As I transition to holding online classes to supplement live and in person classes, I needed an overhead view of my work table. The traditional way to do this (outside of a fancy filming studio) is with a “C-stand” that is sturdy/heavy, stands on the floor next to your work table and has a boom arm that extends over the table. Then you hang the camera/iPad/iPhone from the boom arm. Cue COVID delays in shipping. I tried the one I could get in time for this week’s Perfect Bindings class at the first ever Mancuso online shows. The accessories didn’t fit the boom arm. Back they went!
Cue: Mama’s brainstorming, Mama and son’s (Joshua) creativity, and Joshua’s awesome tools (Band saw! drill! Random bits and bobs) and construction experience and help, and a stand using leftover stuff and $5 in supplies.
A DIY overhead camera stand
The wooden “light stands” were built based on information from Holly Knott’s wonderful “Shoot That Quilt” section on her website about taking great photos yourself of your quilts to enter in shows and magazines: two pieces of 2×4 lumber and four cheap shelf brackets for each stand.
Ignore the dust, cat hair, pug hair and thread. Please. Sorry. Here’s the link to Holly’s useful webpage on quilt photography.
Joshua, our older son, did some electrical work for Mom and Dad (us) a while back, and introduced us to something called Unistrut. Link here. It is a bit heavy, which is why I looked at C-stands to begin with, but that is also its virtue: it is totally rigid. Rigid helps keep your camera (in my case my iPad) stable.
The upper brackets were from something else that was modified. Knew they’d be handy! I bought two small black brackets with one hole on each side. Joshua said I needed two holes to prevent the small L brackets from wobbling, so using his awesome power tools (tool envy!), he just drilled an extra hole. He cut the Unistrut in about 8 seconds with his band saw. It would have taken me the better part of an hour with a manual hacksaw! The length is the width of my table plus an extra inch or so to help maneuver the stand into place.The ruler is serving as my iPad’s stunt double because I was too lazy to run upstairs and get the iPad while taking photos. Can you tell from the clutter how chaotic it has been? I CAN’T WAIT to have a MASSIVE TIDY ATTACK! I wanted the iPad above the bar for added stability and so I could have full access to the screen while teaching live online workshops. A close up view of the stand attaching to the unistrut. Here’s a link to the iPad holder on Amazon. It isn’t the most rigid thing and the little grip thingies that hold the iPad in place aren’t huge, so that’s another reason to have the iPad on top supported by the cross bar and not just those four little pads.
SO if you are wondering what your teachers does to get ready for you, this is just one small but vital component. If you are going to TEACH online, I hope this helps you–please feel free to ask questions! MASSIVELY HUGE thanks to Lyric Kinard for her help on so many things on the technical side over the years, and to Lee Chappell who gave us newbie online teachers for the Mancuso show a studio tour by Zoom to share with us how she set things up. And THANK YOU to my wonderful, creative son who comes home and always wants to do some sort of “fix up” something for his mom and dad. Joshua, you ROCK!
In my last post I shared the Clam Up bag from byAnnie.com, and earlier I shared my AWESOME Running With Scissors bag made for her patterns. I love bags and baskets and boxes and things to organize. One of my favorite classes to teach is my Easy-Peasy Inside-Out Bag, which makes a great 3 hours quickie class for a bag (or two if you are fast) or full day class where you can learn more details and extras. I decided to try Annie’s Soft ‘n Stable stabilizer instead of batting to see how it would work in MY bags, which are quick quick quick and FUN! (Like potato chips, you can’t make just one!)
