I’m delighted to share that my most recent art quilt, Milkweed No. 2, has been selected to be in Brenda Gael Smith’s current exhibit, A Matter of Time, and is en route to Australia!  Brenda is giving us all sneak peeks at the artworks in her blogpost series called “Just a Moment”  here.

Milkweed No. 2 has been juried into A Matter of Time and will be touring in Australia, New Zealand, and possibly points beyond in the coming two years. I’m thrilled—just wish I could fit inside the envelope and travel with it!  Click to view a little larger.

Apparently I mostly forgot to take in progress photos (!!!) while I was making Milkweed No. 2, so I will share one or two in progress shots from the making off Milkweed No. 1 (which I have not yet shared in public…stay tuned for that in a few weeks) in this and in a second post about my process.

As usual, I began with an idea (more like an obsession with milkweed pods) and dyeing fabric.  I had plenty of batiks and some of my own hand-dyes but needed more for the sky.  I decided to dye some cotton duck for the backing, as well.

Backing and sky fabrics I dyed specifically for my two Milkweed quilts.

I use the cotton duck as a stabilizer.  It helps reduce shrinkage and the artwork hangs beautifully, although it isn’t as easy to handle under the needle as a lightweight fabric.  It is worth the trade-off!  I wrote an article about my process for Machine Quilting Unlimited and blogged about that here.

The top side of the cotton, is on the left. The right side shows where the dye pooled on the bottom (cloth was dyed flat on a surface).

Next, using Mistyfuse (by far the softest hand, easiest to use, never “ages out”) adhesive / fusible web, I prepare my fabrics for collaging.  My video workshop (here on my site and available as a download here from Interweave) shows this part of the process, plus a lot more.  Anyway, I use my “stash” of fused pieces, but always end up adding more bits for a given piece.

Sorry about the shadow on the left—here I’ve got fabrics out for fusing and am sorting them into colors using carry-out dish lids (that I’ve been using for at least the past 7 years! that restaurant has been out of business for eons)

Next, I start the fusing process.  In this shot, I’m working on the sky for Milkweed No. 1 (larger, landscape orientation), but I used exactly the same process on this piece.

Working on the sun-glow in the sky. This is totally a collage process. I tend to cut chunks to go into the various trays, then use as is or submit while collaging.  The drawing you see is a piece of paper underneath my non-stick ginormous press sheet with my sketch.  I ordered this one from Valerie Hearder in Canada, but Mistyfuse now sells the Holy Cow Goddess sheet which is 36×48 inches.   Really helps with my process–I just cover the entire “big board” and get to work.

I then did a bit of surface design including stenciling and screen-printing using thermofax screens (details in my next post).  Finally, I quilted my piece.  Aren’t the colors just glorious?  And yes, bright purple works in a seed pod!

Quilting on one of the milkweed pods, using variegated thread from Superior Threads.

A second detail shot that shows some of the sky–I just love those days where there is a bright glowing spot in the sky where the sun is behind the clouds.

I’ll be back in a few days with more on the processes using paint!   Remember, visit A Matter of Time here and the “Just a Moment” previews blogposts about the various artists and artworks here.

As you might guess by the deafening silence here on the blog, I’ve been rather busy but I have various bits of good news to share, and I’ll start with the most recent:  I will once again be on the Faculty for International Quilt Festival in Houston in October/November 2016!   And, drum roll, I’ll be teaching a few new things….yippeee!   Here’s my schedule, which stretches from the Monday of Quilt Market (a closed trade show for industry professionals) through Saturday of Quilt Festival.   On Sunday I get to PLAY—provided I can put one foot in front of the other and still see!   For details about each of the classes, please visit my Classes page which has descriptions of all the classes, class supply lists and, when available, hotlines to blogposts from previous versions of these classes so you can get a feel for what to bring.

Learn to make the painted fabrics in this project in my new class The Nest–Surface Design Exploration for Beginners at IQF-International Quilt Festival Fall 2016.

• Monday, October 31:  Decorative Stitch Appliqué, in the Janome classroom, All-Day class
• Tuesday:  a day off–I’ll probably be IN a class!
• Wednesday, November 2:  Fine Finishes–An Album of Techniques (bindings and more), in the Janome Classroom, All-Day class
• Thursday, November 3, morning:  Machine Quilting Forum–Fun and Fancy Thread, 9-Noon
• Thursday, November 3, afternoon:  The Nest–Surface Design Exploration for Beginners, 2-5, kit fee
• Friday, November 4:  Tame Fussy, Fiddly Threads for Machine Quilting, in the Janome Classroom, All-day, kit fee for a range of threads etc
• Saturday, November 5, morning:  Saturday Sampler–Screen-Paint the Perfect Fabric, 10-Noon
• Saturday, November 5, afternoon:  Easy-Peasy Inside-Out Bag, 2-5, in the Janome Classroom
• Sunday:  PLAYTIME–to see the exhibits and shop and collapse, in that order!

