Janome never ceases to amaze me with the quality of its machines.  The Janome Skyline S7 is a more modestly priced machine than what I have used for the past decade, but it has features straight from the top of the line 15000 (click on the link to open a new tab to Janome’s page with all the features).   If your budget or preferences don’t run to expensive machines, this machine may have all the versatility and dependability that you need with the right sticker price.  I am, quite bluntly, surprised and pleased at the wide array of features and outstanding performance of the S7.

Here’s the nice photo of the S7 from Janome’s site (NOTE:  photos are mostly clickable to view larger):

A screen capture from the Janome America website. To link to the site, go S7 and scroll down.

Also from the Janome site, the included parts. Pretty much everything you need for routine sewing.

And much less fancy shot of the S7 in my studio:

The Janome Skyline S7 in my studio.  Notice the wonderful knee-lift in place!

I prepared a variety of projects to work on during my brief loan period for the Skyline S7, which Janome introduced/debuted at Janome Institute late this August and is now arriving at Janome dealers.   I had piecing for quilting, mending and repairs, sewing a new top, free-motion quilting, and decorative stitching.  The machine handled every task like a champ.  Here’s a teaser…keep reading to find out more about this block:

For free instructions on how to use the built-in stitches to create this block, see below. This block will work with Janome’s ongoing 100 blocks in 50 days project; read more about the 100-Blocks Janome 100 Blocks.

Now…back to the regular review (I just wanted to tuck the pretty block up top!)

I’ve been piecing some blocks (who me?): made of turtleneck shirts. Eek! I had to stabilize all of them with interfacing (gray one in lower left corner). As expected, the machine breezed through without nary a burp.  Because of the thickness of the fabric, I did find using a leader/ender so the stretchy fabric didn’t get pushed into the opening was a good thing.  Of course, I could have (and should have) used the straight stitch plate instead!

I had a tunic top cut out to make on this machine (see blogpost here or just scroll down two posts–and take a look at the review of the Janome15000 App while on your way).  I like a nice, clean finish.  So I used French seams (center vertical), overcast (using one of the utility stitches), and a bias edge as you can see in the next photo.

Seam finishes in my tunic: bias facing, on the top, overcast edge at the armscye (set in sleeve seam) and French seam (enclosed raw edges) on the side seam.

I did a quick free-motion quilting practice using the open toe foot skimming foot.  The default setting with my preferred threads, a 40-wt shiny poly in the needle and a 60-wt fine poly in the bobbin, wasn’t quite perfectly balanced for that thread combination, so I adjusted the balance by one notch and it looks excellent.  This is a common adjustment when using threads that are not identical.  Why do I use a thinner thread in the bobbin?  For art quilts, durability for wear and washing isn’t an issue.  And with the density of my stitching, the finer bobbin thread means less thread-build up, not as stiff, and more miles of thread to the bobbin!  ALWAYS test a potential new machine with the fabrics, batting and thread combinations that are your favorites–not whatever the sewing machine store has on hand!

Test free-motion stitching on the S7.  You can see my note that says “Default 4.6” and “4.8.”  After looking at the back having stitched the first feather and name, I decided I wanted to have the balance adjusted slightly.  I always test for stitch balance with two contrasting colors so I can see what is happening.

Reverse of FMQ.  The stitching on the right is the default setting.  I was seeing a TINY bit too much of the needle thread on the back, so I loosened the top tension one notch.  The second stitch out, on the left in the photo above, is better.  The tiny bit of dark you see is the shadow inside the needle hole.  A bit of moisture/steam or just time will close up those needle holes.  (Click for larger view)

The drawbacks to the S7 were VERY few and minor:  the harp, the space between the needle and the housing on the right, is that of a standard sewing machine.  I’ve been sewing on the machines with a longer harp area for a decade now.   However, I have also quilted a king-sized quilt (carefully) on a machine with a smaller harp than this one.   If you want to quilt king-sized quilts at home you might want to consider a longer harp, otherwise, you’ll be fine with this machine.  Also, the machine does not come with an extension table included.  These are minor quibbles:  this is a great machine for someone doing garment and home dec work, and for someone who is newer to quilting and doesn’t want to spend the bigger bucks for the larger machine.

