Onions is one of my favorite designs. I used a small white onion to stamp, then fiddled with the print in photoshop to create this screen. It makes a fantastic background print or part of a  layered piece of complex cloth.

Squiggles thermofax screen by Sarah Ann Smith at FiberonaWhim.com 

Woven, thermofax screen design. Sometimes you just want a bit of something. This is a full-size screen so you can print as much or as little of the screen as you like. With the somewhat irregular edges, it is easily overlapped.

One of FoaW’s best-selling thermofax screens is an old French ledger, so we thought we’d try an alphabet, hand-written by me in a brush pen. Again, a good background design, which is what I was going for with most of my designs.

Another vegetable–this time celery!

The dagger-drops screen is a smaller size because you can easily repeat it. It will be fun to play with this, alternating the direction of the print 90 degrees or at diagonals or every which way.

The Queen Anne’s lace is from a photo I took, modified in photoshop elements, then scaled into three sizes. We will use this in the mini Whimsy-Classes project you can see in this blogpost.

Another onion print, a full size (9×12 inch) screen, that I call Tossed Onions.

Grasses, a full size screen with two ends to use. Kristin of FoaW requested this one–I had ordered it earlier for one of my own projects.

And last but not least, another great background print design, corn! Yep, I sacrificed an ear of corn on the cob for the sake of art.

The back cover of the current issue of American Quilter with a Janome advert and MY quilted banner!  Right click to view larger.  They photography is great–it is really hard to photograph quilting on white fabric and show the depth and texture and they did a great job with this.

The banner in the Janome booth at International Quilt Festival last year (2013).

The full banner. Right click to see larger.

The back. I LOVE the backs. The more I quilt, the more I like the back even more than the front!  Right click to see larger.

Detail of stitching.  Right click to see larger.  I really like the way the background quilting turned out.

And one more detail photo. Right click to see larger.

On the perimeter path at Stonehenge at about 7 pm.  On a typical summer’s day, some 3000 tourists visit Stonehenge, which is located on the Salisbury Plain.  They must keep to this walkway around the stones because they were being loved to death, with folks compacting the soil so much it was disturbing the structures.  But with our after-hours tour, we got to go inside.

The Salisbury Plain as seen from the grounds at Stonehenge.

Eli on the approach road toward the stones, which are to the left of his face. The new wonderful visitor’s center is some distance removed so you get a feeling for the vastness of the plain and the size of the stones as you approach the circle, as people would have eons ago. Just to the left of Eli’s head, about the level of his chin, you can see a structure beyond the fence post…that’s it.  Seems small on the broad horizon.  Just wait!

The official sign near the visitor’s center

From that perimeter pathway. As the sun began to set and the clouds began to disperse, a rainbow appeared!

I moved a bit around the path so that it looks like the end of the rainbow is in the middle of the stone. Just looking at this I am transported to the cool evening air, the rustling of the strong breeze….the hush as we all stood looking.  There were the 50 people on the bus, our tour guide and two security guards.  LOTS better than a throng of thousands like during the day!

At one of the signs on the perimeter path–yes, we were really there!

Even a teenager could be impressed, getting out his camera and checking the photo.

Metering the camera on the sky led to this stunning silhouette as the sun started to go down. Notice the guard on the left, to give a sense of how BIG these stones are!

And Eli, moving away from the path and the circle to get a wide angle shot. Just by the trees on his right is a major road, the equivalent of a US interstate.  They are working on relocating that major road farther away from the site.

After the first group, it was our turn to go inside. The guide (the guy in black pants and white shirt on the left) had the kids go first and pretend to push the stones apart.

From inside the circle.  That tallest stone in the center has a nipple on top:  at the top of each of the standing stones is a nipple with a corresponding divot on the under side of the lintel / cross-piece.  Amazing to think considering what tools they had when this was built.  

At the top, where the cross beam rests atop a post, a bird’s nest.

And about five feet above my head, a stray bit of wool blown from a sheep somewhere, stuck on the lichens.

Decided to lay down on the grounds–no, didn’t feel any deep vibrations or communication from the other side!

Eli at Stonehenge.

And me, carefully NOT touching the rock!

The sun begins to set on the Salisbury Plain.

Sunset at Stonehenge, August 13, 2014. SIGH. Contentment.

Sunset, again, at Stonehenge, August 2014.

And it seemed the horizon was ablaze…Stonehenge, August 2014.

