interpreted by me)! That look is a gift from him to me that I will treasure forever.

The book is divided into seven chapters:

1. Series
2. Stories
3. Flowers, Plants and Trees
4. Animals and Insects
5. L andscapes and Special Places
6. Faces and Figures
7. Abstract

Some of the most amazing works are those where the artist worked in a series in a given year’s journals. Maria Elkins and Rachelly Roggel’s are the ones that first spring to mind. I don’t think ANYone, in the six year run of this project has better utilized the potential for stretching and development through these quiltlets than Maria. By clicking on her name you can get to her gallery page, and from there view each year of her journals…prepared to be inspired and exhilarated!

The stories are equally amazing, from inspiring to heartbreaking. Some are humorous, like the woman undergoing chemo who left her hair on the sofa, literally (and used a tuft of fake fur on her pictorial version). Others are heartbreaking, documenting loss of loved ones and tragedies both personal and national.

The book is not a project book, but each entry shares the materials and techniques used by the artists. If it can be done to, with or on fabric, I think it was done in one of the journals! If you want to learn how to do a technique, you can go search out classes, technique books or magazines, such as Quilting Arts, that will teach you the how-tos. Creative Quilting is a book to savor and dip into at random, enjoying the journey.

I was honored when Karey opened the section on Plants, Flowers and Trees with three of my journal quilts, including a full page (nearly life-sized) reproduction, above, of this quilt which features one of my photos printed onto cloth and quilted intensively. Also included are my January and February 2006 journals:

2007 is the final year of the Journal Quilt Project. This year, instead of making a different journal each month, Karey asked us to make a single piece 17″ wide by 22″ long (or four pieces of paper together) that used at least three techniques that were featured in journals included in the book. When the International Quilt Festival in Houston opens to the public on November 1, I will be able to share my journal for this year.

Even better, nearly ALL of the 400+ journal quilts in the book will be on display in Houston, in the order in which they appear in the book. I wish I could be there to see them, but will be content that I have had the unbelievable opportunity to learn and grow through this remarkable project.

Well, I finally have succumbed to putting one of these on my blog. I took this “test” when it first popped up on the quiltart list and was a Nigella, then did it again for giggles (changing the few answers that could have gone either way) and turned into a Snapdragon. It says of the Nigella:

“Many people think you are just a little bit odd, but you consider yourself just a little eccentric. You find new experiences exciting and fulfilling.” I can live with that!

I couldn’t recall what I was then, and the subject came up on the Quiltart list again, so I did it again. That time I was either a Daffodil (my favorite flower, but the description wasn’t really “me”) or (erg) an Echinacea (you know, wholesome, good for you…. erg). So I came across the test yet again, and happily I am back to being a Nigella. Or (since I used to garden) a Nigella damascena (as in Damascus, Syria) also known as Love-in-a-Mist. They make lovely dried flowers, too, and are the most glorious sky blue and self-seed with abandon in the right soil and conditions.

Does that I mean I will be lovely when I’m a dried up old prune?

OK, promise good quilty stuff tomorrow or the next day. Today is clean the house day and tomorrow is The Frayed Edges at my house. I’m fixing one of my favorite summer salads: curried chicken with mango and cashews. Got the recipe from Dianna Rooney while I was at the US Embassy in Libreville, Gabon; she loved to cook and had been collecting recipes for tropical foods before coming to Gabon (which is almost on the equator, on the west coast of Africa). More anon…..

Recently on the SAQA (Studio Art Quilts Associates) group list, a discussion came up about how one can make a bit of a living as an art quilter. I’ve received some positive comments about my post, so thought I’d tidy it up a bit, add an intro paragraph, and share it here. Hope this is interesting or helps some of you!

Perhaps the most useful think I have done is to join the QuiltArt list (www.quiltart.com). That is an on-line group of 2500+ souls around the world. Some are new to art but longtime quilters, some are experienced artists but new to sewing, some have super demanding day jobs and can only enjoy art quilting part time, and others of us are trying to make a go of it. By reading the list… and I will warn you the traffic is sometimes voluminous!… I have learned about art, about quilting, about the business side of things, entering shows, you name it. I told hubby that it was my on-line Master’s Degree in art quilting, and it really is.

And here’s what I wrote to the SAQA list:

I am faaaaarrrrrr from a known quantity, but here’s what I’ve done, and bit by bit it is working… seems as though I have (through sheer dumb luck) done much of what Pamelala (Pamela Allen, art quilter extraordinaire) has done…..