Here it is: the Easy Peasy process using Soft ‘n Stable and accenting the zipper with “binding” the way Annie Unrein teaches in her patterns at byAnnie.com The fabric used is courtesy of Michael Miller Fabrics–the main fabric is from the Lost in Paradise collection (shipped May 2020) and the other fabrics are the Garden Pindot collection on the outside and the inside (and that’s Hash Dots on the backing of the quilt you see awaiting quilting on the back of the table). This is a sampling of the fun bags I teach inthe Easy-Peasy Inside-Out Class…. if you think you’d like me to teach this for your guild–including LIVE ONLINE workshops, leave me a comment! They are fast and fun and can be customized so many ways.This shows the Clam Up bag and my Easy-Peasy next to it. I made this bag long enough to hold my large Fiskars flat on the bottom. Frankly, it is large enough it could hold a small knitting project or paper piecing supplies! One thing I will do differently next time is FUSE the lining to the back side of the Soft ‘n Stable. I didn’t use the walking foot and it shows. Oh well…lesson learned!Before installing the zipper and sewing the seams, I pinned it together to check size and how I wanted to finish it. Most of my Easy Peasy bags leave the boxed corner triangles on the outside (see that photo above with the many colorful bags made with batting). Leaving the triangles outside acts to stabilize the bag and keep it upright. With the Soft ‘n Stable doing that job, I chose to tuck the “corners” inside for this bag.Next, before boxing the bag into shape, I used the 3-stitch zigzag to secure and tidy up the edges. The narrow accufeed foot on my Janome M7 makes it a breeze to sew zippers to a quilted, puffy base without distortion. Here I’m adding a decorative element to the zippers. Gotta love wonder clips!On my Janome M7, I the three-stitch zigzag looks like this, but it is available on all but the most basic machines as a standard utility stitch. The M7 allows me great flexibility in both stitch width and length–not all machines do!
My Easy-Peasy Inside-Out process is fun, fast, and infinitely adaptable. I’ll be making a new version of my notebook cover–I’ve also got an iPad case, a business card case, and a few other goodies up my sleeve. Maybe I’ll self-publish a book of patterns and variations on the theme…what do you think?
Next up, I’ll share a basket pattern that again modifies what I’ve learned from the byAnnie.com patterns! Stay tuned!
OK, that’s a bit punny…. I’ve used some of the fun Michael Miller Fabrics Lost in Paradise fabric to make a byAnnie.com pattern called Clam Up. Before COVID hit, I was thinking about my travel teaching, and I made the Running With Scissors tote and blogged about it, here. I wanted a companion bag for bulky stuff I needs to schlep with me. Both of these bags are good for use in your sewing space, retreats or a whole bunch of other things!
The Clam Up bag pattern allows you to select various sizes. I chose a Large to use for travel teaching. I used the Lost in Paradise print as well as the Garden Pindots (the magenta) and Hash Dot in an aqua color way. A quick google showed lots of the Lost in Paradise prints available on Etsy–the collection came out in May 2020.
I really like bags that open up wide, where I don’t have to root around–I can just open ‘er up and SEE what I need to grab. The large was big enough to set my mug inside…at least unzipped.
The Large bag is large enough to fit a 45mm rotary cutter on the bottom (flat) and in this photo shows my MUG inside! The gussets on the side allow the bag to open up (like a clam, get it?!) wide so you can see what is in the bag, but prevents stuff from falling out.
Annie Unrein and her staff suggest quilting up your fabrics, using her Soft n Stable instead of batting. The Soft n Stable is a foam with a soft, grippy fabric on the outsides. I love that it stands up and holds it shape, the cotton doesn’t slip ‘n slide around, and doesn’t require a ton of quilting to look good in the finished project.
Here I have quilted the sandwich of inside and outside fabrics. I chose to piece the outside so it would have the magenta on the bottom, feature the print, and use a coordinating magenta/fuchsia bag zipper (wider zipper tape) from byAnnie. You can see I’ve used the walking foot for simple outlining for the feature fabric and a simple grid on the base.Here, I’ve used paper from the recycling bin to create a full-size pattern. Son had asked me to print the video game he was giving his brother as a gift…definitely not my game LOL! Now it is time to cut out the bag.Annie has some great tips about sewing zippers, and has started doing “add-on” videos to help teach you how to make her bags to perfection. I’ve been sewing 50 years and am pretty adept, and I’m picking up great tips. I am also developing a great fondness for the Garden Pindot (the magenta) and the Hash Dot fabrics…they are really great blenders. Have been adding to my stash!LOOK at all that can fit inside here: rotary cutter, roll of package tape (for when I need to ship a box home from a venue), and large spools of thread. I often let students borrow tools to try them out (sometimes I sell them, too, but always tell them to try mine out to see if they like the tool before purchasing it). Now I can set this bag out as a “ok for students to use stuff” and keep my things that I need at the teacher table to use in the Running with Scissors bag.Originally this was designed as a travel-teacher duo. Don’t know when I will be able to travel teach again, but these are great in the studio and for guild sewing days and retreats, too. And a whole lot of other things. Here’s the link to the blogpost again for the Running With Scissors bag. I have quite honestly kept that bag out as what now appears to be a permanent addition to my cutting workspace!And here’s a closer look at the pattern, the blender fabrics (always available from Michael Miller), and the zipper from byAnnie.com . I LOVE being able to get coordinated components from byAnnie–the mesh, elastic, zippers, all the colors match or coordinate for tons of fun! I must have about a dozen (or more) of her zippers and a stash of bag-making components now!
