There are so many good bits about line in Aimone’s book, that I think I’ll add a bit more. Think about these comments in relation to quilts, how lines define the geometric shapes of pieced quilts, the edges of appliques and the stitched line–by hand, by machine, quilting and embellishment (including a line created with a sequence of beads…)
Even broken or lost and found lines can serve most effectively to establish shape. P. 35
Line as shape maker–Whenever a line ventures out on a journey through space and crosses ack over itself, it encloses an area. The enclosed area reads as a shape. P. 33
Line representing edge–An edge is the place where one shape butts up agains another; a line can represent this edge. P. 36 (And from Sarah: think horizon, water’s edge, contours of a body)
Line as direction or movement p. 38 (from Sarah: ——- is static, lllllllll is at attention, /////// moves to the right)
Line for emphasis…changes [in] the weight of the line to establish a hierarchy of emphasis P. 40
Line as rhythm, symbol, to create depth…. In two dimensional design, this involves creating the illusion of three dimentions. … In drawing, a line that varies is known as a weighted line. The thicker lines advance to the front, while lines of medium weight fall back by contrast. Thin and very thin lines seem to recede further still, all creating an effective feeling of depth. P. 40-42
A note from Sarah: How can we adapt this use of thick line in quilting? It seems to me that we take the inverse….by using the stitching line to make the background recede, we leave in the negative space a “thick” line that comes forward and draws attention to itself…….
I’ve been doing taxes, working on the book, going to wrestling meets, guitar lessons, karate testing and that sort of thing, so precious little has happened in the studio. I’m going to reward myself by an entire DAY upstairs today working on samples for an upcoming article and maybe even a small piece to enter in shows! Will share as soon as I can. In the meantime,
MAKE ART!