Note:  one commenter told me “a regular sewing machine has a harp area of 6″-7″ and the S7 has a harp area of 8.25″ That makes it even more of a real winner (I hope you correct this on your S7 evaluation.)”   OK, I don’t have a measuring tape or the time to check this out (plus the machine is back at Janome), but let’s just go with “the harp area is smaller rather than larger.”  You can still quilt on it!  <grin!>

Janome makes a “Quilting Kit” to go with it that includes an extension table and my most-favorite-in-the-world convertible free-motion quilting foot.   The Skyline quilting kit part number is (according my lovely Janome contact) 003863402005, and comes with an extension table, appliqué foot, clear view quilting foot, ditch quilting foot, open toe satin stitch foot and (drum roll please!) the convertible free motion quilting foot set that is my fave!

My final test was the decorative stitches.  I’ve been able to be a part of Janome’s 100 blocks in 50 days project (ongoing now, here).  I liked the Michael Miller Cotton Couture fabric SO MUCH (silky, soft, glorious) that I made extra blocks for myself, and designed this embroidered block to go with mine. Here is the PDF for my Janome Embroidered Block .  Basically, start with a 7 inch block and stabilizer suitable for the weight of your cloth; you want to cut large because stitching can shrink a block a bit.  Basically, cut it big and trim to exact size when done.  Use a satin stitch (a short length zigzag) to create two stems coming in from opposite corners of the block.  Use the Satin Stitch leaf (built in on the S7–similar stitches on other machines) and adjust the stitch length (doubled on some) following the instructions in the manual, width and stitch density (refer to the PDF) to stitch out the leaves using my block as a general guide for placement–you don’t have to be exact.   I outlined the leaves with an overcast stitch from the basic utility stitches menu.  Then use the snowflake stitch, reduced in size, to make the “dots” in the background.  When complete, trim to 6 1/2 inches to match your other “100 Blocks” project.

Notice that I chalk marked a 6 inch square and a 5 1/2 inch square inside it. I needed to know the edges of the finished block, and wanted to leave a bit of clearance around the design so none of the decorative stitching accidentally ended up in the seam allowance.

The phrases life-saver, worth it’s weight in gold, a value at twice the price are what first come to mind:   The Janome 15000 app is simply amazing.  I have delayed blogging and reviewing it because I wanted to view ALL the videos first.  I came to realize there is simply so much content packed into this App that it would take eons for me to go through all of the videos, and I should simply go ahead and say:  if you are lucky enough to have the Janome 15000, unless you are an expert like Jim and Diane Stutsman, BUY THIS App!!!!!

When you type Janome 15000 into the App Store search box, you’ll get this screen. You will see a “buy” and price. On mine, it has the Download box since I’ve already got it.

To buy it, you’ll want to use your iOS device (iPad usually but also works on iPhone, just smaller for seeing) to open the App store.  Type Janome 15000 into the search box to reach the App which sells for $59.95.  If you don’t have a Janome, you can still learn from Jim and Diane via the FootBook, their App (reviewed FootBook Review) about how to use Janome presser feet.  Don’t let that dissuade you:  this modestly priced ($6.99) app shows how to use various feet that are common to all machines.  Even though the foot name might be different from one brand to the next, how they work carries over.

When you go to the App store on your iOS device, put Software Miracles into the search box to bring up this screen.  The FootBook is pictured on the left.  The Janome 15000 pretty much covers all the territory on the FootBook, so you don’t need both.  However, since many of my readers aren’t lucky enough to have the 15000, I’m including this for their information.

The Janome 15000 App is a “manual” for the Janome 15000 with videos, photos, and incredible and extensive detail that covers

• Home Screen Functions
• Embroidery Functions
• Home Screen Applications
• Optional Feet
• Quick Start Videos
• Set Screen Functions (how to customize the machine)
• HorizonLink Suite (an optional embroidery software from Janome)
• iPad Apps (including the included with the 15000 Acu Monitor and AcuEdit)
• Accessories (Using the optional Clothsetter)
• Free Motion Quilting

Here’s what you see when you open the App:

When you open the Janome 15000 App, here’s what you see…don’t forget to scroll down, there is a LOT more!