Next up: inspired by Annie’s construction techniques and materials, I made one of my Easy-Peasy-Inside-Out bags merging my process and her materials. Check back soon!
Note: for this post, the fabric, pattern and zipper are courtesy of Michael Miller Fabrics and byAnnie.com–THANK YOU! But I love the stuff so much I have spent a goodly chunk of my own hard-earned money buying more of the fabrics and notions.
Two years ago I made my DIL Ashley a linen jacket for job interviews. It was a revelation! Working on another body (not mine) was SO EASY–I could see what needed fitting, figure out how to make changes, assess fit and lines. So I vowed to get a dress form. KaCHING! What I wanted was over $400! Nope. So I cast about for something less expensive. A local quilty friend had a friend with one to sell…done for $75. And it still mostly adjusted and wasn’t musty!
For your listening pleasure (you’ll need to read to the end to understand why), open this in a separate browser window.
Front view: vintage dress form, not too rasty, sized out to replicate my measurements.
I began with taking my own measurements, adjusting the dress form to match, and then adding a bra to modify the shape of the bust to something resembling mine.First change: using an old bra to get the boobs into the right shape for me.
However, I discovered that the dress form and I were built on different molds. I honestly didn’t look as good as the dress form even though the measurements were correct. For starters, most dress forms start with a B-cup. The only time I was that large, I was nursing my sons! So I had to shrink in the torso to get a proper full bust measurement and shape, then pad out everything else to correct ribs, high bust, etc
But even that didn’t do it. Luckily I had long planned to get proper measurements done. Fiddlehead Artisan Supply (if you ever get to Belfast Maine, you MUST MUST MUST go there; quilt fabric, garment fabric, paint, art supplies of all sorts, crafting supplies….in other words, heaven!) has a classroom. Students can pay a VERY modest fee per hour for the teacher to come and help you. When I went, there was one student sewing and me getting measured. I figured I could try and explain to hubby what to do (but do I really want him to know my actual size? NO!) OR I could get someone who sews and would do it properly. Easy choice. The following is a chart I made to use at that session.
To prepare, I looked at patterns, sewing books and knitting books to figure out every conceivable measurement I might need, ever. And I put them into a chart. I have created this a PDF for you to use!
I tried using batting and whatnot, but decided to purchase this smaller set of Fabulous Fit Dress Form pads to make life easy AND give myself a surface that was more pinnable than the actual dress form which is a very dense molded paperboard covered in cloth. I didn’t understand why the slightly more expensive version of this set had TWO dress covers….I’ll explain below. Here they are on Amazon US.
Pads added, front
In having my measurements done, I discovered that not only were the bust shapes wrong for me, they were 2″ too close to the shoulders–I wasn’t that perky at even at 17! The fix for that (having surfed the internet to see how others modified dress forms) is to reduce the overall torso length until the apex of the breast is the right distance from the waist, then build up the shoulders. Revelation! Plus, that also meant I could make the shoulders wider and more square, like mine. However, there were still big gaps on the sides– hard to pin into those!
More pads added to the outer hip zone.
The second set of oval pads worked well to flesh out (hahahah) the hips. And because I needed the contract the torso to get the bust to work, I had to pad it back out to approximate my actual ribcage. If I ever get a modern dress form, I discovered there are “flat” dress forms for those with mastectomies or who are smaller than the industry standard patterns which are for B and C cups. Grump alert: Yet another blast from the fashion industry telling the smaller-busted amongst us that we are less than worthy (try finding an alluring bra in a small cup size–not!). Jerks. Anyway, at least I know that “flat” forms exist.
With the princess seam dress form cover added
This is pretty close to how I really look…definitely close enough to do fitting on a fitted garment and get it to work. The larger sized “kit” comes with two covers, and I couldn’t figure out why. Turns out you use the one with SIDE SEAMS as you “build” the pads–the lycra cover hold the pads in place and allows easy adjustments and fine tuning. Then you are supposed to put the princess seam cover on top of that for opacity. Having the seams, which you can feel under the fashion fabric, is a good thing. Next time I’ll purchase both covers so I can feel the side seams as well
Side view before I got the hip and front thigh pads snugged in. Thankfully I am not as lumpy as the batting in the upper back.