On the theory that I can’t sell my work if (a) I’m not known and (b) it is not seen, I have:

entered juried shows—can’t afford to do as many as Pamelala, but I look at geographic location when entering. Some like PIQF in Santa Clara I do again, others like Road2California I won’t (shipping there and back is more expensive than PIQF). Big name shows: if I can get in, I pay to ship no matter what (i.e. Houston, Paducah, and may even start thinking about UK and Japan…).

entered juried exhibits—both art and quilt venues, though mostly the latter, looking for geographic diversity!

participate on line–on QuiltArt, the Janome 6500/6600 list, a small group or two, I have actually gotten teaching jobs here in Maine through a referral from Florida–someone on the Janome list told a friend in Maine about me!

participate in travelling challenges that go to various venues–these have been through the QuiltArt list, but Annie Copeland’s exhibits were a great start, and currentliy Fabled Fibers

teach–as someone once told me, your students will like your work and some may buy it, and they are the word-of-mouth that is so valuable

have a website and keep it updated

have a blog and write regularly—this has been the biggest surprise. Google LOVES my blog! And it has brought me jobs, folks who like my work, etc. I’m migrating the blog to the website later this summer, which should help bring readers to the website and do even better with the search engines (and an additional note for my blog readers: I can’t believe how much fun I’ve had writing these “letters to you at the other end of the ether”…thanks!)

had local shows…at the bank. All I had to do was sign up for a month. Sent press release to the paper, which resulted in a page 1 of the B section full page article. Both led to great name recognition around town, which in turn led to…. This October at the new coffee house… just asked the owner, brought my work, she said yes! And ditto for the library… a gorgeous facility (small, we are after all a town of 5,700, but it draws paying members from neighboring towns because it is so good) where my mini-group (which was in Quilting Arts last winter) will have a show in August

walked into a local gallery, started chatting with staff, and then owner, who remembered my show at the bank–she agreed to try selling some of my work, said she didn’t know if it would sell but we could try. So we did and guess what…it works! I am a total unknown, she had never even SEEN an art quilt let alone know what it was called, but she liked it and was willing to give it a go (it’s a quirky gallery… prize winning carved and painted duck decoys, scrimshaw, as well as more traditional media)

Enter exhibits like the journal quilts… now Karey Bresenhan actually knows who I am, and has even bought my work… first a postcard I donated to FFAC (Virginia Spiegel’s cancer research fundraiser), then a major piece that got juried into the Viking “Imagine That” show (purchased for the IQF collection) and included two I Remember Mama quilts and journal quilts in her books. (And apart from that major ego boost, I have learned more than I can express by having been a part of he journal quilt process!)

Enter magazine contests and write article proposals: Quilting Arts! Made it to finalist one year in the calendar contest, and after many tries, have articles in the pipeline for later this year (still not saying much so as not to jinx things ) Working on the other mags

So as (One SAQA member) said, just keep doing it. It is a LOT of work. And I mean work. The playing with cloth and thread is fun. So is going to Festival. But it is also meeting the people that go with the names, making the connections, making yourself visible, and doing the (kinda yucky not fun) marketing stuff. The meeting people is fun, but the “selling yourself” is less pleasant, but if I don’t do it, no one will. So I just grit my teeth and do it, pleasantly, and sometimes I meet some totally cool people and it turns into fun.

Hope this helps?

Cheers, Sarah

website: https://www.sarahannsmith.com
blog: https://www.sarahannsmith.com/weblog/
and http://www.planet.textilethreads.com

Then I remembered to add the next day:

And your comment about one step at a time reminds me… My friend Kathy said to me a couple weeks ago “Did you have this all planned out? It seems like you’ve had this map in mind and set about achieving it” or something to that effect. My answer: heavens no! I have done one thing at a time, then another occurs to me, then maybe three or four (like I have another thing to pursue, but no time this year, so maybe by October?)…. so it’s one thing leads to another leads to another. And sometimes an opportunity pops up out of nowhere, and you just have to go with it, whether it is convenient or not.

Now, if I were still at my old day job, I’d have most nights and weekends to myself, and get paid about 10 times as much….. but I still wouldn’t go back (at least not while the kids are home…when they are off to college… maybe, for five years, just long enough to get a full pension…….)