Learn to make the painted fabrics in this project in my mini-Whimsy class at IQF-International Quilt Festival Fall 2014.   This piece was made (in part) with the Queen Anne’s Lace thermofax screen at Fiber on a Whim.

My custom Queen Anne’s Lace screen that will be available from Fiber on a Whim, probably on their website later this week.

And some art cloth–this is SO not my typical, but I could see playing with surface design, a lot, to make more fabrics to use in my more typical style. I wanted to have something totally “not me” though so that students get to try both representational and not!

For the nest piece, I took some pale beige batik, my Queen Anne’s Lace stencil and paint to create this cloth, which I love so much I can see making yardage of this to use!

My onion screen will also be available at Fiber on a Whim. I simply overlapped it a bunch of times to create this cloth, again something that I can see using as background fabrics. And what a variety you’d get depending on your base cloth (this was plain white) and colors.  This was layers 1 and 2 in the red-black-white piece.

Minerva Sulis, from the Roman Baths in Bath, England–simply exquisite.  I SO need to get out my pencils and watercolors and sketch this head.

On the way to meet the bus tour, I had to hug a pillar box (for mail) just in case they become a vanishing artifact, like the red phone booths (after all, how many pay phones are there in YOUR town now? Precious few!) .  Yes, happy to be back in England!

The English countryside, headed west from London to Bath. Wales is in the distance.

In Bath, our guide had the bus stop at the top of the hill so we could walk down to the center of town. He said these trees were planted July 4, 1776. Not sure how they know that, but the ring of trees must date to about then. They are in a circle in the center of Georgian homes on a circular area/park-let.

This neighborhood in Bath has been well-to-do for a good 300 years.

We then walked down the hill through town to the Roman Baths. The building on the other side of the horde of tourists is the Roman baths.

Not sure of the date of this building, but obviously it isn’t Roman. But it was decorated incredibly beautifully with “classic” themed images.

One of the triangular panels beneath the dome–just love the artwork, the “fit the space” composition, the delicacy of the lines of the figure

Drum roll: the Roman Baths. A tad green, eh? But folks have gone to take the waters and regain health in Bath for nigh on to 1700 years. And The US of A is scarcely 300 years including most of our time as colonies…

Never one to miss a sewing opportunity or idea, I snapped this young woman’s backpack with button pocket while at the baths.

As always, I am fascinated with “how did they do that back then?” This is a hollowed out brick used in creating an arch, with deep scored patterns to help the mortar stick. My thought: what a great rubbing that would make!

And carvings. Now can anyone tell me that whoever created E.T. (remember the movie, “phone home” and the trail of Reese’s pieces?) had NOT seen this carving?  It is TOTALLY E.T.!

A thousand years ago when I was in England in college I visited the baths, but I had not realized or remembered that the waters are WARM. This interior waterfall that directs the steaming mineral-laden water to the bathing pools clearly shows *how* warm!

And when I entered the room with this Green Man it simply took my breath away. I KNOW the displays and museum weren’t this good in 1978!

Back outside of the baths is the Cathedral in Bath. I hadn’t realized that in England a city is a place that has a cathedral. The rest are towns. Makes it pretty straightforward, eh? And as always, incredible artistry in the carvings.

On one of the towers of the Cathedral. Note most of the angels are going up, but this shot of a portion of the tower shows how one is falling, too.

We were to meet the bus near to the Cathedral, where there was a park down by the river, with this beautiful angel.

I loved the wings so much that I had to take this close-up. And I must say, traveling with a digital camera and being able to take a gazillion shots, delete the flubs and not worry about how long one’s supply of ten rolls of 36 negatives each would last, is really nice! And being to see that you FLUBBED all the shots before you leave so you can take them again!

Professor Slughorn’s home.  Our next stop was a tiny town, Lacock.  Wikipedia entry here; the town dates from the 1200s and is now largely a National Trust property, but folks live in the old homes.  This is a more modern house on the outskirts of town and was in the Harry Potter movie with Prof. Slughorn (we wanted to do favorite books on this trip).

An intersection in Lacock; these homes are still lived in, with wiring and plumbing added 500+ years after they were built!

I took a number of photos of “chimney pots,” often with birds. Love the feathers ruffled by the wind on this gray day.

In the Harry Potter films, this was Harry’s parent’s house when he was born. Cool, eh? (And look at those clouds!)

And one more typical street in Lacock.