There are multiple videos and tutorials for each of the above major sections.  As with their impressive FootBook App (which is about how to use Janome feet, but frankly works for most feet/brands, blogpost here), there is a ton of information   In the Home Screen Applications section alone there are tutorials on (photo just below).

• Seaming
• Overedge
• Blind Hem and Shell Tuck
• Rolled Hem
• Zippers
• Gathering
• Bating
• Button Sewing
• Tacking
• Applique
• Patchwork
• Quilting

Here’s just part of what is on this information-packed app.

This app is essentially a whose SERIES of sewing lessons that are useful even if you aren’t on the 15000 (though they are geared to using the screens and pre-sets on this machine).   And, because it is an App, not a disc, Jim and Diane can update the software easily.  Once there is an update, you can download the update as part of  your original purchase price, which means you get the benefit of improvements down the line.

As I said when I reviewed the FootBook, I have been hand-sewing since I was about 7, and Mother let me start to machine sew when I was about 9.  I am pretty close to expert having made garments, worked for an interior designer making high-end home dec items, and been both a traditional and art quilter (published, exhibited, yada yada).  Well, I learned stuff from this App, which means that it is crazy comprehensive.

For me, with my experience, the embroidery instructions are the most useful, and I am so grateful to have these on my iPad so I can watch them while I am working at my machine.   I don’t have the Horizon Link Suite (because I’m not wild for embroidery), but I can tell you if I did I would use these videos as my step-by-step learning process.  Another thing that is amazing, Jim has a Yahoo group for owners of the Janome 12000 and 15000.  I joined before Janome lent me one just to start learning.  Jim’s help there has also been phenomenal.   If you are interested, you can go Janome 15000 yahoo group to ask to join the group.

The Stutsmans have a website, OnLineSewing.com.  Here’s a link to the page with info on the Janome 15000 app, and another link for the FootBook. There is helpful information on what you need in terms of tablets for viewing (with generation etc).

Bottom Line and Last Word:  If you have the Janome 15000, unless you are the most expert Janome 15000 person on the planet, you will learn something from this App and be able to use and learn from it.

This week’s photo assignment was decay.   I kept wondering if non-organic items can be said to decay, but decided for my class submission to stick to this image of a hosta leaf right by our front porch. Please note all photographs are (c) Sarah Ann Smith 2015.  To see a photo a bit larger, click on it!

Cropped square, increased contrast a fair bit, levels to lighten a tad.

And that truck I think is so fabulous, just slowly disintegrating near the old stone wall.   I can tell how much I’ve learned in this class:  I was able to get it sharp, deal with the extreme dark/light, bring out the details in the shaded areas, adjust the color so the photo looks like what the eye perceives and not what the camera thinks it is…. really enjoying and learning from the class with Ricky Tims.

The usual tweaks, plus dodge to lighten the old tractor part in the lower left, which was initially a black hole! I keep wondering if this fits the theme…want an inanimate object decay?

LOTS of edits and fiddles, including major crunching on Curves and Levels, B&W Dreamscape, etc.

And because I simply can’t resist the colors of autumn and those spectacular shades in the blueberry barrens (these are the real, wild, low-growing tiny Maine blueberries–so much better than those big marble-sized things in the grocery stores across America!).  Yes, one of these days there WILL be cloth dyed in the barrens colors….

The usual adjustments to sharpen, levels, shadows, tiny vibrance to get it to look like it really did!

SWOON:

More autumn decay with blueberry barrens, decaying stone wall and birches in autumn in Maine.
The usual edits: smart sharpen, tiny bit of vibrance, crunching levels.

Among other things I’ve been doing, I have been making some clothing!   Several months back I fell in love with the Philip Jacobs (for Westminster Fabrics, he’s part of the KFC:  Kaffe Fassett Collective of designers) petunia print in the blues.  I was able to order it from Glorious Color (on Blue petunia fabric by Philip Jacobs, for as long as it is in stock!).  Philip designs (gloriously) for both Rowan and for his own line, Snow Leopard.   See his Westminster fabrics here or visit his Facebook page here.  He also has a horse named Neddy who approves his designs (grin!).

