What better pairing than a great exhibit  (of which I am proud to be a part) AND an opportunity to help “Kickstart” a great new chapter in the Why Quilts Matter series.

I’ve blogged before about my quilt, Strength and Calm, which has been juried in to the Rituals exhibit that will debut this summer at International Quilt Festival Long Beach then travel on to the mega-kahuna-mecca of quilts, International Quilt Festival in Houston (where I will also be teaching again! would love to see/meet some of you in my classes!).  Well curators Leslie Tucker Jenison and Jamie Fingal have been running a fun and fascinating glimpse into the lives and personalities of the artists who have made the quilts in this year’s exhibit.  Today is my turn!  So to read more about it, go here.  Thanks to Moore‘s Sewing and Havel (as in those wonderful scissors) for sponsoring the exhibits!

Speaking of sponsoring, I was starting to read some old QuiltArt digests, and discovered that Shelley Zegart has launched a new project, a companion guide to the WONDERFUL DVD series, Why Quilts Matter (click here to read lots more about the series).  I’m thrilled to say I’ve just made a donation to her fundraising campaign on Kickstarter.  You can click on the widget (the doohickie to the left) in the sidebar of my blog or go here to help support this effort and read more about it.

Last month my dear friend Jacquie Scuitto, a.k.a. The Quilt Muse, published a book of her verses in an e-Book format via SmashWords!

If you’ve been fortunate to be on any online groups with Jacquie, you’ll have enjoyed her periodic commentaries (via verse) on various and sundry things dealing with our quilting life.   Here’s a link if you’d like to order your own modestly-priced e-Book!  It’s fun, wonderful, and I’m so happy to be able to share with you!

I’m feeling a bit sheepish at taking so long to writing this review… I was away teaching then learning in April when it came out, and it seems May has just evaporated into a blur of kid-activities, springtime chores and whatnot (as you might gather from the lack of blogposts)!  With that said…. I thoroughly enjoyed reading all of these verses, and found favorite poems.  Jacquie has hit the nail on the head in describing this as light verse… it is just that, with insightful commentaries on so many of our favorite things.

I’m tickled to see that her poem on thread, The Wonder of Thread, which she let me include in my book on just that topic, is included in this volume.  Other favorites included The Workshop:

Quilts here, quilts there,
Quilting quilters everywhere.
Fabrics on tables, scraps on the floor.
Choosing and cutting,who could ask more?

Which continues with input from the teacher of the workshop, of course!

Many of us will nod our heads in understanding when reading SOS

Where can I store more fabric?
my shelves are crammed….

And yet another commiseration (Sarah typed, grinning away….) in Meaningful Scraps:

When I burrow into my boxes of scraps
It’s an archeological trip:
There’s a bit of my quilting history
In each and every strip.

Here’s a taste of just one more —-and there are lots of these lovely verses…. I’m only including portions so you can get a feel…. if you’d like to read them all you’ll need to head on over to Smashwords and download your own copy!  You can select a PDF (which I did, to read on my laptop), or versions for iPad, Kindle, Nook, etc….. I think every reader program is covered!   This last delectable is  The Recipe:

A fat quarter of this,
A half-yard of that,
A rotary cutter.
A queen sized batt.
Mix well with one quilter
And add in the spice

…..

Well, when you mix well with the one quilter who just happens to be Jacquie, and add in the spice of her gentle sense of humor and winning way with words, you’re in for a lovely treat.  A great gift for yourself or the favorite quilter on your gift list!  Order it here.  And for another review, hop on over to Ellen Anne Eddy’s blog, here.  Yes, I’m biased—I’m so happy that Jacquie is my friend; she’s a good friend and a fun writer and I hope you’ll enjoy her whimsy and wisdom as much as I do.

Just took these a few moments ago and had to share…..

And to skip back to the first in the sequence….and then in order.  Taken from the living room side windows and (the last one and the one above) the porch, looking west over the lawn and the big meadow below the stone wall/hedgerow…

Pinch me… I really get to live here?  Where’s the best place to live on Earth?  MAINE!

Wow has time whoooshed by faster than the usual blindingly-fast disappearing that it usually does!  I’ve returned from a fun teaching trip to two guilds in Arkansas, a visit with an internet friend, gone to a 5-day dyeing silk workshop in Massachusetts, attempted to get caught up on paperwork (but not the accounting…UGH), and launch into Eli’s track season, his last sports season of Middle School… it is hard to believe in 5 weeks or so he will be a Freshman-at-the-end-of-summer!   So I guess I’ll start with the oldest news first:  Little Rock!

While heading out to lunch one day from class, one of my students pointed out a building across from the library (where the workshop was held) because she had a piece in the SAQA / Studio Art Quilt Associates regional exhibit!  On my day off between the two teaching jobs, I got to hang out with an internet friend whom I finally got to meet in the real.  Sherri D. took me to the exhibit and a few other places, so let’s  begin with the SAQA exhibit and Georgia’s  fabulous small piece!