I’m totally good with having stayed home this past year as it was our younger son’s senior year in high school, but I so missed seeing folks.  I’m thrilled to be back in Houston and on the faculty. Thank you IQF and students!

Well, in late November my laptop started acting bizarre.  That led to getting ridiculously behind in EVERYTHING.  Add in the holidays and the beginning of Eli’s wrestling season and, well, it has been weeks since I surfaced here.  The good news is I have been VERY busy and productive, so now it’s time to start sharing.  And since “enter shows” season begins, I have drafted up a new, freebie PDF on how to make a hanging sleeve properly.  You can download the Hanging Sleeve–PDF, and it is also listed in the “Tutorials” section of my Resources page which is here.

A quick peek at my new PDF on How to Make a Hanging Sleeve–click on the link above to download the complete instructions.

Guilds, shows and shops have my permission to download and reproduce this handout as long as it is downloaded in its entirety, nothing is changed, and credit is given to me with a link to my website.  In other words, something like “How to Make a Hanging Sleeve by Sarah Ann Smith, www.SarahAnnSmith.com.”    And I’m pretty sure it will in the not distant future be available on the SAQA website, as well.   I’ll update this post if/when that happens.

Given the way my life goes, I can’t promise I’ll be back soon, but I sure hope to try!

Happy Solstice, Christmas, Boxing Day, Kwaanza, New Year’s, Winter and just plain old happy day to one and all!   Just a quick note to say hello, as I will be otherwise happily busy with family, cooking, family, and more family on Christmas day.  I thought I’d share the year in pictures–the page of photos I share in our annual Christmas Newsletter that I send out to friends from long ago and far away.

Some of the photos are ones I have taken during my yearlong workshop with Ricky Tims. I’ve worked hard to make the most of the class and am thrilled with how much I have learned. If you’re interested, put Foto Friday or Ricky Tims in the search box to see related blogposts. But wait until Christmas is over! Enjoy family and whatever you are doing today. Life is short, so remember to enjoy your blessings and the beauty of the day. (You can click the photo to see it a bit larger if you’d like.)

I am absolutely THRILLED with how my article for Machine Quilting Unlimited’s January/February 2016 issue turned out! I don’t think I’ve been this thrilled since the first time I was published, so thank you editor Kit Robinson and MQU Magazine!

The opening spread on my article about creating Descended From the Stars

Cover of the January/February 2016 Machine Quilting Unlimited (MQU) magazine with the article on the making of Descended From the Stars

In my last article for MQU about The Fourth Layer, Stabilizing the Quilt Sandwich (when doing intense quilting and/or threadwork), published in the  issue, I mused at the end that I might try to use my preferred choice, cotton duck, as the backing (the third layer) instead of as a fourth layer.  When I did just that in my quilt Descended From the Stars, I wrote editor Kit Robinson to share the results, thinking that readers might enjoy a quick update to the article.  Instead, she asked if I would write an article for their “Challenging Quilts” series!  You betcha I would, and now it is just published.

The quilt was made for the current Dinner@8 exhibit Affinity, and you can read the call for entry in the photo above, just to the right of the full-page image (and wow am I thrilled my photography looks so good and accurate on the page!).  At the top right of the right hand page you can read the quote written on the quilt, but I’ll also close this post with the quote which is fitting at this time of year.

The article takes you from the initial seed of an idea, to the call for entry, and through the creation process:  developing the working sketch, ideas abandoned, dyeing fabric (sometimes twice on the same cloth to get it right) and more.   I hope you will enjoy reading it; I certainly enjoyed making it and look forward to having it home.  And maybe entering it into shows or even selling it!  Yes, it would be hard to part with it, but a girl’s gotta make a living.

Squee! On the first page of the Table of Contents!

As soon as I get the pie, cranberries and stuffing made today, I’m going to treat myself to a good sit-down and cuppa tea with this issue.  I always love Margaret’s articles and her posts on FB–she is simply a brilliant quilter.  She can take an already-outstanding client top and make it over-the-moon fantastic.  And I am REALLY looking forward to (and trying out) my friend Lisa Walton’s article on painting on your quilt after doing the quilting.  I wanted to win her donation quilt in the last SAQA (Studio Art Quilt Associates) auction, but missed out to someone with a larger budget than mine.  Good for SAQA, but sad for me.

And here’s that inspiring quote from Mirza Khan, the Religious Studies Director at my old High School, San Domenico:

We have descended from the stars.  We have risen through the forms of thousands of animals.  We have passed through the lives of our ancestors, our grandparents, and our parents.  And now we have been born into the moment of our supreme existence.  We have a life.  What will we do with it? –Mirza Khan (used with permission, and with great thanks)

Welcome back to the light now that solstice is passed (and I’ll get caught up on my Foto Fridays that have been missing since the demise of the old laptop) and on to the peace and joy of the season, and a long winter for making art!