Sarah in her new tunic. The opening is deep and requires a camisole or decorative something underneath.  I lengthened the sleeves so I could wear a long-sleeve T under it in winter.  It gets cold up here in Maine!  By adding 6-8 inches you could make a lovely dress (or if you have shapely legs and don’t mind short, wear as a short dress as is).

I used a pattern I have had in my stash for a while and that is wildly popular:  the Schoolhouse Tunic by Sew Liberated.  You can find it in many quilt shops including Alewives Fabrics (one of my great local shops).  The direct link to the pattern on the Alewives site is Schoolhouse Tunic.  An alewife, by the way, is a type of fish.  They are common in the area and they spawn by going upstream–just behind the shop.  You can always tell when the Alewives are running in spring because every sea bird, gull, cormorant in a many-mile-radius is squawking and flying about!

The pattern I used.  My friend Kate has made this in a lovely natural linen and in some shirtings and it looks great.  Flatters many figure types, too.   Notice the 3/4 length of the sleeves.

with sleeve on left of photo turned up.  I made the hems really deep so that I could turn up the sleeves in summer and still have it look pretty.

I have some jersey (t-shirt type) fabric–another splurge purchase at Alewives–that I want to use to make another one.  For that one, I will not use such a deep hem.   My size, alas, has increased somewhat.  I had thought by using the next-to-largest size I would have ample room for a shirt underneath.  I have room, just not ample room.   So when I make it in the jersey, I don’t think I will do the usual “go down a size to make up for the stretch.”  I can easily fine tune the fit by taking deeper seams on the sides if I decide I need to do that.

This top was one of the projects I sewed on Janome’s new Skyline S7 machine, which I will review on Monday, October 26th.   I used the blind hem stitch to overcast the edges.

Seam finishes in my tunic: bias facing, on the top, overcast edge at the armscye (set in sleeve seam) and French seam (enclosed raw edges) on the side seam.

Next up:  a review of an “App” for one’s iOS device (iPad etc) and the top of the line Janome 15000 on which I usually sew.   The App is incredible…that post will be up in a couple of days.

So besides photography, what have I been up to these past six months and more?  Well, a lot of teaching, a lot of work, and not a lot of free time.  And oh yeah, being exhausted from the thyroid stuff (which is FINALLY improving…we may finally have the right RX…will see in a month).  So I have neglected the blog plain and simple.   I’ll try to fix that!  Today just a brief tease:

Lonnie Rossi embroidery design available from Janome, included on the Janome 15000.  The red and green will be part of what I plan to do with this block.  Sorry the photo is a little blurry–I’ll fix that by the time I get the project done! 

Can you believe that I, the “never do anyone else’s designs” person and “embroidery really isn’t me”, have enjoyed learning about embroidery on the phenomenal Janome 15000 that I currently have on loan (thank you again Janome-America).  Most of the included designs are, well, why “embroidery is not me.”  But Lonni’s designs ROCK!   The one above was done in a totally different colorway–soft greens, some peach.   Well, not me.   Has opened up a world of possibilities, including perhaps some of MY designs finally getting refined and submitted for consideration by Janome!  [Taylor, I promise, I really have stuff for you! I just need to make it good enough to send in!]

As part of the Janome Artist-Teacher loan program, I make stuff that Janome can blog about or use in their booths to show what can be done with their machines.  I thought the flowers looked like poinsettia as well as chrysanthemums, so I changed up the thread colors to reds, green and gold (not metallic).

I am also not someone that loves fiddling with computerized stuff on a machine.  I have to say, this machine has made it SO EASY.   Another thing that has helped immensely if an App from Jim and Diane Stutsman, available for iOS devices (iPad and iPhone), that teaches you everything but everything about the 15000.  I’ll review that in my next post.  It costs only $59.95 US, and all I can say is that if you have this machine, you will NOT regret spending that $60.  Totally worth it.

Anyway, when the winter Janome project is made with this design, of course I’ll share here.  The pattern will be available for free (here or on Janome or both…I’ll let you know), along with exact thread colors, yardage, etc.   Stay tuned!

Gosh it feels good to be back in touch (and have a functioning brain and body…now, to do something about the pudge and lack of fitness….)!