Butterfly by Georgia Manning Lewis

She used many surface design techniques on the background and has been doing some wire-work for 3-D shaping.

The first piece I photographed in the exhibit is for my friend Kathy, who loves birds and makes wonderful bird quilts.  So Kath…here is an Arkansas wren for you:

Studio Wren by Sheri Marshall

I loved the stunning simplicity and calm of this piece:

Shamrocks by Ruth Ann Yax

I hadn’t realized that Arkansas is right next to Louisiana and, hence, close to the Gulf.  This artist is from (I think) Mississippi, where the BP oil spill wreaked so much environmental damage.

Guardian of the Gulf by Sarah Scott

A trip to China (according to the blurb card on the wall) was the inspiration for this garden-inspiring quilt:

The lotus by Darlene Garstecki

The artist made this quilt as a mourning quilt after his mother passed away.  On the card he noted: “We used to walk a road in North Carolina and talk.  I have since thought that maybe the words we spoke were captured in the trees; and if I was very quiet and listened very hard, I would hear the words falling back down on me, as I walked alone.”  …… I so love that thought…..

The View from the Road by Murray Johnston

On the other side of the building, I spotted these small kimono which (if I have deciphered the enlarged photo correctly) are by Judy Tipton Rush–really stunning quilting:

Judy Tipton Rush's pieces in the gallery store

The building is a craft/arts center, and had this gorgeous light fixture (I don’t even want to know how much it was for sale!…. and it’s not like there would be a place for it in my house!)

Way cool light fixture

And I’ve been having fun in my working sketchbook/notebook of ideas messing around with collage and magazine pages, so I really enjoyed these two sets of mixed media collages by Kathy Bay.  From looking at the photo closely, I believe they are acrylic paint plus paint on paper that she painted (as opposed to “found” papers).

Crayola Land by Kathy Bay

By Kathy Bay, these remind me of icebergs

Now, of course, I wish I’d taken photos of ALL the quilts, but at least you have a sampling! Enjoy, and I promise to be back without such a long gap between posts!

Hi everyone! I’ve been seriously absent, mostly busy!  I taught in Arkansas, got home at suppertime (stopping at Eli’s track practice on the way home from the airport), off to Coastal Quilters the next morning, unpacked that day, repacked the car the next day, and the following morning off to Massachusetts for a dyeing workshop!  More on all of that, but for today I’m sharing what I’ve just finished… lesson 4 in Jane LaFazio’s Joggles class, Watercolor Sketchbook:  designs from life.

The finished sketch/lesson

This lesson was “from the mountains,” so my garden filled in!  I chose fiddlehead ferns, a sure sign of spring in Maine, and the tightly furled (and opening) leaf buds of the beech tree.  As I wrote to the class:

I just adore the beech leaves, how they cling so tenaciously to the branch throughout winter, only relinquishing their hold when new growth finally forces them off and to the ground.

I’m posting a photo of what I sketched, but alas I waited too long and things kinda wilted, so I picked a second branch so you can see the long, slender, tightly furled leaf bud.

What I sketched, slightly wilted (with a strong afternoon sidelight and long shadows from the window)

Beech sprig on my closed laptop

I really liked Jane’s page with the two rectangles of leaves and the background of larger leaves and paint coloring the page around the boxes (not shown…in the lesson). I tried to do a similar tint/wash on this, but think I might better have stopped before that step. I was tired of plain backgrounds, but think this painting-in-back would be more effective if I had multiple smaller boxes/windows for the composition rather than this view. I included one photo of how *I* flooded in color: dampen section, add dots of thinned color, blend with a flat brush.

wet into wet....

…..I ended up with stronger blots of color than I wanted, tried to lift, then got sorta yucky rubbed areas. I do think I may want to use a less wet approach on this paper and then make myself a “mixed” journal of both mixed media and watercolor papers, or just suck it up and pay for a large watercolor paper journal period.

I DO like my “photo corners” tho! And it is curious that I, who adore vibrant color, am having fun with more subtle colors… AND (drum roll! ) I managed to remember to take photocopies of just the inked drawing for possible “other use.” What a concept…my brain was engaged!  Here’s the inked page (draw in pencil, draw in with ink, erase pencil) and the page with the greens and browns added, but no background wash.  I think maybe I should have stopped here, but so it goes.  Turn the page, try again!

The inked outlines

At least with my current skill level, I think maybe I should have stopped here and not added the wash of color in the background

Anyway, here ’tis. Now for lesson 5 and back to lesson 3….. Constructive criticism is most welcome and appreciated!

The same applies for all of you…. should I have stopped