Me with Ailith Skye, my body double
I learned SO MUCH about the shape of my body in this process (and I’m fine with lumps…life is better with ice cream, although 10 pounds fewer lumps would be nice too….the 20 I need to lose ain’t gonna happen). And I learned about the pattern industry, the “blocks” (body shape bases they use) and fitting ease. I can now use my stand-by—measure a garment I have that fits the way I want and compare with what I measure on the pattern–along with the dress form and get a fit that I want!
In the coming weeks I’ll have several garment making posts. I have made a top, a skirt, a tunic, leggings, have another pair of leggings on the cutting table, and a pinafore/jumper on the design wall. Ailith (traditional Scottish name meaning seasoned warrior–my paternal grandmother was Irish but born in Glasgow, I am named after her, so I liked Ailith) has been a great help already. Can’t wait to share. Oh…and why red dress?
Put on your red dress, girl, and have FUN! BIG thanks to Marty Ornish, who makes amazing art with old quilts and dress forms….check out her website, Marty-O, here. I asked her what she uses, and for some purposes she uses mannequins with stretchy fabric pulled over. She gave me a length, so now Ailith can put on her party shoes!
Canticle of the Stars, or should I call it Anthem of Light? Chime in! Completed May 2020, 36 tall x 46.5 wide.
There is a thing called star trails photography (just google it…it’s really cool). The earth rotates on its axis. The North Star is static in our northern skies. If you take time lapse photos and then “stack” (merge) them, you get star trails….images that describe the lines created by the light of the stars. Did you know that starlight comes in different colors??? It does… I love the feeling of the vastness of space. When I went to college, I comforted myself knowing that my then-boyfriend and I could both look up at the constellation Orion in the sky even though we would be 3000 miles apart. I love wondering what is out there, and feeling snug and at home in my own world. The universe is Out There and it is Within Us. I love the resulting art quilt. While trying to figure out the title (star trails was too boring), I wrote a poem to go with this quilt:
As many of you know by now, I was selected to be a Michael Miller Brand Ambassador this year. At the start (last December) we received a box STUFFED with goodies (post here). I decided to challenge myself, using items ONLY from this box to make an art quilt in my style, but using fabrics that are totally not in my usual wheel house: commercial solids, prints, and bling. I love the result…in trying to figure out the title (star trails was too boring), I wrote a poem above. Help me decide should the title be Canticle of the Stars? or Anthem of Light? Leave comments and thoughts!
So, how do you make an image that is DARK work successfully as an artwork? In this case, the answer is a lot of quilting with light thread in seven shades from pink to peach to green to blues! Here are the fabrics I used:
The quilt is under the fabrics, with the top visible in the upper half and the backing below. The Michael Miller Fabrics are from left to right: Michael Miller Krystal in Aubergine 1278, Wine 2248, Coal 1302 and 1257 Evergreen. Fairy Frost in Black. Cotton Couture SC5333 in Midnite and Ink. Marble CX1087 in Stone, graphite (or onyx) and night (I think on the denim blue). Michael Miller Jet Black which is part of the Cotton Couture line. I overdyed the green with a navy dye to use as the backing.
The quilting was done entirely on my Janome M7 Continental. The sky was done with the walking foot and the trees was free-motion quilted. It has been eons since I did walking foot quilting…I may do more of it soon! And the threads I used:
It is VERY rare for me to use a walking foot for quilting, but for the sky on this one I did. I used the dark blue So Fine to help hold down the Mistyfused pieces (cut curved, but on the bias so I could adapt their arc) and solid black (I can’t remember if it was the Mettler or So Fine) for the treelike silhouette. The six colors are the star trails in the sky. I used both regular straight stitch and the triple-straight stitch with the walking foot.
Detail, Canticle of the Stars. The edges of the print fabrics are definitely rougher than I am used to with the batiks and hand-dyes I use due to the different thread count, but I think they work because the light edges become another star trail.
And a very close up of the raw edges, some wool lint (sigh…do you know how many times I vacuumed and lint roller this quilt??????) from my pressing surface, and the quilting. The pale green turned into that creamy yellow color when quilted. It’s amazing what thread will do!
I hope you’ve enjoyed this journey to the stars, and back to home on Earth.
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